For 284 reviews, this critic has graded:
  • 56% higher than the average critic
  • 1% same as the average critic
  • 43% lower than the average critic
On average, this critic grades 1.2 points lower than other critics. (0-100 point scale)

Kim Morgan's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Master of the Flying Guillotine (re-release)
Lowest review score: 0 Eban and Charley
Score distribution:
  1. Negative: 35 out of 284
284 movie reviews
    • 77 Metascore
    • 58 Kim Morgan
    Gives just enough to forgive any of its initial flaws and eventually grows on you.
    • 65 Metascore
    • 58 Kim Morgan
    While breezy and fun, the film is also flimsy and sloppy in style and content.
    • 35 Metascore
    • 58 Kim Morgan
    The script is atypically bland for Heckerling.
    • 51 Metascore
    • 58 Kim Morgan
    Though The Hard Word feels flimsy at times, its breeziness and humor, along with Pearce's performance, make it infinitely more amusing than it's got any right to be. You get the feeling that these actors had fun making this film, and that fun is contagious.
    • 45 Metascore
    • 50 Kim Morgan
    The film is weighed down by the decision of director David Atkins to throw too much into the mix. The result is a serious problem of consistency.
    • 62 Metascore
    • 50 Kim Morgan
    A sweet, loopy British comedy filled with good actors and funny moments.
    • 72 Metascore
    • 50 Kim Morgan
    Crowe understands what's interesting about Nash: He's not a feel-good figure. It's a pity the same can't be said for Howard.
    • 64 Metascore
    • 50 Kim Morgan
    The story sounds horrifying, but the film takes some unfortunate twists and never presents us with a multifaceted character in Paxton. Paxton just doesn't play the nice-but-nuts role with a modicum of terror.
    • 55 Metascore
    • 50 Kim Morgan
    Though not terrible, and blessed with some nice performances, this Irish-eyes-are-smiling-despite-the-rain-and-nasty-nuns story is Hallmark Hall of Fame material.
    • Portland Oregonian
    • 60 Metascore
    • 50 Kim Morgan
    Really, we'd rather just watch a good documentary about the subject. And as the camera flings around, we occasionally forget about what could help the teens and think more about what could help the director: How about a tripod?
    • 35 Metascore
    • 50 Kim Morgan
    A flawed fable but an intriguing one nonetheless. It's "Splash" gone existential. How many films can you name like that?
    • Portland Oregonian
    • 62 Metascore
    • 50 Kim Morgan
    Pablo Berger's subtle satire Torremolinos 73 is almost there. Almost.
    • 35 Metascore
    • 50 Kim Morgan
    A tepid disappointment that contains one mediocre chase scene and a lot of wasted talent.
    • Portland Oregonian
    • 58 Metascore
    • 50 Kim Morgan
    This film might've worked better as a comedy.
    • 45 Metascore
    • 50 Kim Morgan
    Too sugary to be funny or offensive or even offensively funny, though any kind of funny would be welcome here.
    • Portland Oregonian
    • 63 Metascore
    • 50 Kim Morgan
    Understated fun, but not much more.
    • 43 Metascore
    • 50 Kim Morgan
    This film disappointingly feels like a sometimes brilliantly acted, often gorgeously filmed re-enactment of the television show "Unsolved Mysteries."
    • 51 Metascore
    • 50 Kim Morgan
    Two-thirds of the way through, it falls apart into TV-movie-of-the-week land, even with the rhapsodic Nastassja Kinski in the lead.
    • 54 Metascore
    • 50 Kim Morgan
    With little cohesion and no respect for the editing process, Old School often feels like someone threw film clips on the floor and strung them together willy-nilly.
    • 49 Metascore
    • 50 Kim Morgan
    Though the acting in "Sidewalks" is uniformly fine, particularly among the female cast, it's hard to glimpse any meaningful vision, sly insights or cinematic flair.
    • 56 Metascore
    • 50 Kim Morgan
    Another Bond film that turns out to be an unspectacular spectacle, at times winking and fun but too often plodding and hackneyed. That said, as usual Brosnan is terrific, walking through dunderhead moments and a tedious plot with grace.
    • 44 Metascore
    • 50 Kim Morgan
    An unfortunate example of a small picture that feels small.
    • Portland Oregonian
    • 30 Metascore
    • 50 Kim Morgan
    If you've recently watched that great skateboarding documentary "Dogtown and Z-Boys," Grind will play like a soft-pedaled Afterschool Special.
    • 67 Metascore
    • 50 Kim Morgan
    A slight, smartly dressed bit of melodrama that thinks it's gritty when it's really a bit of puff.
    • 35 Metascore
    • 50 Kim Morgan
    Hollow, frequently boring picture.
    • Portland Oregonian
    • 62 Metascore
    • 50 Kim Morgan
    The film moves too slowly and dispassionately to resonate as it should.
    • 49 Metascore
    • 50 Kim Morgan
    But with a potentially fascinating study of ethics, of how cheating rich boys become cheating rich men while humble souls do more good in the world, The Emperor's Club doesn't take the audience anywhere smart.
    • 58 Metascore
    • 50 Kim Morgan
    May
    On paper, it sounds like the start of a good film. Too bad McKee made such a lackluster thing of it. Though the horror comes from an interesting place, it's frequently forced, negating much of the humor and pathos the film attempts to instill.
    • 45 Metascore
    • 50 Kim Morgan
    It's merely a by-the-numbers coming-of-age film
    • 46 Metascore
    • 50 Kim Morgan
    Jas some nice moments, a great soundtrack and some wonderful works by the dark-even-while-light Ricci.

Top Trailers