For 631 reviews, this critic has graded:
  • 34% higher than the average critic
  • 1% same as the average critic
  • 65% lower than the average critic
On average, this critic grades 5.4 points lower than other critics. (0-100 point scale)

Keith Uhlich's Scores

  • Movies
  • TV
Average review score: 57
Highest review score: 100 Bam gua nat
Lowest review score: 0 The Do-Over
Score distribution:
  1. Negative: 52 out of 631
631 movie reviews
    • 41 Metascore
    • 20 Keith Uhlich
    This moronically unfunny gangster comedy fluctuates wildly between the lowest-of-low humor and pity-the-aged-man pathos, and offers further evidence that the best days are behind its iconic cast members.
    • 21 Metascore
    • 20 Keith Uhlich
    No stranger to one-joke premises, writer-director Tommy Wirkola (of 2009's Nazi-zombie "classic" "Dead Snow") populates this frenzied horror-satire with tons of incoherently staged bloodletting and f-bomb–accentuated kiss-off lines. It's a grim fairy tale, all right.
    • 54 Metascore
    • 20 Keith Uhlich
    Im could care less about these people as characters, presenting them as either obscenely hot or repellently decaying bundles of flesh.
    • 53 Metascore
    • 20 Keith Uhlich
    This frenetic horror-comedy from "Bubba Ho Tep's" Don Coscarelli is of the make-it-up-as-you-go-along school of storytelling.
    • 28 Metascore
    • 20 Keith Uhlich
    We’re a long way from this shoot-’em-up franchise’s John McTiernan–helmed heyday. Willis gives one of his laziest ever performances, leadenly tossing off each quip (“I’m on vacation!” is the most abused) and acting like he’s passing a kidney stone during the bathetic father-son bonding scenes.
    • 57 Metascore
    • 20 Keith Uhlich
    Berger’s script is little more than a series of contrived comic vignettes that prevent the actors from creating believable characters, forcing them to contort to fit the low-rent farce.
    • 45 Metascore
    • 20 Keith Uhlich
    It would be kind to call this satire; what it comes off as is a pummeling, testosterone-fueled sensory assault that the film then makes minor variations on for two very long hours.
    • 26 Metascore
    • 20 Keith Uhlich
    The uniformly awful performances seem beamed in from Planet Ed Wood, while the script is filled with mock-macho zingers (“If I wanted to hear from an a**hole, I’d rip you a new one!”) that would give former Governor Schwarzenegger pause.
    • 52 Metascore
    • 20 Keith Uhlich
    What played as rousingly dumb fun in "Independence Day" (1996) — all those pie-eyed nationalistic monologues, and U.S. landmarks reduced to rubble — now come off as callously insensitive, even with tongue firmly in cheek.
    • 38 Metascore
    • 20 Keith Uhlich
    To call this a turkey would be an insult to poultry.
    • 30 Metascore
    • 20 Keith Uhlich
    Take the last train to anywhere but here.
    • 60 Metascore
    • 20 Keith Uhlich
    Berg may be adhering to the basic facts, but his movie’s childish machismo is a disgrace to all involved.
    • 28 Metascore
    • 20 Keith Uhlich
    The basics of the story remain unchanged, but it’s the wanna-be-blockbuster additions that rankle, be it the incoherent direction of first-time feature director Carl Rinsch or the copious CGI beasties who look like rejected "Lord of the Rings" villains.
    • 34 Metascore
    • 20 Keith Uhlich
    Probably best to dissuade the so-bad-it’s-good crowd: There’s nothing here to laugh at with the communal glee of a "Rocky Horror" or "The Room"; only a spectacularly bad composite shot of a fire-fighting plane induces any real giggles.
    • 36 Metascore
    • 20 Keith Uhlich
    Only Gaby Hoffmann makes a lasting impression, as the thick-skinned pariah of the bunch. Somehow she’s able to give the ring of truth to even the hoariest of Hennelly and cowriter Sarah Adina Smith’s conceits (notably a rally-the-troops speech cribbed from founding father George Washington). The rest makes you long for Armageddon.
    • 25 Metascore
    • 20 Keith Uhlich
    The whole sorry enterprise leaves you feeling, well, shafted.
    • 61 Metascore
    • 20 Keith Uhlich
    The funny thing about all these sub-"Matrix" shenanigans is that they’re genuinely meant to stoke thought and reflection. Frankly, though, few movies have left me feeling as shorn of gray matter.
    • 44 Metascore
    • 20 Keith Uhlich
    Probably the biggest sin in a movie filled with many is turning Fonda into a nymphomaniacal sight gag who makes Barbarella look like Gloria Steinem.
    • 12 Metascore
    • 20 Keith Uhlich
    Good God almighty: Not since Edward D. Wood Jr. unleashed a flotilla of paper-plate UFOs on beautiful downtown Burbank has there been a movie as stem-to-stern inept as this adaptation of the bestselling Christian novel series by Tim LaHaye and Jerry B. Jenkins.
    • 52 Metascore
    • 20 Keith Uhlich
    What really makes Rudderless a full-blown affront is a late-breaking narrative revelation (no spoilers here) that’s meant to add resonant emotional depth, but instead comes off as jaw-droppingly repugnant. That’s appropriate, though, for a movie with no sense of direction.
    • 26 Metascore
    • 10 Keith Uhlich
    A wrongheaded, utterly incompetent, and nearly laugh-free satire.
    • 22 Metascore
    • 0 Keith Uhlich
    By now, it's clear that every Adam Sandler movie is dada of the high-concept, low-hanging-fruit variety, in which the Happy Madison stock company uses filmmaking (loosely termed) as an excuse to take an extended tropical vacation.

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