For 939 reviews, this critic has graded:
  • 55% higher than the average critic
  • 3% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 0 points lower than other critics. (0-100 point scale)

Justin Chang's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Gone Girl
Lowest review score: 0 Some Kind Of Beautiful
Score distribution:
  1. Negative: 96 out of 939
939 movie reviews
    • 81 Metascore
    • 80 Justin Chang
    Results are painfully amusing, frequently random and occasionally laugh-out-loud hilarious.
    • 81 Metascore
    • 90 Justin Chang
    Never one to shy away from unlikely sources of comedy, David O. Russell tackles mental illness, marital failure and the curative powers of football with bracingly sharp and satisfying results in Silver Linings Playbook.
    • 80 Metascore
    • 100 Justin Chang
    A mesmerizing slow burn of a martial-arts movie that boldly merges stasis and kinesis, turns momentum into abstraction, and achieves breathtaking new heights of compositional elegance: Shot for shot, it’s perhaps the most ravishingly beautiful film Hou has ever made, and certainly one of his most deeply transporting.
    • 80 Metascore
    • 80 Justin Chang
    This timely and involving documentary elicits both sympathy and schadenfreude, as Greenfield regards her all-too-vilifiable subjects with a complexity that should impress viewers of all economic and political persuasions.
    • 80 Metascore
    • 70 Justin Chang
    Charming if not especially kid-friendly toon.
    • 80 Metascore
    • 80 Justin Chang
    This eccentric and deliriously inventive fantasy finds stop-motion auteur Henry Selick scaling new heights of ghoulish whimsy, buoyed by a haunting score that works its own macabre magic.
    • 80 Metascore
    • 80 Justin Chang
    The film doesn't pack the same cumulative wallop as the brothers' earlier work, but its low-key artistry, immaculate construction and fine performance by relative newcomer Arta Dobroshi should rouse the usual fest acclaim and arthouse interest.
    • 80 Metascore
    • 90 Justin Chang
    Perhaps it’s best to appreciate Demon not for what it implies but for what it simply and unmistakably is: A bravura testament to a talent silenced far too soon.
    • 79 Metascore
    • 90 Justin Chang
    The movie’s spirit is by turns energetic and serene, impetuous and wise, its wild shifts from comedy to tragedy to romance revealing themselves not as tonal swings so much as variations in a larger cosmic pattern.
    • 79 Metascore
    • 100 Justin Chang
    Surgically precise, grimly funny and entirely mesmerizing over the course of its swift 149-minute running time, this taut yet expansive psychological thriller represents an exceptional pairing of filmmaker and material.
    • 79 Metascore
    • 100 Justin Chang
    Building implacable dread and tension from scene to scene, the story is as simple as its underlying ideas are endlessly complex.
    • 79 Metascore
    • 70 Justin Chang
    While Fukunaga creates Agu’s world with an extraordinary attentiveness to detail, he hasn’t quite found a way to approximate the novel’s radically childlike perspective, or to bridge the gap between this child soldier’s psyche and our own.
    • 79 Metascore
    • 100 Justin Chang
    This educational eye-popper should prove an excellent draw for science lovers of all ages.
    • 79 Metascore
    • 90 Justin Chang
    It’s been a while since a film so powerfully evoked the thrilling possibilities and wasted pleasures of the open road.
    • 79 Metascore
    • 90 Justin Chang
    This exquisitely beautiful adaptation of Yann Martel's castaway saga has a sui generis quality that's never less than beguiling, even if its fable-like construction and impeccable artistry come up a bit short in terms of truly gripping, elemental drama.
    • 79 Metascore
    • 90 Justin Chang
    The strength of The Witness lies in its recognition that the truth is often not just elusive but unattainable.
    • 79 Metascore
    • 70 Justin Chang
    Delicately tracing the troubled nine-year bond between two men living in New York, Ira Sachs mines his own memories to sensitive, melancholy if somewhat muted effect in Keep the Lights On.
    • 79 Metascore
    • 70 Justin Chang
    In the end M.A.S.H. succeeds, in spite of its glaring faults, because Gould, Sutherland, Skerritt, Jo Ann Pflug as the delicious Lt. Dish, and Roger Bowen, as the goof-off commanding officer who is bright enough to recognize his junior officers' medical competence and stay out of their way, are all believable and bitingly funny in their casual disdain for the Army.
    • 78 Metascore
    • 70 Justin Chang
    Enough Said may be her cleanest, most polished and broadly funny effort to date; its emotional generosity is undeniable, but so is its tendency to smooth over some of the hard, brittle edges that have been the more interesting hallmarks of Holofcener’s work.
    • 78 Metascore
    • 90 Justin Chang
    Nothing in this gratifyingly focused movie feels excessive or gratuitous, and a situation that repeatedly threatens to spiral out of control is dramatized with the utmost assurance.
    • 78 Metascore
    • 70 Justin Chang
    97-year-old Detroit fixture Grace Lee Boggs doesn’t just explode the docile-Asian-female stereotypes Lee set out to question with her earlier pic; she makes an inspiring case for self-determination and intellectual fortitude regardless of background.
    • 78 Metascore
    • 80 Justin Chang
    Blanchett’s performance is so dominant in terms of screentime and emotional impact that the film succeeds as not only a virtuoso ensemble piece, but also an unflinchingly intimate study of the character in the title.
    • 78 Metascore
    • 80 Justin Chang
    Hope and horror are commingled to quietly moving effect in Agnus Dei, a restrained but cumulatively powerful French-Polish drama about the various crises of faith that emerge when a house of God is ravaged by war.
    • 78 Metascore
    • 70 Justin Chang
    Keener, so deliciously nasty in Holofcener's "Lovely and Amazing," is no less engaging here in what is, surprisingly, the film's least bitchy role.
    • 78 Metascore
    • 80 Justin Chang
    The final moments of It Comes at Night go beyond the usual standards of horror-movie bleakness to achieve an almost unwatchable cruelty — a powerful accomplishment that also feels, in this context, like a limitation.
    • 78 Metascore
    • 90 Justin Chang
    A mesmerizing portrait of the director as acclaimed artist and tortured human being.
    • 78 Metascore
    • 90 Justin Chang
    While The Dark Knight Rises raises the dramatic stakes considerably, at least in terms of its potential body count, it doesn't have its predecessor's breathless sense of menace or its demonic showmanship, and with the exception of one audacious sleight-of-hand twist, the story can at times seem more complicated than intricate.
    • 78 Metascore
    • 90 Justin Chang
    The movie may, in the end, frustrate your desire for straight-up thrills and clear answers, but its irresolution is masterful — sincere, generous and entirely appropriate to the deeply searching story it has to tell.
    • 78 Metascore
    • 80 Justin Chang
    A crusty jewel of a performance by Brendan Gleeson goes a long way toward enlivening an otherwise routine tale of murder, blackmail, drug trafficking and rural police corruption in The Guard.
    • 78 Metascore
    • 100 Justin Chang
    Sans dialogue or translation, each interaction effectively becomes a puzzle to be solved, and Slaboshpytskiy is brilliant at using ambiguity to heighten rather than dull the viewer’s perceptions. Even when the meaning of a particular exchange eludes us, a greater sense of narrative comprehension begins to take hold.

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