For 43 reviews, this critic has graded:
  • 86% higher than the average critic
  • 4% same as the average critic
  • 10% lower than the average critic
On average, this critic grades 23.8 points higher than other critics. (0-100 point scale)

Katie Walsh's Scores

  • Movies
  • TV
Average review score: 83
Highest review score: 100 Short Term 12
Lowest review score: 25 Hansel and Gretel: Witch Hunters
Score distribution:
  1. Positive: 40 out of 43
  2. Negative: 1 out of 43
43 movie reviews
    • 65 Metascore
    • 100 Katie Walsh
    Simply put, Samsara tells the story of our world, but onscreen, it is so much more than that.
    • 86 Metascore
    • 100 Katie Walsh
    One of the best documentaries, and best films, of the year, it is required viewing for anyone with a desire for making their own world a better place, inspiring you to act up and fight back.
    • 78 Metascore
    • 100 Katie Walsh
    The combination of compelling subject with an exciting and expert approach to documentary form achieves that transcendence you hope for in this genre: a melding of subject and text that is its own beast but also perfectly reflect each other.
    • 82 Metascore
    • 100 Katie Walsh
    Short Term 12 is a roller coaster of every emotion, managing to be both heartwarming and heartrending at once.
    • 75 Metascore
    • 100 Katie Walsh
    After Tiller is not an important film just because of its political and cultural relevance, but because of its humane and compassionate approach to telling the stories of these doctors, their work and the women that they seek to help.
    • 81 Metascore
    • 100 Katie Walsh
    Inspirational, entertaining, and absolutely awards-caliber (from first-time director Karasawa), Elaine Stritch: Shoot Me offers up an indelible and rare experience in cinematic form—it’s simply an absolute treat to be able to spend this much intimate time with such a legendary lady.
    • 72 Metascore
    • 100 Katie Walsh
    Potash marks time by the year until the last 30 minutes of the film, when the clock intertitles speed up with the many advancements in her situation, building to a breathless finish that will leave the viewer emotionally crushed and yet also hopeful and joyous.
    • 67 Metascore
    • 91 Katie Walsh
    Ruby Sparks hits that sweet emotional spot much in the same way "Eternal Sunshine of the Spotless Mind" does. While you are at once charmed by the whimsy and romance, there's still a gut punch of emotional rawness just waiting to be delivered.
    • 76 Metascore
    • 91 Katie Walsh
    A vibrant and vital tribute to a piece of recording and rock history that could have been lost to the ether, and Grohl packages the story of this little studio with a detailed celebration of the craft and skill necessary to this kind of recording, all with a killer soundtrack (which should go without saying).
    • 79 Metascore
    • 91 Katie Walsh
    While the film is hysterical, its real strength lies in the way it is able to deal with an issue like sexism in the industry and work it out in a funny, honest and very real way.
    • 72 Metascore
    • 91 Katie Walsh
    An illuminating and often hilarious portrayal of the man and his myth, and those who surrounded him.
    • 68 Metascore
    • 91 Katie Walsh
    That a documentary about economics could be so personally emotional and affecting is remarkable. And to learn from Reich in this film, as his students at Berkeley do, is a treat and a privilege.
    • 90 Metascore
    • 91 Katie Walsh
    The Overnighters is starkly bleak and devastatingly humane, and an indelible American documentary.
    • 75 Metascore
    • 91 Katie Walsh
    A truly moving and edifying film, Rich Hill is the type of media object that could and should be put in a time capsule for future generations.
    • 76 Metascore
    • 91 Katie Walsh
    It Felt Like Love, marks the arrival of a new crop of talent to watch, behind the camera and in front.
    • 81 Metascore
    • 91 Katie Walsh
    This is avant-garde autobiographical filmmaking at its finest, and the results are stunningly beautiful, and achingly emotional within a lyrical and dreamlike aesthetic.
    • 78 Metascore
    • 91 Katie Walsh
    If there’s any criticism to be levied, it’s just that we wanted to see more dance, which can’t quite be fully captured on film, only in person. Still, capturing Streb’s artistry, inspiration and thought processes behind her work makes it more than worthwhile.
    • 63 Metascore
    • 91 Katie Walsh
    Algorithms is a completely unique film, unlike any other documentary you might see this year, both for its content and its form.
    • 52 Metascore
    • 91 Katie Walsh
    Anchored by career-best performances from Long and Rossum, and a juicy script that bravely dives into the darkest parts of breaking up and making up, Comet is an original and inventive retelling of an age-old and universal truth.
    • 67 Metascore
