Kenneth Turan

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For 2,126 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 9.8 points higher than other critics. (0-100 point scale)

Kenneth Turan's Scores

  • Movies
  • TV
Average review score: 71
Highest review score: 100 The Grand Budapest Hotel
Lowest review score: 0 Lethal Weapon 4
Score distribution:
2126 movie reviews
    • 48 Metascore
    • 50 Kenneth Turan
    A warmhearted horror show that puts cliched movie people into a realistic situation, the signals it sends out are nothing but mixed.
    • 58 Metascore
    • 50 Kenneth Turan
    Isn't good and isn't bad, it just isn't. A lethargic would-be entertainment as well as a dispiriting vanity project, it is such a misfire that it makes it hard to remember what was special about its predecessor.
    • 45 Metascore
    • 50 Kenneth Turan
    A movie we might like to buy into if left to our own devices, but that idea is anathema to Turteltaub, intent on pushing us so hard that we end up pushing back.
    • 56 Metascore
    • 50 Kenneth Turan
    What results is a film with some bright spots but whose effect is finally as muddled and wearying as the event itself sometimes is.
    • 64 Metascore
    • 50 Kenneth Turan
    Harron has said she was determined to be nonjudgmental about Page, to do justice to the woman's "mystery and ambiguity." In practice, however, that attitude plays as coldness, and Page, for all her remarkable zest, comes off as a not terribly interesting person we're given no incentive to become involved with.
    • 55 Metascore
    • 50 Kenneth Turan
    Its heart is so much in the right place it is difficult to get really peeved at it.
    • 53 Metascore
    • 50 Kenneth Turan
    The film is well intentioned and mildly diverting, but in attempting to modernize its story it has lost many of the things that make the original so memorable and not gained much in return.
    • 48 Metascore
    • 50 Kenneth Turan
    Unfortunately, absent a more objective context, Trudell's gnomic utterances do little to support those sentiments. By preaching so relentlessly to the choir, this film misses an opportunity to show what got them to sing in the first place.
    • 42 Metascore
    • 50 Kenneth Turan
    A reasonably diverting albeit frequently improbable thriller.
    • 57 Metascore
    • 50 Kenneth Turan
    Thor has its strengths, but it is finally something of a mishmash with designs on being more interesting than it manages to be.
    • 48 Metascore
    • 50 Kenneth Turan
    It does not have as much invigorating freshness as audiences have come to expect in computer animation.
    • 72 Metascore
    • 50 Kenneth Turan
    Not without its funny moments, much of Birdcage seems pro forma and predictable. What felt original in 1978 is no longer half so inspired.
    • 52 Metascore
    • 50 Kenneth Turan
    This single cautionary tale of how drug innocence gives way to woeful, hung-over experience proves to be way too predictable to effectively caution or even involve anyone.
    • 63 Metascore
    • 50 Kenneth Turan
    Above all this is a film for gluttons for punishment, for those who never ever can get enough of Sylvester Stallone. Everyone else, please leave the building.
    • 34 Metascore
    • 50 Kenneth Turan
    It's a wonderful piece of filmmaking, but once any mouth is opened the magic is immediately tarnished.
    • 56 Metascore
    • 50 Kenneth Turan
    Though it is always pleasant and agreeable, this film has the bland and undemanding texture that characterizes movies made for network TV.
    • 45 Metascore
    • 50 Kenneth Turan
    Though the film's second half has some good action moments, it never fulfills the promise of its earliest scenes.
    • 38 Metascore
    • 50 Kenneth Turan
    Like "The Addams Family" before it, this is one of those clever, lively and ultimately wearying pieces of showy Hollywood machinery where a glut of creativity has gone into the visuals with only scraps left over for the plot and the dialogue. [27 May 1994 Pg.F1]
    • Los Angeles Times
    • 45 Metascore
    • 50 Kenneth Turan
    A motion picture with one foot in artistic expression and one in pulp fiction and commercialized violence. It wants the respect that goes with a quality production, but it can't resist providing the brutality and exploitation the film's core audience expects.
    • 44 Metascore
    • 50 Kenneth Turan
    Watching it is like being in a room with a couple locked in a torrid embrace. It might be fun for them, but what's in it for everyone else?
    • 68 Metascore
    • 50 Kenneth Turan
    A film whose reach exceeds its grasp. Hugely ambitious and not without moments of success, this indulgent 2 hour and 40 minute epic ends up as unwieldy as its elongated title. It's a movie in love with itself, and few things are more fatal than that.
    • 81 Metascore
    • 50 Kenneth Turan
    The Wrestler doesn't add up. It's constructed with great care around a lead performance that is everything it could possibly be, but the picture itself is off-putting and disappointing.
    • 58 Metascore
    • 50 Kenneth Turan
    The result is a film that is solid and acceptable instead of soaring and exceptional, one unnecessarily hampered in its quest to reach the magical heights of the trilogy.
    • 49 Metascore
    • 50 Kenneth Turan
    As far as the new disaster film 2012 is concerned, the world will end with both a bang and a whimper, the bang of undeniably impressive special effects and the whimper of inept writing and characterization. You pays your money, you takes your chances.
    • 44 Metascore
    • 50 Kenneth Turan
    With its capacity to surprise, the film comes to life when you don't expect it to, in tiny but wonderfully off-center moments.
    • 60 Metascore
    • 50 Kenneth Turan
    A persuasive thriller for most of its length, it stumbles in its attempt to become an upscale version of "Death Wish" and other vigilante dramas and ends up derailing with a soft thud.
    • 70 Metascore
    • 50 Kenneth Turan
    Dances on the edge of flat-lining just like the DOAs that are Frank's stock-in-trade.
    • 48 Metascore
    • 50 Kenneth Turan
    xXx
    Built of action-sport stunts, has adrenaline to spare. But, c'mon. Where is its sense of fun?
    • 59 Metascore
    • 50 Kenneth Turan
    Although he works his hardest at the part and doesn't embarrass himself, even with the help of Stan Winston's vampire makeup Tom Cruise is plainly miscast as Lestat. [11Nov1994 Pg. F1]
    • Los Angeles Times
    • 47 Metascore
    • 50 Kenneth Turan
    While films are admired for making fantasy real, some manage a reverse, unwanted kind of alchemy, turning involving reality into meaningless piffle.

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