Kenneth Turan

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For 2,125 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 9.8 points higher than other critics. (0-100 point scale)

Kenneth Turan's Scores

  • Movies
  • TV
Average review score: 71
Highest review score: 100 Fire at Sea
Lowest review score: 0 Fair Game
Score distribution:
2125 movie reviews
    • 50 Metascore
    • 60 Kenneth Turan
    Rude, rowdy and raunchy, The Campaign gleefully skewers the current sad state of American politics. With a target that tempting, it's not surprising that this cynical and funny film hits more often than it misses.
    • 50 Metascore
    • 60 Kenneth Turan
    It is a laconic, enigmatic piece of work, displaying the grace with spoken language that marked "Glengarry Glen Ross" but troublesome in terms of structure and character development.
    • Los Angeles Times
    • 55 Metascore
    • 60 Kenneth Turan
    Going boldly where no one has gone before is not what it used to be. Contentedly settled into a prosperous middle age, the "Star Trek" series now seems more comfortable retracing its own footsteps, carefully offering its horde of fans interludes that aspire to do no more than fit snugly into the patterns of the past.
    • 53 Metascore
    • 60 Kenneth Turan
    If The Hudsucker Proxy is a triumph, it is a zombie one. Too cold, too elegant, too perfect, more an exhibit in a cinema museum than a flesh-and-blood film, "Proxy's" highly polished surface leaves barely any space for an audience's emotional connection. [11 Mar 1994, p.1]
    • Los Angeles Times
    • 28 Metascore
    • 60 Kenneth Turan
    Essentially a late-'90s MTV version of "The Exorcist," a half-serious, half-silly piece of business that keeps us involved despite (or maybe because of) being more than a little overdone.
    • 62 Metascore
    • 60 Kenneth Turan
    This overly derivative motion picture thinks it is doing and saying more than it is. Instead, it ends up as little more than a reasonable facsimile of the real thing, despite a subtle and effective performance by Ben Affleck, of all people.
    • 56 Metascore
    • 60 Kenneth Turan
    A rambling, mildly entertaining performance film.
    • 47 Metascore
    • 60 Kenneth Turan
    Starring Wesley Snipes as the suave Regis, Murder at 1600 is the modern equivalent of the routine B-picture, diverting in a small potatoes kind of way, though its budget and stars are big league.
    • 66 Metascore
    • 60 Kenneth Turan
    As the only Austen work to be named after its heroine, Emma must have an engaging performance in the title role to succeed at all, and fortunately Gwyneth Paltrow, after a slow start, completely wins us over.
    • 58 Metascore
    • 60 Kenneth Turan
    A self-satisfied film about insecure people, a quirky and episodic comic drama that squanders its genuine assets and ends up not as special as it tries to be.
    • 58 Metascore
    • 60 Kenneth Turan
    Yet with so much going for it, the film's creators have made the classic Hollywood choice and treated its actresses like flesh-and-blood special effects. If you've got talent like this, or so the theory goes, a coherent story is a luxury that can be dispensed with.
    • 72 Metascore
    • 60 Kenneth Turan
    Star Routh's presence and the joys of flight keep Superman Returns alive, but all those missteps dog its heels, holding it back like little touches of Kryptonite in the night.
    • 71 Metascore
    • 60 Kenneth Turan
    It shows promise but finally hits things so hard, both literally and metaphorically, that it's hard not to feel pummeled yourself by the time it's over.
    • 65 Metascore
    • 60 Kenneth Turan
    It's a gritty story made in the director's more elegiacal mode, a confusion of style and content that is not in the film's best interests.
    • 55 Metascore
    • 60 Kenneth Turan
    Hitchcock puts major league star power at the service of its peek-behind-closed-doors premise. But whatever that relationship was like in real life, this is one cinematic portrait of a marriage we could have lived without.
    • 62 Metascore
    • 60 Kenneth Turan
    42
    Robinson's combination of fortitude, restraint and passion for the game was stunning. You can't help getting caught up in this story, even as you are wishing the telling was sharper than it is.
    • 62 Metascore
    • 60 Kenneth Turan
    If a concept is to sustain itself over a multipart story, it must make an emotional connection, and this "Reloaded," especially with stars cast for their lack of affect and affinity for blankness, cannot do that.
    • 46 Metascore
    • 60 Kenneth Turan
    If I Stay takes time to find its footing amid miscalculations and awkward moments.
    • 47 Metascore
    • 60 Kenneth Turan
    Plays like the setup for a movie that never materializes. It has all the elements for a successful comedy, but once the premise is presented, the film doesn't know how to deliver on its promise. That doesn't mean there is no fun in "Fun."
    • 59 Metascore
    • 60 Kenneth Turan
    With what we see on screen weighted too much toward pain and too little toward redemption, this is a film we respect more than love, and that is something of a wasted opportunity.
    • 59 Metascore
    • 60 Kenneth Turan
    Though originality is not one of its accomplishments, Anastasia is generally pleasant, serviceable and eager to please.
    • 60 Metascore
    • 60 Kenneth Turan
    Strongly acted by a highly competent ensemble.
    • 49 Metascore
    • 60 Kenneth Turan
    What makes the story worthwhile is the candor and personality of the band members.
    • 72 Metascore
    • 60 Kenneth Turan
    What Surfwise reveals is that the dark side of the surfing doctor was that he could be a terrible tyrant, someone whose controlling, self-centered rigidity limited his children in ways large and small as much as it gave them richer lives.
    • 62 Metascore
    • 60 Kenneth Turan
    Intent as it is on being both artistically and politically involving, The Great Water periodically miscalculates its effects, coming on stronger than it intends.
    • 68 Metascore
    • 60 Kenneth Turan
    Though comedy is an intrinsic part of the play, director Zaks has not found a way to translate it effectively on screen.
    • 59 Metascore
    • 60 Kenneth Turan
    Does have a large and capable cast and, in James Foley, a director with a taste for visual flourishes. They all so fell in love with the script by Doug Jung they didn't notice how much a derivative retread it is of superior material like "The Grifters" and even "The Sting."
    • 67 Metascore
    • 60 Kenneth Turan
    A Wolf at the Door is undoubtedly effective and well-crafted, but its tale of reckless obsession and its inevitably unhappy ending are finally too unsavory for its own good.
    • 44 Metascore
    • 60 Kenneth Turan
    Constrained by the plot of the novel, the film keeps the two lovers apart for quite a spell, robbing the project of the crazy-in-love energy that made "Twilight," the first entry in the series, such a guilty pleasure.
    • 64 Metascore
    • 60 Kenneth Turan
    As sanctimonious as it is sincere, this is a well-meaning picture that is seriously stuck on itself, that can't hide its air of self-satisfaction. [25 Dec 1991]
    • Los Angeles Times

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