For 1,399 reviews, this critic has graded:
  • 76% higher than the average critic
  • 1% same as the average critic
  • 23% lower than the average critic
On average, this critic grades 7.9 points higher than other critics. (0-100 point scale)

Kevin Thomas' Scores

  • Movies
Average review score: 67
Highest review score:
Go
Critic Score 100
Lowest review score:
Critic Score 0
Score distribution:
1,399 movie reviews
    • Metascore: 41
    • Kevin Thomas 30
    Ready for a singing and dancing "Reservoir Dogs"?
    • Metascore: 25
    • Kevin Thomas 30
    Just the ticket for girls in their early teens.
    • Metascore: 51
    • Kevin Thomas 30
    Implausible at every turn, it offers a dab of quirkiness and edge from writer-director Finn Taylor, but otherwise has nothing for audiences to embrace.
    • Metascore: 35
    • Kevin Thomas 30
    You can't help but feel that Disney has delivered a turkey for Thanksgiving.
    • Metascore: 47
    • Kevin Thomas 30
    All strained artifice, inhabited by individuals who either lack dimension or are merely stereotypes. The result is a movie not nearly as amusing as its makers may think.
    • Metascore: 34
    • Kevin Thomas 30
    Quickly becomes silly and tedious.
    • Metascore: 29
    • Kevin Thomas 30
    Has plenty of warmth, affection and conventional wisdom, but too much of the time it plays out in routine fashion with moments of contrivance.
    • Metascore: 58
    • Kevin Thomas 30
    By the time the heavy-handed Solomon & Gaenor is over, it has become such a punishing exercise in the self-evident that one is left numb and eager for escape.
    • Metascore: 39
    • Kevin Thomas 30
    Misfires badly as both an entertainment and a message movie.
    • Metascore: 46
    • Kevin Thomas 30
    One Night at McCool's is one night too much.
    • Metascore: tbd
    • Kevin Thomas 30
    Might work on the stage but is merely tedious on the screen.
    • Metascore: 42
    • Kevin Thomas 30
    Psycho Beach Party is, from the start, in dire need of the electroshock therapy that Florence ultimately undergoes.
    • Metascore: 49
    • Kevin Thomas 30
    Not even the strong, reflective, world-weary presence of Reno or Cassel's energy can make a dent in a movie in which suspense and tension dissipate quickly, with action sequences not spectacular enough to compensate. All that's left is gratuitous gore.
    • Metascore: 26
    • Kevin Thomas 30
    Can never rise above the melodrama of a past era, despite a splendid, impassioned portrayal by Willem Dafoe and an affecting one by Luo Yan.
    • Metascore: 33
    • Kevin Thomas 30
    It's too labored and ponderous to qualify as a so-bad-it's-good amusement. Original Sin is merely an old-fashioned bore.
    • Metascore: 37
    • Kevin Thomas 30
    Begins as a captivating romantic comedy and then, at the very moment it's most involving, takes a wholly gratuitous and disastrous swerve and just keeps on going from bad to worse.
    • Metascore: 36
    • Kevin Thomas 30
    A trite psychological thriller -- all buildup and no payoff, a mystery that essentially offers only two alternative solutions, which diminishes the element of surprise and strings the viewer along way past caring which possibility proves to be true.
    • Metascore: tbd
    • Kevin Thomas 30
    An undernourished romantic comedy-drama that's especially short on that most essential ingredient: credibility.
    • Metascore: 40
    • Kevin Thomas 30
    A dreary title for an even drearier picture.
    • Metascore: 21
    • Kevin Thomas 30
    Looks sensational, moves like lightning. But its script (by Joel Soisson) makes no pretense about being logical or even comprehensible.
    • Metascore: 41
    • Kevin Thomas 30
    Dust is a bust, a big bad movie of the scope, ambition and bravura that could be made only by a talented filmmaker run amok.
    • Metascore: 32
    • Kevin Thomas 30
    The look of the film is great, the soundtrack glorious, but more often than not the dialogue is atrocious, featuring a lot of long-winded gobbledygook.
    • Metascore: 37
    • Kevin Thomas 30
    Far from great, and this off-putting French romantic comedy is sure to test severely the indulgence of fans of "Amélie."
    • Metascore: 14
    • Kevin Thomas 30
    It's too bad this Rollerball veered off-track so swiftly, derailed by bad writing and possibly also by some of that extensive post-production reworking.
    • Metascore: 33
    • Kevin Thomas 30
    Melts swiftly...don't expect a shred of credibility.
    • Metascore: 57
    • Kevin Thomas 30
    More travesty than tragedy.
    • Metascore: 45
    • Kevin Thomas 30
    Whatever his intentions, Clark, in his third outing as a director, has come up with a film that is seriously flawed.
    • Metascore: 42
    • Kevin Thomas 30
    Opens and closes on a jaunty note: It's the tedious, relentlessly talky 80 minutes in between that's the problem.
    • Metascore: 23
    • Kevin Thomas 30
    So uninvolving it scarcely matters what it looks like.
    • Metascore: 13
    • Kevin Thomas 30
    The best the makers of Down to You can hope for is that girls in their early teens--clearly the film's target audience--will be so carried away by its charismatic stars that they'll overlook the film's various flaws.