For 328 reviews, this critic has graded:
  • 67% higher than the average critic
  • 11% same as the average critic
  • 22% lower than the average critic
On average, this critic grades 2.2 points higher than other critics. (0-100 point scale)

Katie Walsh's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Cameraperson
Lowest review score: 0 Natural Born Pranksters
Score distribution:
  1. Negative: 54 out of 328
328 movie reviews
    • 68 Metascore
    • 83 Katie Walsh
    The Girl in the Book is an auspicious debut for Cohn, a showcase for VanCamp’s true acting abilities, and a fascinating feminine story.
    • 40 Metascore
    • 83 Katie Walsh
    Heralding the arrival of Seth Fisher as a voice to watch, Blumenthal is much like its characters: a frankly funny and original piece of work.
    • 76 Metascore
    • 80 Katie Walsh
    The writing crackles, and Miller doesn’t waste time getting right at the meat of the story.
    • tbd Metascore
    • 80 Katie Walsh
    While the information presented might not come as news to many, the way that O’Hara synthesizes the massive volume of it into a personal story of herself and Servan-Schreiber, is immensely captivating and persuasive.
    • tbd Metascore
    • 80 Katie Walsh
    Like a haute couture garment, Chic! is a finely crafted piece of work, a comedic romantic drama set within a frothy and sublimely funny caricature of the Parisian fashion world.
    • Los Angeles Times
    • 71 Metascore
    • 80 Katie Walsh
    The frenetic, ad-hoc aesthetic of the visuals complements the shaggy dog brilliance of Oasis.
    • 64 Metascore
    • 80 Katie Walsh
    The film is a respectful analysis of burgeoning sexuality, the sometimes embarrassing missteps that come along with figuring it out, and exploring that all through fiction.
    • tbd Metascore
    • 80 Katie Walsh
    Rather than stooping to horror-genre antics, Mallhi weaves a tale that is spooky but sensitive and focused on interpersonal relationships between mothers and daughters.
    • 59 Metascore
    • 80 Katie Walsh
    Zellweger plays Bridget just as charmingly as she always has -- flawed but endearing; just right in her own idiosyncratic way.
    • 74 Metascore
    • 80 Katie Walsh
    Kusama reveals and conceals the geography of the house, parceling out just enough information to understand its logic, while leaving certain dim recesses mysterious.
    • 85 Metascore
    • 80 Katie Walsh
    The young actress Haas is riveting in a performance far beyond her years. Princess takes its time, but patience pays off in this sensitive slow burn of a story.
    • 64 Metascore
    • 80 Katie Walsh
    XX
    It’s fascinating to observe how the feminine perspectives of XX create four powerfully compelling and original horror tales that operate within the genre while testing the boundaries of traditional storytelling and style.
    • 59 Metascore
    • 80 Katie Walsh
    Rozema has a careful but unflinching eye when it comes to presenting the physical and emotional traumas the sisters experience. Even when some of the events escalate to operatic, nearly mystical levels, the direction feels assured and solidly rooted.
    • 70 Metascore
    • 80 Katie Walsh
    With simple storytelling, the film allows its star, Velasquez, to shine, and with her endless reserves of positive energy, eloquent speaking and willingness to be vulnerable, it's no wonder millions of people have already found her inspirational.
    • 59 Metascore
    • 80 Katie Walsh
    It's illuminating to see Huppert and Depardieu in a different mode, and Huppert brings a delicate physical and emotional fragility to her role. These two are fantastic, and they're fantastic together.
    • 74 Metascore
    • 80 Katie Walsh
    Filmmaking duo Olivier Ducastel and Jacques Martineau have crafted a film that articulates the ability for sex to produce just a little bit more love in the world, for a moment or an eternity.
    • 79 Metascore
    • 80 Katie Walsh
    It's a sweetly funny, charming and poignant depiction of this very specific time in life — at once universal and specific — when anything seems possible. And with killer pop tunes to boot.
    • tbd Metascore
    • 80 Katie Walsh
    It’s a maddening but ultimately uplifting tale about a fearless woman who fought tirelessly for her people.
    • 71 Metascore
    • 80 Katie Walsh
    Equal Means Equal is a lot to process, but offers an unflinching look at the fight for equal civil rights for all.
    • 66 Metascore
    • 80 Katie Walsh
    Co-writer and director Maxime Giroux's Felix and Meira is an unusual love story that, though shrouded in chill and shadow, has moments of true loveliness.
    • 70 Metascore
    • 80 Katie Walsh
    Fort Tilden is cringe-worthy but true. Maybe that's why it's so uncomfortable to watch.
    • tbd Metascore
    • 80 Katie Walsh
    Writer-director-editor Danny Sangra takes on the complicated relationship between art and commerce in the sharp, surprising Goldbricks in Bloom.
    • 53 Metascore
    • 80 Katie Walsh
    Husson’s film details the consequences of such free love, but it celebrates sex too — the kind based on intimacy and love. Teens and sex: it’s a tale as old as time but this take is surprising, invigorating and sharply frank.
    • 67 Metascore
    • 80 Katie Walsh
    Leena Yadav’s Parched is a bright jewel of a film, surprisingly funny, fresh and upbeat in the way it takes on the complicated and often dark topic of sexual politics in rural India. T
    • 65 Metascore
    • 75 Katie Walsh
    Unexpected is sweet and the portrait of the friendship is lovely, but it also feels too slight.
    • 55 Metascore
    • 75 Katie Walsh
    Despite the predictability of storytelling, The 33 is an undeniably rousing picture.
    • 52 Metascore
    • 75 Katie Walsh
    While the story lags and suffers in its attempt to adapt such a complicated internal narrative and personal struggle, the Smith brothers have created a truly beautiful and unique film that deserves to be seen; a creative accomplishment not only of filmmaking but of capturing this world.
    • 77 Metascore
    • 75 Katie Walsh
    The true star of The Gift is Edgerton as director. His deft, controlled maneuvering of plot, character, style, and tone is damn near perfect for his feature debut — even if it is in service of a very standard genre piece.
    • 78 Metascore
    • 75 Katie Walsh
    Ultimately, all audiences can find something to enjoy in Zootopia, though adults may find more to sink their teeth into, which is always refreshing.
    • 64 Metascore
    • 75 Katie Walsh
    The film takes a dark turn at the end, and while the two sides of Nasty Baby are interesting, well-made, and well-performed, they feel like two completely different movies.

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