Joshua Rothkopf

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For 792 reviews, this critic has graded:
  • 44% higher than the average critic
  • 3% same as the average critic
  • 53% lower than the average critic
On average, this critic grades 2.5 points higher than other critics. (0-100 point scale)

Joshua Rothkopf's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Winter's Bone
Lowest review score: 20 This Means War
Score distribution:
  1. Negative: 47 out of 792
792 movie reviews
    • 81 Metascore
    • 80 Joshua Rothkopf
    Kinji Fukasaku's slick, sick nightmare is best left to the quasi-banned realm where it exists as a perfect satire; when brought into reality, it's a touch awkward.
    • 72 Metascore
    • 80 Joshua Rothkopf
    Nothing about the movie is showy, except for Shelton's palpable love of good people making a mess of things. Barring some late-inning coyness, it's some of the truest, dinged-heart couples' circling of the year.
    • 76 Metascore
    • 80 Joshua Rothkopf
    For all its eye-opening material, The Dog still feels unfinished, but for students of New York scuzziness, it’s an essential addition.
    • 70 Metascore
    • 80 Joshua Rothkopf
    The real-life setup is a knockout, both ancient and timely, and even though Rohrwacher never quite passes — she looks too much like Barbra Streisand’s "Yentl" — the movie is on to a larger point, namely about the fluidity of sexual identity and our universal penchant for self-reinvention. The film builds slowly but deserves an audience eager to discuss it.
    • 76 Metascore
    • 80 Joshua Rothkopf
    This film's effectively wrought communion between once-spooked man and animal is more than enough for any entertainment. It rides easily into your heart.
    • 77 Metascore
    • 80 Joshua Rothkopf
    Her whole life has been about beating the odds — it’s inspiring stuff.
    • 84 Metascore
    • 80 Joshua Rothkopf
    Organizing the mercurial emotions and tics is director Joachim Trier, making good on the promise of his 2006 feature debut, the lit-related drama Reprise. This one's even better-it's about the honesty that often takes root in survivors, a rarely explored subject-but Oslo, August 31st is not an easy film.
    • 84 Metascore
    • 80 Joshua Rothkopf
    In combining video, surveillance footage and her own 8mm family memories, Heart of a Dog quickly accesses a realm of ideas that vault it far higher than mere sentiment would allow.
    • 72 Metascore
    • 80 Joshua Rothkopf
    American Sniper is a superbly subtle critique made by an especially young 84-year-old.
    • 68 Metascore
    • 80 Joshua Rothkopf
    Land Ho! avoids schmaltz to get at that rarest of male timber: rekindled hearts.
    • 58 Metascore
    • 80 Joshua Rothkopf
    Turturro, writing and directing in a register light-years from his nebbishy turn in "Barton Fink," has a more sensual NYC indie in mind.
    • 72 Metascore
    • 80 Joshua Rothkopf
    Having a backstage view of the momentous trip to China adds color, but the real takeaway here is a tone of dawning tragedy, sourness sneaking into even the most innocuous of visual records.
    • 86 Metascore
    • 80 Joshua Rothkopf
    If [it] doesn't feel quite as revelatory as Keep the Lights On (2012) or the heartbreaking Love Is Strange (2014), it still impresses you with its quiet, confident maturity.
    • 63 Metascore
    • 80 Joshua Rothkopf
    Unpacks the man's story with a dramatic flair that might be mistaken for Zoolanderiffic, if it weren't so aptly accessible.
    • 76 Metascore
    • 80 Joshua Rothkopf
    It’s a movie that loves boldly “important” ’70s-style dust jackets, loves its own lecturing voice (courtesy of neurotic narrator Eric Bogosian) and somehow makes that mélange strangely appealing.
    • 67 Metascore
    • 80 Joshua Rothkopf
    Michael Jackson was obviously shooting for the moon right before his death, as you can tell from these stunning bits of concert spectacle.
    • 82 Metascore
    • 80 Joshua Rothkopf
    Nothing about The Spectacular Now feels easy or After-School Special, although it tidies up too much (the personal essay should be retired as a device).
    • 69 Metascore
    • 80 Joshua Rothkopf
    The action scenes-blissfully easy to follow-are where Whedon makes the giant leap into the big leagues.
    • 73 Metascore
    • 80 Joshua Rothkopf
    Amazingly, Gere keeps it all together, via a kind of seething anti-rage that speaks reams to the character's survival instincts.
    • 79 Metascore
    • 80 Joshua Rothkopf
    A Most Violent Year, Chandor’s absorbing no-bull NYC drama, further clarifies what might be the most promising career in American movies: an urban-headed filmmaker attuned to economies of place and time, with an eye on the vacant throne of Sidney Lumet.
    • 80 Metascore
    • 80 Joshua Rothkopf
    Olsson requires us to connect the dots to today's struggles (a missed opportunity), but his discoveries are more than sufficient.
    • 54 Metascore
    • 80 Joshua Rothkopf
    A movie that gives Streep her most emotionally blocked character in years, without caricature.
    • 74 Metascore
    • 80 Joshua Rothkopf
    Tirola’s punchy timeline hits the breaks at the ’80s flameout, wobbling in its handling of self-destructive editor Doug Kenney. But until the defunct Lampoon starts magically reappearing in your mailbox, this excellently titled pic will do nicely.
    • 75 Metascore
    • 80 Joshua Rothkopf
    Despite the unsubtlety of the movie’s stance, a dizzyingly complex portrait emerges: that of pissed-off museum neighbors, arrogant critics and even the NAACP’s dignified Julian Bond, articulating a racial component.
    • 80 Metascore
    • 80 Joshua Rothkopf
    Lanzmann’s feisty exchanges with Murmelstein, a brilliant talker, become an emotional symbol for the pursuit of slippery truth, while the filmmaker’s recently shot footage of Yom Kippur services show a way of life in robust continuation.
    • 57 Metascore
    • 80 Joshua Rothkopf
    If the documentary lacks anything, it's a firmer grasp of Springfield's own transformation, from "kind of a dick" (per ex–MTV jock Mark Goodman) during his heyday to a giving, appreciative showman. Call it humility, shaded with weird, two-way neediness. Jesse's girl may have dodged a bullet.
    • 82 Metascore
    • 80 Joshua Rothkopf
    The White Ribbon comes dangerously--wonderfully?--close to playing like an evil-kid flick.
    • 61 Metascore
    • 80 Joshua Rothkopf
    It's here, in a keenly captured Forest Hills, Queens, land of low-lit bars and manicured lawns, that Roadie soars as a gently comic drama about living the dream - or trying to.
    • 82 Metascore
    • 80 Joshua Rothkopf
    Ajami is Israel’s submission to the Oscars, and like the gritty "City of God" before it, it takes harrowing, tricky circumstances and illuminates them with Scorsesian snap.

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