    • 83 Katie Walsh
    Ultimately, while 'Escape Fire' proposes numerous options for changing the system-- getting Medicare to cover healthy lifestyle counseling programs, incentivizing doctors to spend time with patients, and patients to empower their own health-- the one that is most poignant is that people should spend the time to take care of each other.
    • 65 Metascore
    • 83 Katie Walsh
    It’s a fun, laugh-out-loud dark comedy, and proves that Alex Karpovsky and crew have made their mark.
    • 57 Metascore
    • 83 Katie Walsh
    The film's got one of the cleverest, and most satisfying ambiguous endings of any film all year.
    • 76 Metascore
    • 83 Katie Walsh
    Dead Man’s Burden (the directorial debut of Jared Moshé) demonstrates just why film is important, simply by being beautiful. But beyond that, it’s also a moody, violent, classic, yet modern Western.
    • 55 Metascore
    • 83 Katie Walsh
    While there’s drugs and sex and drinking and dancing, for sure, if one looks at I’m So Excited as a metaphor for the ills of society today and how we react to it, it becomes a much more poignant and biting satire of the state of our world, and how we as a people decide to react to it.
    • 77 Metascore
    • 83 Katie Walsh
    This rock doc rewrites punk history while telling an emotional story about an artist’s spirit and his faithful family.
    • 70 Metascore
    • 83 Katie Walsh
    This film reveals not just how integral casting directors are to the creative process of filmmaking, but really how important they have been in shaping the history of American cinema.
    • 82 Metascore
    • 83 Katie Walsh
    The proximity, orientation, and monumental nature is what makes Levitated Mass the piece so powerful, and Levitated Mass the film not only captures that but puts those ideals forth as something culturally and socially important, something that happened when the mass met the masses.
    • 70 Metascore
    • 83 Katie Walsh
    Maidentrip ends up being not necessarily about the amazing feat that Dekker accomplished, it’s about finding one’s true self, and enjoying the ride along the way.
    • 40 Metascore
    • 83 Katie Walsh
    Heralding the arrival of Seth Fisher as a voice to watch, Blumenthal is much like its characters: a frankly funny and original piece of work.
    • 36 Metascore
    • 83 Katie Walsh
    The strength of Goodbye World is that it understands the foibles of these characters and lets them be as flawed as they are while they are also trying to survive not just the apocalypse but each other.
    • 77 Metascore
    • 83 Katie Walsh
    Code Black manages to encapsulate so much of what is wrong with our health care system, but also to point out what’s right, and to posit an attitude shift not just about health care but about how we as a society treat those around us who are in pain or suffering. A heartbreaking but hopeful message within this important film.
    • 75 Metascore
    • 83 Katie Walsh
    The Batterered Bastards of Baseball is an entertaining celebration of the independent spirit and the love of the game.
    • 74 Metascore
    • 75 Katie Walsh
    Starlet is an interesting effort from indie filmmaker Sean Baker (this is his fourth feature), and signals the arrival of Dree Hemingway as one to watch.
    • 52 Metascore
    • 75 Katie Walsh
    While the story lags and suffers in its attempt to adapt such a complicated internal narrative and personal struggle, the Smith brothers have created a truly beautiful and unique film that deserves to be seen; a creative accomplishment not only of filmmaking but of capturing this world.
    • 67 Metascore
    • 75 Katie Walsh
    Hellaware is a cynical, caustic, and often very funny send up of not only the current commercial art world but the entire borough of Brooklyn.
    • 58 Metascore
    • 67 Katie Walsh
    Gayby isn't groundbreaking, but it's a fun romp whose characters grow on you after spending some time with them.
    • 70 Metascore
    • 67 Katie Walsh
    It’s an interesting hybrid of the relationship movie, mumbly indie and dark murder film, and the combination works here, for the most part.
    • 45 Metascore
    • 67 Katie Walsh
    For a first time feature outing, Coldwater is a fine effort from Grashaw, and the setting feels fresh and new. It's an original take on a coming of age, young masculinity tale, but ultimately, it doesn't quite live up to all of its potential.
    • 59 Metascore
    • 58 Katie Walsh
    That the structure consistently undermines its own storytelling is frustrating when the story to be told is a vital and interesting one.
    • 69 Metascore
    • 58 Katie Walsh
    An unprecedented take on the holiday film, but not an entirely successful one.
    • 21 Metascore
    • 25 Katie Walsh
    Not only is not even a single character more than one-dimensional, but every line falls flatter than a witch dispatched with a Gatling gun.

Top Trailers