For 94 reviews, this critic has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this critic grades 3.5 points higher than other critics. (0-100 point scale)

Julie Salamon's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Schindler's List
Lowest review score: 0 Ferris Bueller's Day Off
Score distribution:
  1. Positive: 51 out of 94
  2. Negative: 13 out of 94
94 movie reviews
    • 86 Metascore
    • 100 Julie Salamon
    This brilliant satire, styled as a murder mystery, is the best insider's view of Hollywood since "Sunset Boulevard." [15 Dec 1992, p.A16(E)]
    • 86 Metascore
    • 100 Julie Salamon
    Mr. Frears is as good with the small touches as he is with the big ones – and that means they're great. [24 Jan 1991, p.A8(E)]
    • 77 Metascore
    • 100 Julie Salamon
    The movie has its own genuine charm and one hilarious high: Billy Crystal & Carol Kane are simply wonderful. [24 Sept 1987, p.24(E)]
    • 94 Metascore
    • 100 Julie Salamon
    The most imaginative movie to come along in ages. [18 Oct 1994, p.A14(W)]
    • 93 Metascore
    • 100 Julie Salamon
    A movie that falls outside the ordinary, or even the extraordinary. There is enormous passion and artistic integrity throughout this film. [11 Jan 1994, p.A10(E)]
    • 82 Metascore
    • 100 Julie Salamon
    It's powerful entertainment. [22 Sept 1992, p.A16(E)]
    • 83 Metascore
    • 100 Julie Salamon
    A magnificent movie. [19 Oct 1993, p.A18(E)]
    • 89 Metascore
    • 100 Julie Salamon
    With its breathtaking visual style and careful attention to sound and movement, the movie provokes contemplation about the ways people communicate – through words, through music, through sex, and, most significantly, through touch. [14 Dec 1993, p.A14(E)]
    • 79 Metascore
    • 100 Julie Salamon
    Extraordinary...The movie has the intensity of an epic, only its subject matter is everyday life. [19 Oct 1993, p.A18(E)]
    • 90 Metascore
    • 100 Julie Salamon
    This unpredictable and hilarious paranoid fantasy is a contemporary, urban "Wizard of Oz," peopled by punk artists and Yuppie vigilantes instead of wicked witches and Munchkins. [5 Sep 1985, p.1]
    • 90 Metascore
    • 90 Julie Salamon
    Persistently upends expectations without insult, as it pulls you into a netherworld filled with yearning, whimsy, and danger. [15 Dec 1992, p.A16(E)]
    • 86 Metascore
    • 90 Julie Salamon
    [Crowe] knows how to shape a scene and he's never cheap with characterization; adults are permitted to be as complex as their children; a rare event in pictures. [18 May 1989, p.A14(E)]
    • 65 Metascore
    • 90 Julie Salamon
    A film that is both touching and generous of spirit - and funny as well. [15 Dec 1988, p.A16(E)]
    • 79 Metascore
    • 90 Julie Salamon
    This is a first-rate squealer. [07 Aug 1986]
    • 74 Metascore
    • 90 Julie Salamon
    The director Penny Marshall has gone straight to the heart of this complex story and made a powerfully poignant and illuminating film. She doesn't hesitate to push for the grand sentimental moment, but balances the teary stuff with restraint and humor. To be sure, Awakenings seems calculated to induce weeping -- and it does, without making the weeper feel cheap. [20 Dec 1990, p.A14]
    • 84 Metascore
    • 90 Julie Salamon
    The dialogue in "Broadcast News" is so quick and clever I wanted to see the movie again the minute it ended because I knew I couldn't have possibly caught it all. I caught most of it though, and certainly enough to know that this is one terrific movie. [15 Dec 1987, p.1]
    • 81 Metascore
    • 90 Julie Salamon
    This musical about a plant that craves blood has a smart and snappy score -- and Steve Martin in a hilarious bit as a dentist who gives himself laughing gas as he treats his unanesthetized patients. [23 Dec 1986, p.1]