For 624 reviews, this critic has graded:
  • 52% higher than the average critic
  • 3% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 0.1 points higher than other critics. (0-100 point scale)

Justin Chang's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 The Gatekeepers
Lowest review score: 0 Persecuted
Score distribution:
  1. Negative: 56 out of 624
624 movie reviews
    • 96 Metascore
    • 100 Justin Chang
    Ratatouille is delicious. In this satisfying, souffle-light tale of a plucky French rodent with a passion for cooking, the master chefs at Pixar have blended all the right ingredients -- abundant verbal and visual wit, genius slapstick timing, a soupcon of Gallic sophistication -- to produce a warm and irresistible concoction that's sure to appeal to everyone's inner Julia Child.
    • 82 Metascore
    • 100 Justin Chang
    Enthralling...An ambitious, full-bodied crime epic of gratifying scope and moral complexity, this is seriously brainy pop entertainment that satisfies every expectation raised by its hit predecessor and then some.
    • 92 Metascore
    • 100 Justin Chang
    Talky in the best sense, the film exhilarates with its lively, authentic classroom banter while its emotional undercurrents build steadily but almost imperceptibly over a swift 129 minutes. One of the most substantive and purely entertaining movies in competition at Cannes this year.
    • 84 Metascore
    • 100 Justin Chang
    Eco-activist documentaries don't get much more compelling than The Cove, an impassioned piece of advocacy filmmaking that follows "Flipper" trainer-turned-marine crusader Richard O'Barry in his efforts to end dolphin slaughter in Taiji, Japan.
    • 79 Metascore
    • 100 Justin Chang
    This educational eye-popper should prove an excellent draw for science lovers of all ages.
    • 74 Metascore
    • 100 Justin Chang
    If Inception is a metaphysical puzzle, it's also a metaphorical one: It's hard not to draw connections between Cobb's dream-weaving and Nolan's filmmaking -- an activity devoted to constructing a simulacrum of reality, intended to seduce us, mess with our heads and leave a lasting impression. Mission accomplished.
    • 95 Metascore
    • 100 Justin Chang
    Continues Fincher's fascinating transition from genre filmmaker extraordinaire to indelible chronicler of our times.
    • 94 Metascore
    • 100 Justin Chang
    Bravura narrative filmmaking on a hugely ambitious scale, Carlos is a spectacular achievement.
    • 85 Metascore
    • 100 Justin Chang
    Result is pure-grade art cinema destined primarily for the delectation of Malick partisans and adventurous arthouse-goers.
    • 72 Metascore
    • 100 Justin Chang
    A mesmerizing companion piece to his 2008 debut, "Hunger," this more approachable but equally uncompromising drama likewise fixes its gaze on the uses and abuses of the human body, as Michael Fassbender again strips himself down, in every way an actor can, for McQueen's rigorous but humane interrogation.
    • 73 Metascore
    • 100 Justin Chang
    Wrenchingly acted, deftly manipulated and terrifyingly well made.
    • 91 Metascore
    • 100 Justin Chang
    While no film from the narrow perspective of Israeli intelligence could purport to offer a thorough view of the conflict, what makes The Gatekeepers ultimately so compelling is its pervasive sense of moral ambiguity.
    • 94 Metascore
    • 100 Justin Chang
    Honoring all that was memorable about its forebears while taking the story to new depths of catharsis, Before Midnight stands as a unique and uniquely satisfying entry in what has shaped up to be an outstanding screen trilogy
    • 76 Metascore
    • 100 Justin Chang
    Decidedly not revolutionary cinema, Something in the Air instead quietly demystifies its subject. The tone of the piece is wryly affectionate but never indulgent; the experiences depicted feel emotionally true and lived-in without ever catching the viewer up in a rush of intoxication or excitement.
    • 83 Metascore
    • 100 Justin Chang
    Righteous, captivating and entirely successful as single-issue-focused documentaries go, Gabriela Cowperthwaite’s film draws on startling video footage and testimonies from former orca trainers, building an authoritative argument on behalf of this majestic species.
    • 96 Metascore
    • 100 Justin Chang
    The director’s long-overdue follow-up to “Children of Men” is at once a nervy experiment in blockbuster minimalism and a film of robust movie-movie thrills, restoring a sense of wonder, terror and possibility to the bigscreen.
    • 88 Metascore
    • 100 Justin Chang
    It’s a simple, even predictable story, yet textured so exquisitely and acted so forcefully as to feel almost revelatory.
    • 77 Metascore
    • 100 Justin Chang
    Grounded by a performance of monumental soul from Gleeson as a tough-minded Irish priest marked for death by one of his parishioners, the film offers a mordantly funny survey of small-town iniquity that morphs, almost imperceptibly, into a deeply felt lament for a fallen world.
    • 88 Metascore
    • 100 Justin Chang
    A captivating 1930s-set caper whose innumerable surface pleasures might just seduce you into overlooking its sly intelligence and depth of feeling.
    • 82 Metascore
    • 100 Justin Chang
    If the screenplay, by Dan Futterman (“Capote”) and E. Max Frye, is relatively spare in terms of dialogue, it’s satisfyingly rich and thorny in its conception of the tightly wound triangle at its center, while Miller’s direction evinces the same sustained intensity and consummate control of his material that defined his first two features.
    • 84 Metascore
    • 100 Justin Chang
    Nuri Bilge Ceylan is at the peak of his powers with Winter Sleep, a richly engrossing and ravishingly beautiful magnum opus that surely qualifies as the least boring 196-minute movie ever made.
    • 98 Metascore
    • 100 Justin Chang
    Sans dialogue or translation, each interaction effectively becomes a puzzle to be solved, and Slaboshpytskiy is brilliant at using ambiguity to heighten rather than dull the viewer’s perceptions. Even when the meaning of a particular exchange eludes us, a greater sense of narrative comprehension begins to take hold.
    • 79 Metascore
    • 100 Justin Chang
    Surgically precise, grimly funny and entirely mesmerizing over the course of its swift 149-minute running time, this taut yet expansive psychological thriller represents an exceptional pairing of filmmaker and material.
    • 71 Metascore
    • 90 Justin Chang
    George A. Romero shows 'em how it's done in Land of the Dead, resurrecting his legendary franchise with top-flight visuals, terrific genre smarts and tantalizing layers of implication.
    • 83 Metascore
    • 90 Justin Chang
    An endearingly schizoid Frankenstein of a movie, by turns relentlessly high-spirited and darkly poignant.
    • 73 Metascore
    • 90 Justin Chang
    The riveting interplay between Dench and Cate Blanchett draws blood with every scene, thanks to a precision-honed script and Eyre's equally incisive direction.
    • 74 Metascore
    • 90 Justin Chang
    A fastidiously grim ghost story that rattles the bones of the haunted-house genre and finds plenty of fresh (but not too bloody) meat.
    • 78 Metascore
    • 90 Justin Chang
    A mesmerizing portrait of the director as acclaimed artist and tortured human being.
    • 81 Metascore
    • 90 Justin Chang
    Though compelling throughout, District 9 never becomes outright terrifying, largely because Blomkamp is less interested in exploiting his aliens for cheap scares than in holding up a mirror to our own bloodthirsty, xenophobic species.
    • 82 Metascore
    • 90 Justin Chang
    Saavedra is riveting as a servant whose unblinking focus on her routine masks a profound loneliness.

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