For 1,062 reviews, this critic has graded:
  • 41% higher than the average critic
  • 3% same as the average critic
  • 56% lower than the average critic
On average, this critic grades 3.4 points lower than other critics. (0-100 point scale)

Keith Phipps' Scores

  • Movies
  • TV
Average review score: 57
Highest review score: 100 Batman Begins
Lowest review score: 0 The Last Airbender
Score distribution:
1062 movie reviews
    • 62 Metascore
    • 70 Keith Phipps
    While the Veronica Mars film feels a bit small and closed-off by big-screen standards, it will no doubt be big and welcoming enough to those who love the series.
    • 73 Metascore
    • 70 Keith Phipps
    The director’s observant approach to the material helps pave over the frustrations.
    • 54 Metascore
    • 70 Keith Phipps
    Twin Dragons is still a Chan film, albeit not a great one. As fans have figured out by now, that goes a long way.
    • 76 Metascore
    • 70 Keith Phipps
    What makes it effective isn’t the facts of the case, so much as the way Philomena lets viewers spend time with its characters and get to know exactly who’s getting hurt.
    • 71 Metascore
    • 70 Keith Phipps
    Though sloppily structured and sometimes dangerously flimsy (not to mention truncated at a mere 78 minutes), Tadpole has an unforced charm that compensates for the absence of more traditional cinematic virtues.
    • 71 Metascore
    • 70 Keith Phipps
    Without coming out and saying it, The Nomi Song creates the sense that its subject might simply have been a few hundred years ahead of his time.
    • 65 Metascore
    • 70 Keith Phipps
    Never quite finds the rhythm of a great film, and it scores no points for subtlety by including a subplot about a horse breaking free of its master, but Shahriar displays a real gift for conveying Taghani's plight in all its grimness.
    • 74 Metascore
    • 70 Keith Phipps
    As for the unfortunates who aren't already in love with The Ramones, End Of The Century should give them a better understanding of what they've been missing, and leave them wondering why they've missed out on it for so long.
    • 75 Metascore
    • 70 Keith Phipps
    It’s the choice to put the voices of the main players front and center that saves Lambert & Stamp from taking the rise-and-fall shape so familiar from Behind The Music and similar projects.
    • 63 Metascore
    • 70 Keith Phipps
    There's something appealing about an unapologetic love story set in an office that's only a few clicks off from looking like a fetish dungeon, and Spader and Gyllenhaal make sure that the romance, kinks and all, carries the day.
    • 85 Metascore
    • 70 Keith Phipps
    Julie Bertucelli spends part of the film letting her characters worry whether they've made the right choice, but mostly contents herself with capturing a place where hard choices have become unavoidable. Though her decision to pace the film to Gorintin's old-lady rhythms sometimes kills the dramatic momentum, in the end it's time well spent.
    • 62 Metascore
    • 70 Keith Phipps
    Hush! takes an excessive, saga-like running time to reach its conclusion, but Hashiguchi frequently makes the trudge worthwhile, particularly when he finds the energy to match his three leads' charming performances.
    • 72 Metascore
    • 70 Keith Phipps
    It's a hard-won comfort, found here over a bleak stretch of days, but All Or Nothing makes it look like the best life has to offer.
    • 71 Metascore
    • 70 Keith Phipps
    At its best, The Broken Circle Breakdown has the feel of life as it’s remembered—moments out of time tethered together by the feelings of those living them.
    • 79 Metascore
    • 70 Keith Phipps
    Though there's a formula at the film's core, Whale Rider still has the good taste to make that formula go down easy.
    • 72 Metascore
    • 70 Keith Phipps
    The story is well-told, but so familiar that it renders the surrounding film a bright, shiny, dispensible bauble, an amusing diversion but not much more.
    • 62 Metascore
    • 70 Keith Phipps
    Lord Of War charges bravely and relentlessly into volatile territory, and it's hard to leave unscarred by the experience.
    • 65 Metascore
    • 70 Keith Phipps
    The film's generous spirit, disarming mixture of beauty and brutality, and gentle, insistent sweep make it easy to surrender to it anyway.
    • 56 Metascore
    • 70 Keith Phipps
    Nature lacks a little of Malkovich's freshness, but that's just about all it lacks.
    • 63 Metascore
    • 70 Keith Phipps
    Occasionally resembling an episode of Seinfeld taken to the big screen, waydowntown shares that show's ability to mine mundane details for humor, and its Tomorrowland-gone-awry setting provides plenty of raw material.
    • 52 Metascore
    • 70 Keith Phipps
    Though initially off-putting, Chick's distanced direction pays off as XX/XY goes along.
    • 86 Metascore
    • 70 Keith Phipps
    By turning her attention to an underreported chapter in recent history, Kennedy has found a trove rich with unreal imagery and stories of heroism in the face of defeat.
    • 80 Metascore
    • 70 Keith Phipps
    An earnest attempt to convey the essential truth of Wilson’s extraordinary career and difficult life animates both halves of the film, and both performances.
    • 70 Metascore
    • 70 Keith Phipps
    Stearns directs with a slow-burning intensity that becomes more unsettling the deeper Ansel goes into his task, and the more it becomes apparent he doesn’t have an easy way out.
    • 55 Metascore
    • 70 Keith Phipps
    An extraordinary story uniquely suited to Herzog's abilities, it eventually becomes easy to accept Ahola as a nearly mute witness to the obsessives around him, most immediately Tim Roth in a striking performance as Ahola's employer.
    • 76 Metascore
    • 70 Keith Phipps
    Though Machuca ultimately doesn't shy away from taking sides, it wisely keeps the focus on the human element. The politics take place in the background until they demand the foreground.
    • 67 Metascore
    • 70 Keith Phipps
    Shooting on 35mm, Jody Lee Lipes makes the harshness look beautiful and unforgiving, and in a film filled with strong performances, Morton’s work stands out.
    • 71 Metascore
    • 70 Keith Phipps
    Edge Of Tomorrow’s finale can’t live up to what’s come before, though that’s mostly because what comes before is so rich and unusual, particularly in the middle of a summer blockbuster season that doesn’t always value richness or novelty.
    • 58 Metascore
    • 70 Keith Phipps
    The atmosphere makes a deeper impression than the drama, which might represent a failing on Nelson's part, but could it be avoided? His film portrays the pinholes of light in a place of otherwise unrelenting darkness.

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