For 670 reviews, this critic has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 0.3 points lower than other critics. (0-100 point scale)

Justin Chang's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 The Grand Budapest Hotel
Lowest review score: 0 Persecuted
Score distribution:
  1. Negative: 67 out of 670
670 movie reviews
    • 70 Metascore
    • 80 Justin Chang
    An intelligent, solidly argued and almost too-polished takedown of America’s spin factory — that network of professional fabricators, obfuscators and pseudo-scientists who have lately attempted to muddle the scientific debate around global warming — this is a movie so intrigued by its designated villains that it almost conveys a perverse form of admiration, and the fascination proves contagious.
    • 74 Metascore
    • 80 Justin Chang
    A satirical yet sensitive portrait of life in an evangelical Christian community, Higher Ground marks a startlingly bold directing debut for actress Vera Farmiga.
    • 73 Metascore
    • 80 Justin Chang
    Corbijn succeeds here in large part because his attention to nuance and detail so fully complements that of the German operatives at the story’s core.
    • 70 Metascore
    • 80 Justin Chang
    Filtering one school year through the eyes of three young instructors and a rookie administrator, this loosely scripted satire mostly steers clear of cheap shots and over-the-top gags, balancing its comic observations with a real measure of affection for teachers and students alike.
    • 81 Metascore
    • 80 Justin Chang
    This is a warmer, less foreboding picture than "Primer," not moving in any conventional sense, but suffused with emotion all the same.
    • 72 Metascore
    • 80 Justin Chang
    What’s onscreen is less a cerebral experience than a stirring and bittersweet love story, inflected with tasteful good humor, that can’t help but recall earlier disability dramas like “My Left Foot” and “The Diving Bell and the Butterfly.”
    • 76 Metascore
    • 80 Justin Chang
    J.C. Chandor's precocious writing-directing debut is fastidious, smart and more than a bit portentous as it probes the human costs of unchecked greed.
    • 76 Metascore
    • 80 Justin Chang
    Marked by moments of remarkable stillness amid its emotional tumult, the film's classy, perceptive treatment of potentially maudlin material merits wider arthouse attention than it's likely to receive.
    • 74 Metascore
    • 80 Justin Chang
    Anchored by five strong performances, including a piercing turn by Onata Aprile in the 6-year-old title role, this beautifully observed drama essentially strikes the same sad note for 98 minutes, though with enough sensitivity and emotional variation to make the experience cumulatively heartrending rather than merely aggravating.
    • 70 Metascore
    • 80 Justin Chang
    A moving, elegiac, deeply contemplative work that leaves the viewer not with a save-the-world checklist, but rather a spirit of hopeful reflection.
    • 72 Metascore
    • 80 Justin Chang
    This sharply scripted study of a bereaved woman who literally wishes her partner back from the grave is an impressive directorial bow by British playwright Anthony Minghella. Despite surface similarities with Ghost pic has a different feel and theme.
    • 71 Metascore
    • 80 Justin Chang
    Shadow Dancer is admittedly slow to gather force and momentum over its 101-minute running time, though by the third act, the deliberately paced drama has exerted a hypnotic grip.
    • 74 Metascore
    • 80 Justin Chang
    Porfirio's view of physical disability often mesmerizes despite its glacial progress and stingy way with narrative information.
    • 83 Metascore
    • 80 Justin Chang
    The title says it all. Compact and exuberant, U2 3D may be no more than a pint-sized concert film with a lustrous surface, but the lensing is so vibrant and the music so buoyant, even nonfans may find their eyes popping and their heads bobbing.
    • 71 Metascore
    • 80 Justin Chang
    The pleasure of Edge of Tomorrow is that it’s not an action movie first and foremost, but rather a cheeky little puzzle picture in expensive-looking blockbuster drag.
    • 59 Metascore
    • 80 Justin Chang
    Savages never quite captures the novel's diamond-hard sarcasm, it offers other satisfactions in its visceral immediacy, its overriding sense of danger and a clutch of performances that, whatever one's reservations about the characters, can't help but court the viewer's emotional investment.
    • 78 Metascore
    • 80 Justin Chang
    Blanchett’s performance is so dominant in terms of screentime and emotional impact that the film succeeds as not only a virtuoso ensemble piece, but also an unflinchingly intimate study of the character in the title.
    • 52 Metascore
    • 80 Justin Chang
    Part 2 has the bonus of a livelier Stewart performance than fans have been accustomed to. No longer a mopey, lower-lip-biting emo girl, this Bella is twitchy, feral, formidable and fully energized, a goddess even among her exalted bloodsucker brethren.
    • 80 Metascore
    • 80 Justin Chang
    This timely and involving documentary elicits both sympathy and schadenfreude, as Greenfield regards her all-too-vilifiable subjects with a complexity that should impress viewers of all economic and political persuasions.
    • 59 Metascore
    • 80 Justin Chang
    Judd Apatow's instincts have rarely been sharper, wiser or more relatable than in This Is 40, an acutely perceptive, emotionally generous laffer about the joys and frustrations of marriage and middle age.
    • 67 Metascore
    • 80 Justin Chang
    Two documentary filmmakers infiltrate a mysterious cult, only to find themselves drawn into the leader's insidious grip, in the taut, compelling low-budget feature Sound of My Voice.
    • 87 Metascore
    • 80 Justin Chang
    A virtually wordless film that speaks with grave eloquence and simplicity about the human condition. Nothing here feels fancy or extraneous, least of all Redford’s superb performance.
    • 76 Metascore
    • 80 Justin Chang
    Whereas 2007's well-traveled "Heima" reveled in scenic color imagery of the artists' homeland, this minimalist item strips the band down to its output, fashioning black-and-white performance footage into a uniquely spellbinding experience.
    • 71 Metascore
    • 80 Justin Chang
    A terrific performance by Mary Elizabeth Winstead as a rock-bottom alcoholic is only one reason to appreciate Smashed, an affecting and immersive addiction drama about the unforeseen pitfalls along the road to recovery.
    • 78 Metascore
    • 80 Justin Chang
    Gushing more blood and possessing more stamina than any number of Hollywood hack-'em-ups, writer-director Na Hong-jin's pulse-pounding, mordantly funny genre piece is at times messily convoluted, yet serious and full-bodied enough to achieve a genuinely tragic dimension.
    • 72 Metascore
    • 80 Justin Chang
    Few movies so taken with death have felt so rudely alive as ParaNorman, the latest handcrafted marvel from the stop-motion artists at Laika ("Coraline").
    • 72 Metascore
    • 80 Justin Chang
    Develops into an endearingly scrappy and romantic romp that serves up some nice soul-searching moments alongside a steady stream of laughs.
    • tbd Metascore
    • 80 Justin Chang
    Director Yuya Ishii takes a considerable step forward in terms of budget and ambition with this simple, sometimes sentimental yet wise and full-bodied comedy-drama, which movingly testifies to the ways in which dedication, focus and an extreme attention to detail can achieve something of lasting value.
    • 46 Metascore
    • 80 Justin Chang
    Its modesty is what makes its very real virtues -- a tart, literate script, an adroit balance of humor and pathos, a memorable onscreen collaboration between star-scribe Scott Caan and his father James -- so cumulatively impressive.
    • 67 Metascore
    • 80 Justin Chang
    Emotionally harrowing and gentle by turns, this well-acted winter's tale is a more narrative-driven experience than Green's more lyrical Sundance entries, "George Washington" and "All the Real Girls."

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