For 894 reviews, this critic has graded:
  • 54% higher than the average critic
  • 3% same as the average critic
  • 43% lower than the average critic
On average, this critic grades 0 points higher than other critics. (0-100 point scale)

Justin Chang's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Carlos
Lowest review score: 0 Persecuted
Score distribution:
  1. Negative: 92 out of 894
894 movie reviews
    • 39 Metascore
    • 60 Justin Chang
    As it winds its way toward an unexpectedly grisly final showdown, The Other Woman often feels stranded between gross-out comedy, romantic fantasy and distaff psychodrama in a way that compels fascination and impatience alike.
    • 74 Metascore
    • 60 Justin Chang
    Joe
    A patiently observed, often unsettlingly violent drama that can’t help but feel overly familiar in some of its particulars, rich in rural texture but low on narrative momentum or surprise.
    • 64 Metascore
    • 60 Justin Chang
    This rambunctious paean to pot retains the trademark Apatow sweetness even as it careens from messy vulgarisms to even messier violence.
    • 49 Metascore
    • 60 Justin Chang
    Smith may have some ways to go as a feature filmmaker, but he has given us a world of such grottily realized depravity that it feels like a story unto itself.
    • 53 Metascore
    • 60 Justin Chang
    Writer-director Nick Cassavetes' sprawling dramatization recklessly blurs the line between reconstruction and reality in ways that are admittedly interesting, if more than a little artistically suspect.
    • 52 Metascore
    • 60 Justin Chang
    The crisply made feature delivers an involving if not always persuasive portrait of religious leaders in conflict.
    • 76 Metascore
    • 60 Justin Chang
    The nagging lack of specificity with which the film concludes can’t help but call its entire dramatic construction into question.
    • 75 Metascore
    • 60 Justin Chang
    Revealing without being especially compelling, In Between Days offers a bleak, rigorously naturalistic portrait of an Asian-American teenager's physical and emotional dislocation.
    • 46 Metascore
    • 60 Justin Chang
    Glossy, well cast, and a consistent hoot until it becomes a serious drag, this neo-“9½ Weeks” is above all a slick exercise in carefully brand-managed titillation — edgier than most grown-up studio fare, but otherwise a fairly mild provocation in this porn-saturated day and age.
    • 58 Metascore
    • 60 Justin Chang
    Snakes on a Plane is exactly the sort of tasteless, utterly depraved, no-nonsense sluts-and-guts extravaganza it was meant to be.
    • 47 Metascore
    • 60 Justin Chang
    Those willing to engage may be pleasantly surprised by some of its understated virtues.
    • 62 Metascore
    • 60 Justin Chang
    A serviceable picture that offers all the sumptuous visual pleasures of a historical costume drama, yet little in the way of actual history.
    • 63 Metascore
    • 60 Justin Chang
    ATL
    Higher on stylistic dazzle than originality or coherence.
    • 52 Metascore
    • 60 Justin Chang
    A likable enough lark that rarely achieves outright hilarity.
    • 53 Metascore
    • 60 Justin Chang
    Thoroughly -- and sometimes justifiably -- infatuated with its own cleverness, this mistaken-identity thriller delights in narrative complication and Tarantino-esque self-awareness.
    • 70 Metascore
    • 60 Justin Chang
    While the film is drenched in atmosphere and packs a verbal and visceral punch, its relentless downward spiral makes for an overdetermined, not entirely satisfying character study.
    • 54 Metascore
    • 60 Justin Chang
    A passable, tolerable, not unbearable, totally inoffensive adaptation of Judith Viorst’s beloved 1972 children’s book.
    • 48 Metascore
    • 60 Justin Chang
    Graced with some extra star wattage courtesy of Helen Mirren and Ed Harris, this diminishing-returns sequel sends Nicolas Cage on another quest to strike it rich, get young auds excited about history and solve puzzles that are generally less stimulating than yesterday's Sudoku.
    • 62 Metascore
    • 60 Justin Chang
    It plays less like a meaty mystery than an extended thank-you to the fans who breathed it into existence. Still, it’s smooth and engaging enough on its own compromised terms, clearly informed by Thomas’ genre-savvy storytelling and unpretentious craftsmanship, and not without a certain self-deprecating sense of humor about its own immodest origins.
    • 57 Metascore
    • 60 Justin Chang
    Resolutely sappy and sometimes amateurish, the briskly paced doc remains heartfelt and direct about the same admirable mission Wampler had in making the climb.
    • 37 Metascore
    • 60 Justin Chang
    Silly, screechy and eminently watchable.
    • 68 Metascore
    • 60 Justin Chang
    While Chris Kelly’s semi-autobiographical writing-directing debut gets off to a painfully broad start, it does intermittently find its footing as it progresses, gathering enough well-observed moments and details to counterbalance its otherwise flailing stabs at humor and pathos.
    • 47 Metascore
    • 60 Justin Chang
    Given the sheer number of threads that Moorhouse (who adapted the novel with her writer-director husband, P.J. Hogan) keeps in play, it’s surprising how well The Dressmaker coheres, albeit more along narrative lines than tonal ones.
    • 56 Metascore
    • 60 Justin Chang
    Foster’s pistol-packing turn as an avenging dark angel nearly sustains director Neil Jordan’s grim vigilante drama through a string of implausibilities and occasionally trite psychological framing devices, with deft support from Terrence Howard as a sympathetic cop.
    • 61 Metascore
    • 60 Justin Chang
    Context and psychological insight are the major casualties of Day Night Day Night, a dramatically limited but strangely powerful portrait of a young would-be terrorist.
    • 51 Metascore
    • 60 Justin Chang
    A sensitively directed slab of romantic hokum that wrings an impressive amount of emotional conviction from a thoroughly ludicrous premise.
    • 68 Metascore
    • 60 Justin Chang
    A watchable enough picture that feels content to realize someone else's vision rather than claim it as its own. Any real sense of risk has been carefully ironed out: The PG-13 rating that ensures the film's suitability for its target audience also blunts the impact of the teen-on-teen bloodshed.
    • 51 Metascore
    • 60 Justin Chang
    Alone in Berlin is ultimately hobbled by its own cinematic inertia, its inability to reimagine the past with the kind of intensity that would also speak to the present.
    • 57 Metascore
    • 60 Justin Chang
    Jason Matzner's woozily romantic, gorgeously lensed directorial debut about a trailer park love triangle seems to unspool in a dream of its own, and despite some sketchy story elements, much of it is pretty intoxicating -- that is, until the unambiguous life lessons bring pic down to earth with an earnest splat.
    • 60 Metascore
    • 60 Justin Chang
    Working from a tightly compressed screenplay by David Nicholls, director Mike Newell strikes the beats of a deservedly oft-told tale with dour competence but little in the way of dramatic inspiration or visual flair.

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