For 1,021 reviews, this critic has graded:
  • 42% higher than the average critic
  • 4% same as the average critic
  • 54% lower than the average critic
On average, this critic grades 2.2 points lower than other critics. (0-100 point scale)

Keith Phipps' Scores

  • Movies
  • TV
Average review score: 57
Highest review score: 100 Neil Young: Heart of Gold
Lowest review score: 0 The Hottie & the Nottie
Score distribution:
1,021 movie reviews
    • 59 Metascore
    • 30 Keith Phipps
    Some good Bob Dylan songs are called in to underline the big moments, but end up eclipsing them instead. There's more drama and insight in a snippet of "One More Cup Of Coffee" than the entirety of Jack & Rose.
    • 36 Metascore
    • 30 Keith Phipps
    Domino de-emphasizes the human element--not to mention such niceties as plot and clarity--to such a degree that only those who show up purely to watch combustibles go "boom" won't feel insulted.
    • 48 Metascore
    • 30 Keith Phipps
    Parker's film is flat beyond the flatness appropriate to the story; the conflict between Glover and Paymer follows Melville's original so squarely that it quickly begins to feel like they're going through the motions.
    • 37 Metascore
    • 30 Keith Phipps
    All the principals -- except, significantly, screenwriter Kenneth Lonergan -- reprised their roles for the sequel, and all seem confused as to why they returned.
    • 54 Metascore
    • 30 Keith Phipps
    Never recovering the energy of its early scenes, the heavily improvised Château becomes shapeless and dull.
    • 49 Metascore
    • 30 Keith Phipps
    The junk-shop surrealism ultimately gets the better of everyone's good intentions.
    • 49 Metascore
    • 30 Keith Phipps
    Shakespeare hasn't had it this rough since Lemmy from Motörhead performed the opening soliloquy in "Tromeo And Juliet."
    • 40 Metascore
    • 30 Keith Phipps
    It's a lot to suffer through for a film that has nothing to say, but insists on saying it anyway. Repeatedly.
    • 48 Metascore
    • 30 Keith Phipps
    The first 20 minutes of Blast From The Past, in which the film actually does something with its central concept, aren't that bad.
    • 51 Metascore
    • 30 Keith Phipps
    McKellen is fine, of course, but the film as a whole offers about as much insight into evil as Ming The Merciless in a “Flash Gordon” serial.
    • 68 Metascore
    • 30 Keith Phipps
    A mud bath of sentiment, strained speechifying, and gloppy music.
    • 46 Metascore
    • 30 Keith Phipps
    Hardwick switches gears from wacky comedy to romantic drama about halfway through Deliver Us, but it's too late, and what follows is far too dull to make any difference.
    • 43 Metascore
    • 30 Keith Phipps
    A film as grisly as it is dumb.
    • 32 Metascore
    • 30 Keith Phipps
    When they (the family) arrive at their destination, the story arrives at an ending that's neither obvious nor interesting, kind of like the film leading up to it.
    • 31 Metascore
    • 30 Keith Phipps
    This must all make sense to Yanes, somehow, but the film plays like a private joke with no punchline.
    • 39 Metascore
    • 30 Keith Phipps
    Yet another comedy that suggests someone should take Martin aside and remind him that he can do better.
    • 44 Metascore
    • 30 Keith Phipps
    The once-reliable Danes is a particular detriment, but it's really hard to care whether either character escapes from what looks like a really unappealing summer camp.
    • 40 Metascore
    • 30 Keith Phipps
    It's drainingly mediocre.
    • 68 Metascore
    • 30 Keith Phipps
    The best that can be said of Son Of The Bride is that it's attractively photographed. But, then, so was the Hindenburg explosion, and this packs far less excitement into its two shapeless hours.
    • 29 Metascore
    • 30 Keith Phipps
    It's a sign of trouble when watching a movie prompts nostalgia for the movie it's ripping off, particularly when that movie wasn't any good. But walking out of Johnson Family Vacation, it's hard not to feel misty-eyed for the urine-soaked-sandwich gags, incest jokes, and other refined comic elements of "National Lampoon's Vacation."
    • 35 Metascore
    • 30 Keith Phipps
    Attempts at high spirits and the presence of Matthew Lillard all suggest that this is supposed to be a comedy.
    • 37 Metascore
    • 30 Keith Phipps
    Aside from a promising scene involving a cornfield rave and the pyrotechnic potential for grain alcohol, it drags along, taking a small eternity to set up a final showdown that plays more like a bloody pro-wrestling event than the stuff of nightmares.
    • 39 Metascore
    • 30 Keith Phipps
    Director Rob Bowman seems at a loss as to what to bring to the film, which, even with its good choice of leads, plods along from one dragon fight to the next, all of them staged to showcase Fire's impressive CGI dragons, but none choreographed with any real flair.
    • 65 Metascore
    • 30 Keith Phipps
    Through it all, Muccino piles on one shrill confrontation after another. At times, he seems headed for the melodramatic turf owned and operated by Pedro Almodóvar, but where the young Almodóvar would have deployed a prankish wit and the older Almodóvar scraped toward the humanity beneath.
    • 48 Metascore
    • 30 Keith Phipps
    Has little to recommend it. A sterling example of how an unimaginative combination of interviews and archival footage can drain the life from even the most compelling topic, it feels padded at a mere 68 minutes.
    • 33 Metascore
    • 30 Keith Phipps
    The film combines dour heroes with a drab look, and the string of "Don't try this at home"-style stunts should underwhelm even viewers too young for James Bond or XXX.
    • 38 Metascore
    • 30 Keith Phipps
    Anyone who already knows better than to taunt the disabled, or former Oscar winners, should probably give it a pass.
    • 42 Metascore
    • 30 Keith Phipps
    If there's one thing more heartbreaking than a crying child, it's a crying child wearing thick glasses, an image exploited numerous times throughout the course of the dull, uninvolving, tissue-thin Hope Floats.
    • 35 Metascore
    • 30 Keith Phipps
    A mess.
    • 37 Metascore
    • 30 Keith Phipps
    This is teen product at its most generic.

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