For 549 reviews, this critic has graded:
  • 62% higher than the average critic
  • 11% same as the average critic
  • 27% lower than the average critic
On average, this critic grades 1.3 points lower than other critics. (0-100 point scale)

Katie Walsh's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Mustang
Lowest review score: 0 The Red Pill
Score distribution:
  1. Negative: 89 out of 549
549 movie reviews
    • 41 Metascore
    • 50 Katie Walsh
    The problem is that one can't help but think of better, more interesting movies based on this premise.
    • 59 Metascore
    • 70 Katie Walsh
    It's a cute movie with genuinely funny moments (keep an eye out for the koala car wash), and some great tunes to boot.
    • 36 Metascore
    • 60 Katie Walsh
    Assassin's Creed will be polarizing, but it's fascinating as an entry in Kurzel's oeuvre. It is singularly his film — both in style and the obsession with hubris, power and violence.
    • 36 Metascore
    • 25 Katie Walsh
    The film is ponderous, the performances mostly subdued.
    • tbd Metascore
    • 0 Katie Walsh
    Two Weeks to Go is not a movie, it’s a sketch of a character study or a possible outline for a future project. It’s most definitely self-indulgent drivel.
    • 23 Metascore
    • 25 Katie Walsh
    Collateral Beauty is much more shallow nonsense than anything else.
    • 64 Metascore
    • 80 Katie Walsh
    The film is a respectful analysis of burgeoning sexuality, the sometimes embarrassing missteps that come along with figuring it out, and exploring that all through fiction.
    • tbd Metascore
    • 80 Katie Walsh
    While the information presented might not come as news to many, the way that O’Hara synthesizes the massive volume of it into a personal story of herself and Servan-Schreiber, is immensely captivating and persuasive.
    • tbd Metascore
    • 30 Katie Walsh
    Somehow, despite the sexist, foul-mouthed rancor, there are messages to be found about the false promises of toxic masculinity and learning to be the person you want to be without repeating the sins of your parents. Though it’s rough going to get there.
    • tbd Metascore
    • 30 Katie Walsh
    The borrowed concept is all it has going for it, and at nearly two hours it stretches the conceit and the performers far beyond their range. It’s a minor effort overly indebted to its references.
    • 42 Metascore
    • 70 Katie Walsh
    The greatest strength of Office Christmas Party is its casting. If you’ve got fabulous weirdos Kate McKinnon and T.J. Miller in lead roles, there are bound to be more than enough laughs.
    • tbd Metascore
    • 60 Katie Walsh
    It’s an interesting concept and Fools executes it well enough, though too often it leans on ambiguity and odd interactions.
    • 48 Metascore
    • 70 Katie Walsh
    Pet
    Pet isn’t much more than a twist on an old conceit, and the character beats are painted with overly broad strokes, but it’s sharply shot with a crystalline sense of unease, and Monaghan and Solo lean into their creepy performances wholeheartedly.
    • tbd Metascore
    • 20 Katie Walsh
    Enjoy a marathon of Bravo’s real estate reality shows for more nuanced characters and compelling story lines instead.
    • tbd Metascore
    • 70 Katie Walsh
    What emerges is a portrait of doctors and staff who work hard to do the right thing for their patients and the babies, who have no voice. It is life, fought for and forged in the most difficult of circumstances.
    • 75 Metascore
    • 90 Katie Walsh
    The film’s quiet impact comes as it leads us along John’s journey to understanding this disability as an unexpected, but ultimately accepted, gift.
    • 60 Metascore
    • 25 Katie Walsh
    It would still be a stinker even if it wasn't cloaked in a dark shroud of cultural and political relevancy. It's just that bad.
    • 38 Metascore
    • 50 Katie Walsh
    Bad Santa 2 relies entirely too much on the salty stuff, offering an opportunity for audiences to titter at the firehose of vile gutter humor that leaves no one unsullied, and delves into some truly dark places.
    • tbd Metascore
    • 70 Katie Walsh
    Nobody Walks in L.A. rides on the easy, sunny charm of the lead duo, as well as the beauty and personality of the city.
    • tbd Metascore
    • 80 Katie Walsh
    Writer-director-editor Danny Sangra takes on the complicated relationship between art and commerce in the sharp, surprising Goldbricks in Bloom.
    • tbd Metascore
    • 90 Katie Walsh
    The utterly winning documentary The Anthropologist takes a unique perspective on the field of anthropology through the lens of a pair of female anthropologists and their daughters.
    • tbd Metascore
    • 70 Katie Walsh
    The situation seems dire in many ways, though Yastrzhembskiy offers some hope at the end of the film, along with solutions to controlling demand in the ivory market. It’s a powerful call to action and a reminder of the bloody global implications contained in a single trinket.
    • 39 Metascore
    • 70 Katie Walsh
    A couple of flashbacks color in their history but feel unnecessary, as the script and actors ably express the complicated history between the two men. The weekend in the desert is all that is needed to bring to life this romantic drama about revisiting the roads not taken.
    • 55 Metascore
    • 63 Katie Walsh
    For all the over-the-top operatic moments — car wrecks and prom throwbacks and rifles at the dinner table — there's something about the wild tonal shifts and chaos of Almost Christmas that rings true about the holiday season.
    • tbd Metascore
    • 60 Katie Walsh
    The gently affecting Keep in Touch extends its stay a bit too long, stretching the story where it could have been more efficient. But it’s a fine showcase for McPhee’s lovely songs, Bachand’s lead performance, and the assured direction of Kretchmar.
    • tbd Metascore
    • 70 Katie Walsh
    For anyone who’s been on an indie film set, Fell, Jumped or Pushed is deeply relatable, and very funny.
    • 56 Metascore
    • 63 Katie Walsh
    There's something about the neon-tinted, sugar-smacked highs of Trolls that can be bizarrely infectious. When it's weirder, it's better, and there are elements of the animation design seemingly inspired by old 1970s cartoons and children's shows like "H.R. Pufnstuf."
    • tbd Metascore
    • 70 Katie Walsh
    "Wereskunk” only wavers when it slips from the style of the era, with the usage of digital special effects or the odd modern reference. When it stays in the unique lane it’s established for itself, it’s plenty of silly retro fun.
    • tbd Metascore
    • 30 Katie Walsh
    Jack’s Apocalypse is unable to convey any realistic stakes or authenticity in its story line.
    • 71 Metascore
    • 80 Katie Walsh
    The frenetic, ad-hoc aesthetic of the visuals complements the shaggy dog brilliance of Oasis.

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