Kenneth Turan
Select another critic »
For 1,899 reviews, this critic has graded:
  • 64% higher than the average critic
  • 2% same as the average critic
  • 34% lower than the average critic
On average, this critic grades 10.9 points higher than other critics. (0-100 point scale)

Kenneth Turan's Scores

  • Movies
  • TV
Average review score: 70
Highest review score: 100 Barbara
Lowest review score: 0 Fair Game
Score distribution:
1,899 movie reviews
    • 79 Metascore
    • 100 Kenneth Turan
    A vibrant crime story filled to overflowing with crackling situations, taut dialogue and a heightened, even operatic sense of reality, A Most Violent Year captures us and doesn't let go.
    • 89 Metascore
    • 100 Kenneth Turan
    It's a mind-bending film, devastating and disorienting, that disturbs us in ways we're not used to being disturbed, raising questions about the nature of documentary, the persistence of evil, and the intertwined ways movies function in our culture and in our minds.
    • 81 Metascore
    • 100 Kenneth Turan
    Part science fiction scare movie, part offbeat romance, part completely unclassifiable, "Color" is also one-man filmmaking of a remarkable sort.
    • 80 Metascore
    • 100 Kenneth Turan
    Bergman has never been an ordinary filmmaker, and what he's given us is no genial last hurrah but rather an intensely dramatic, at times lacerating examination of life's conundrums that is exhilarating in its fearlessness and its command.
    • 76 Metascore
    • 100 Kenneth Turan
    The strength of sensational material joined to excellent acting, superior filmmaking and uncanny political relevance has made The Manchurian Candidate into exceptionally intelligent entertainment and a high point of director Jonathan Demme's career.
    • 72 Metascore
    • 100 Kenneth Turan
    Rejoice provides both a melodic education and a once-in-a-lifetime concert in one soul-stirring package.
    • 85 Metascore
    • 100 Kenneth Turan
    Engaging and consummately entertaining.
    • 83 Metascore
    • 100 Kenneth Turan
    Up in the Air makes it look easy. Not just in its casual and apparently effortless excellence, but in its ability to blend entertainment and insight, comedy and poignancy, even drama and reality, things that are difficult by themselves but a whole lot harder in combination. This film does all that and never seems to break a sweat.
    • 84 Metascore
    • 100 Kenneth Turan
    Led by director Zhang Yimou and dazzling cinematographer Christopher Doyle, the unseen Hero production team has made what just might be the most artistically sophisticated, most formally beautiful martial arts film the genre has seen.
    • 79 Metascore
    • 100 Kenneth Turan
    Superbly cast from the two at the top to the smallest speaking parts, impeccably directed by Fincher and crafted by his regular team to within an inch of its life, Gone Girl shows the remarkable things that can happen when filmmaker and material are this well matched.
    • 91 Metascore
    • 100 Kenneth Turan
    Fast, funny, unexpected and uninhibited, The Triplets of Belleville may be animated, but it is also the product of an artistic vision every bit as rigorous as any lofty Cannes prize-winner. Hearing about a film this special isn't enough. It demands to be seen, and it generously rewards those who, like Madame Souza, let nothing stand in their way.
    • 90 Metascore
    • 100 Kenneth Turan
    Bird has created the unprecedented film that is not just a grand feature-length cartoon but a grand feature, period, a piece of animation that's involving across a spectrum of comedy, action, even drama.
    • 94 Metascore
    • 100 Kenneth Turan
    As completely real on the psychological level as its up-to-the-moment visual effects have on the physical.
    • 97 Metascore
    • 100 Kenneth Turan
    This is impressive filmmaking, but it is not easy to take in.
    • 94 Metascore
    • 100 Kenneth Turan
    Heartbreaking, haunting and unexpectedly heartening, First Cousin Once Removed is an uncommonly moving documentary portrait of a mind in disarray.
    • 63 Metascore
    • 100 Kenneth Turan
    Wickedly mocking but empathetic, able to laugh at its characters while paying attention to their sorrows, this subversive comedy about self-esteem resists the notion that films have to timidly remain within tidy genre rules.
    • 85 Metascore
    • 100 Kenneth Turan
    This is a performance, and a film, to cherish for this year and always.
    • 87 Metascore
    • 100 Kenneth Turan
    Rising to crescendos of emotion usually reached only by tenors and sopranos, these characters are the beneficiaries of the luminous writing of the novel and screenplay as well as the expert performances of the actors, especially Scott Thomas.
    • 85 Metascore
    • 100 Kenneth Turan
    Beautifully observed, precisely directed and acted with wonderful conviction, it pulls us into the life of its protagonist in a deeply involving way.
    • 82 Metascore
    • 100 Kenneth Turan
    People fall in love in every country, but nowhere is the experience put on film with the flawless style, empathy and emotion the French provide. Mademoiselle Chambon is the latest in that line of deeply moving romances, an exquisite chamber piece made with the kind of sensitivity and nuance that's become almost a lost art.
    • 87 Metascore
    • 100 Kenneth Turan
    Popular filmmaking at its smartest and most persuasive.
    • 91 Metascore
    • 100 Kenneth Turan
    Ida
    Spare, haunting, uncompromising, Ida is a film of exceptional artistry whose emotions are as potent and persuasive as its images are indelibly beautiful.
    • 90 Metascore
    • 100 Kenneth Turan
    Disturbing, disorienting, quietly terrifying, it's one of the least known of the world's great horror movies and, in its own dark way, a startlingly beautiful and artful piece of cinema as well.
    • 83 Metascore
    • 100 Kenneth Turan
    A beautifully done adaptation of the novel, polished, elegant and completely cinematic. It is also a bit distant, a film that doesn't wear its feelings on its sleeve, but given the effects it's after, that would be counterproductive. [17 Sept 1993, Calendar, p.F-1]
    • Los Angeles Times
    • 75 Metascore
    • 100 Kenneth Turan
    It is Scott's work as the savagely articulate Roger, a tireless would-be seducer, bottomlessly self-confident and oblivious to rejection, that is the film's glistening and provocative centerpiece.
    • 86 Metascore
    • 100 Kenneth Turan
    Like taking a drug everyone says is dynamite and impatiently wondering why the heck it's not kicking in. The kick in fact turns out to be real, and as powerful as advertised, but it doesn't necessarily hit you in any way you anticipated.
    • 84 Metascore
    • 100 Kenneth Turan
    Made with palpable energy, intensity and excitement, it compellingly creates a world gone mad that is uncomfortably close to the one we live in. It is a "Blade Runner" for the 21st century, a worthy successor to that epic of dystopian decay
    • 73 Metascore
    • 100 Kenneth Turan
    Impeccably made and uncompromisingly adult, Claude Chabrol's A Girl Cut in Two is unquestionably the work of a master.
    • 90 Metascore
    • 100 Kenneth Turan
    Adventurous, provocative, even daring.
    • 78 Metascore
    • 100 Kenneth Turan
    It's the film's glowing visual qualities, a striking performance by Denzel Washington and the elegant control Carl Franklin has over it all that create the most exotic crime entertainment of the season.

Top Trailers