For 680 reviews, this critic has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 0.3 points lower than other critics. (0-100 point scale)

Justin Chang's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 The Assassin
Lowest review score: 0 Persecuted
Score distribution:
  1. Negative: 68 out of 680
680 movie reviews
    • 57 Metascore
    • 60 Justin Chang
    Resolutely sappy and sometimes amateurish, the briskly paced doc remains heartfelt and direct about the same admirable mission Wampler had in making the climb.
    • 68 Metascore
    • 60 Justin Chang
    Undeniably impressive as a visual-psychological construct, The Double is ultimately a rigid, one-joke movie that feels hard pressed to sustain any sort of momentum over the course of its 92-minute running time.
    • 74 Metascore
    • 60 Justin Chang
    Joe
    A patiently observed, often unsettlingly violent drama that can’t help but feel overly familiar in some of its particulars, rich in rural texture but low on narrative momentum or surprise.
    • 50 Metascore
    • 60 Justin Chang
    The crazed intensity of Franco’s filmmaking, while duly evocative of Haze’s primitive state, is ultimately too hectic and unmodulated for anything to burrow deep and stay there.
    • 60 Metascore
    • 60 Justin Chang
    Working from a tightly compressed screenplay by David Nicholls, director Mike Newell strikes the beats of a deservedly oft-told tale with dour competence but little in the way of dramatic inspiration or visual flair.
    • 53 Metascore
    • 60 Justin Chang
    Director Kimberly Peirce’s intermittently effective third feature eschews De Palma’s diabolical wit and voluptuous style in favor of a somber, straight-faced retelling, steeped in a now-familiar horror-movie idiom of sharp objects, shuddering sound effects and dark rivulets of blood.
    • 67 Metascore
    • 60 Justin Chang
    The film conveys key information and makes important distinctions not generally known, and its effectiveness probably depends on the viewer’s tolerance for poorly executed kitsch and manic physical intrusions by the filmmaker.
    • 48 Metascore
    • 60 Justin Chang
    Lemmons advances this story with straight-faced conviction, orchestrating narrative and spectacle with a grandiosity that proves easier to admire from a distance than it is to engage with onscreen.
    • tbd Metascore
    • 60 Justin Chang
    Over the course of its generally absorbing if overlong 117-minute running time, it offers a brief and appreciably sympathetic take on the lure of fantasy, the pleasures of role play and the thrill of commanding the multitudes — which is to say that it’s, among other things, a film about filmmaking.
    • 53 Metascore
    • 60 Justin Chang
    The Japanese action aesthete plays it cool and smooth in a picture that exerts a steadily tightening grip, though not until after a first hour of near-impenetrable gangster gab that may leave the uninitiated feeling stranded.
    • 62 Metascore
    • 60 Justin Chang
    It plays less like a meaty mystery than an extended thank-you to the fans who breathed it into existence. Still, it’s smooth and engaging enough on its own compromised terms, clearly informed by Thomas’ genre-savvy storytelling and unpretentious craftsmanship, and not without a certain self-deprecating sense of humor about its own immodest origins.
    • 49 Metascore
    • 60 Justin Chang
    This hyperactive toon extravaganza has color, flair and energy to burn. But it’s the sort of relentless juggling act that finally proves more exhausting than exhilarating.
    • 66 Metascore
    • 60 Justin Chang
    A pleasant if fairly pedestrian viewing experience, one that more or less gets the job done in terms of balancing the requisite ooh-ahh moments with another unsurprising reminder of man’s capacity for selfishness and destruction.
    • 56 Metascore
    • 60 Justin Chang
    A low-budget horror-thriller that’s resourceful enough to wring a few fresh chills from a slender premise and a less-than-novel formal conceit.
    • 47 Metascore
    • 60 Justin Chang
    Those willing to engage may be pleasantly surprised by some of its understated virtues.
    • 39 Metascore
    • 60 Justin Chang
    As it winds its way toward an unexpectedly grisly final showdown, The Other Woman often feels stranded between gross-out comedy, romantic fantasy and distaff psychodrama in a way that compels fascination and impatience alike.
    • 40 Metascore
    • 60 Justin Chang
    Delamarre knows his way around an action scene and keeps the proceedings moving briskly enough, even if the picture clocks in at about 10 minutes longer than its taut, 81-minute predecessor.
    • 49 Metascore
    • 60 Justin Chang
    [A] thin but engaging portrait.
    • 64 Metascore
    • 60 Justin Chang
    It’s an affectionate, sometimes downright slobbery career salute with a soft, unexamined center — a moving experience for all involved, no doubt, but one of limited interest outside the celebrity bubble it depicts.
    • 79 Metascore
    • 60 Justin Chang
    Bristling with arguments about the complexities of black identity in a supposedly post-racial America, this lively and articulate campus-set comedy proves better at rattling off ideas and presenting opposing viewpoints than it does squeezing them into a coherent narrative frame.
    • 48 Metascore
    • 60 Justin Chang
    The Judge pivots on a simple yet inspired stroke of casting, pitting Duvall’s iconic gravitas against Downey’s razor-sharp wit, and then supplying no shortage of opportunities for both men to chew the scenery.
    • 42 Metascore
    • 60 Justin Chang
    A well-crooned country tune can invest even the hoariest cliches with honest feeling, and in much the same fashion, The Song takes a familiar tale of love, marriage, betrayal and redemption, and delivers a largely satisfying rendition.
    • 54 Metascore
    • 60 Justin Chang
    A passable, tolerable, not unbearable, totally inoffensive adaptation of Judith Viorst’s beloved 1972 children’s book.
    • 48 Metascore
    • 60 Justin Chang
    A luridly entertaining thriller that plays like “Fatal Attraction” for extreme religiophobes, or perhaps a very gory episode of “The Brigham Young and the Restless.”
    • 55 Metascore
    • 60 Justin Chang
    Funny and sad isn’t the easiest combination to pull off, and while both descriptors fit The D Train well enough, this dark comedy might just as well be described as edgy and soft, audacious and coy, a largely enjoyable letdown.
    • 76 Metascore
    • 60 Justin Chang
    The problem is not that this film is upsetting (it should be), but that it ultimately seems more interested, and skilled, at dispensing regular shocks than fresh insights.
    • 60 Metascore
    • 60 Justin Chang
    A rare studio entertainment featuring a largely Latino ensemble, yet necessarily fronted by a big-name draw like Costner, McFarland, USA feels at once mildly progressive and unavoidably retrograde.
    • 46 Metascore
    • 60 Justin Chang
    Glossy, well cast, and a consistent hoot until it becomes a serious drag, this neo-“9½ Weeks” is above all a slick exercise in carefully brand-managed titillation — edgier than most grown-up studio fare, but otherwise a fairly mild provocation in this porn-saturated day and age.
    • 51 Metascore
    • 60 Justin Chang
    A sensitively directed slab of romantic hokum that wrings an impressive amount of emotional conviction from a thoroughly ludicrous premise.
    • 56 Metascore
    • 60 Justin Chang
    By the end, thanks to Leon de Aranoa’s steady direction and the actors’ slow-building character work, “A Perfect Day” manages to coalesce into a reasonably tough-minded, compassionate vision of the difficulties and rewards of trying to do the right thing in an intractable situation, though the film has to overcome more than a few flat, indolent stretches to get there.

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