For 650 reviews, this critic has graded:
  • 38% higher than the average critic
  • 2% same as the average critic
  • 60% lower than the average critic
On average, this critic grades 3.6 points lower than other critics. (0-100 point scale)

Kimberley Jones' Scores

  • Movies
Average review score: 55
Highest review score: 100 All the Real Girls
Lowest review score: 0 Bucky Larson: Born to Be a Star
Score distribution:
650 movie reviews
    • 43 Metascore
    • 30 Kimberley Jones
    He is meant to be brooding, I think, but Tatum’s vague features read more “meathead” than anguished young lover. He has to carry the film, but he’s the least interesting thing going on here.
    • 44 Metascore
    • 30 Kimberley Jones
    I’m told Bella’s helplessness is true to the spirit of the novels, but so what? It’s almost 2010 – let’s get hip, people.
    • 64 Metascore
    • 30 Kimberley Jones
    A stiff drink or maybe some pharmaceutical assistance might have made me overlook the film's sour tone, or the unremarkableness of its direction.
    • 12 Metascore
    • 30 Kimberley Jones
    This one has the feel of being penned on rolling papers, with room to spare.
    • 37 Metascore
    • 30 Kimberley Jones
    What this really comes down to is the film's central lie. Made of Honor pins its hopes on a character who acts utterly without honor, and on an actor who has only two settings – sensitive or smarmy. The smarm wins.
    • 16 Metascore
    • 30 Kimberley Jones
    From "Hands on a Hard Body" to an 89-minute ogling of another hard body: It boggles the mind that 11 years after his engrossing documentary about an endurance competition to win a truck in Longview, Texas, filmmaker Bindler has channeled his talents into this regrettable comedy.
    • 34 Metascore
    • 30 Kimberley Jones
    Ghosts indeed: This romantic comedy by name alone attempts to make funny – not to mention culturally relevant – the kind of swinging-dick misogyny that went out of fashion years ago.
    • 56 Metascore
    • 30 Kimberley Jones
    This is the kind of movie in which every other line of dialogue feels like a metaphor – and from there on, the film seesaws between the uncomfortable extremes of glum and twee: an overwrought dirge keyed to a xylophonic ping.
    • 36 Metascore
    • 30 Kimberley Jones
    How many screenwriters does it take to screw in this dim bulb? Five – no joke – and another one credited with “story by.”
    • 46 Metascore
    • 30 Kimberley Jones
    Even though She’s Out of My League ends exactly where you think it will, it does so without ever having actually gone anywhere at all.
    • 52 Metascore
    • 30 Kimberley Jones
    The actors do a fine, if unsoulful, job, but the real problem with A Love Divided is its unwillingness to unromanticize its heroes.
    • 48 Metascore
    • 30 Kimberley Jones
    The fictionalization of their journey is simply not that engrossing, nor are their alter egos, with their tightly scripted character arcs.
    • 42 Metascore
    • 30 Kimberley Jones
    It's a botched job through and through, made all the more distressing by Bullock's recent announcement that she's throwing in the romantic comedy towel for a while.
    • 45 Metascore
    • 30 Kimberley Jones
    Fails because it takes itself so seriously, and because it is itself so seriously dull. Soderbergh's straining to give us a wink -- come on, guys, this is fun -- but really it just feels like some awful eye twitch -- a spasm of yawning self-indulgence in a mostly captivating career.
    • 67 Metascore
    • 30 Kimberley Jones
    "By practicing his art, he revealed himself to us." Fellini: I’m a Born Liar provides proof positive: The art indeed reveals far more than this pedestrian documentary ever does.
    • 27 Metascore
    • 30 Kimberley Jones
    Head Over Heels whitewashes the originality and, well, weirdness Waters showed in his first film, although it's impossibe to imagine anything starring young poster-pups Potter and Prinze Jr. could be particularly edgy.
    • 40 Metascore
    • 30 Kimberley Jones
    The jokes just aren't there, which makes it very hard for the stars -- who are trying very, very hard -- to really make a dent.
    • 59 Metascore
    • 30 Kimberley Jones
    If LaBute wants to plumb the depths of human unkindness, have at it -– only dig deeper next time.
    • 39 Metascore
    • 30 Kimberley Jones
    Bait equals bad.
    • 25 Metascore
    • 30 Kimberley Jones
    Very little here begs to be paid attention to.
    • 32 Metascore
    • 30 Kimberley Jones
    Christina Applegate, of Eighties white-trash pinup fame, is a comic foil par excellence, delivering a snazzy, self-assured performance that lands the biggest laughs in a movie made mostly of hollow chuckles. She, in fact, is the sweetest thing in this sour, sucky film.
    • 38 Metascore
    • 30 Kimberley Jones
    There’s nothing especially offensive about the actress (Hudson); if anything, it’s that lack of offense, her overwhelmingly benign vibe, that has become increasingly repugnant with every picture she puts out.
    • 48 Metascore
    • 30 Kimberley Jones
    Clearly the film is archly trying to connect the dots between Rove and the supreme mishandling of Iraq – and a compelling case might be made – but it isn't made here.
    • 43 Metascore
    • 30 Kimberley Jones
    If Affleck stumbles, Smith's script does nothing to catch his fall. Surprisingly, Smith's truest talent – that of writing – is Jersey Girl's weakest link.
    • 33 Metascore
    • 30 Kimberley Jones
    Another casualty of the uncomfortable branding so common to the teen genre, the same branding one sees in a film starring Hilary Duff, or Amanda Bynes, or the next sweet but bland blond actress that comes down the assembly line.
    • 30 Metascore
    • 30 Kimberley Jones
    It's an intermittently amusing parable about an outcast's ascension, as performed by a pack of digitally manipulated dogs. Next.
    • 43 Metascore
    • 30 Kimberley Jones
    The film goes by in a wash of uninspired action and unmemorable comedy.
    • 36 Metascore
    • 30 Kimberley Jones
    The 3-D angle is the only one I can identify to justify Alpha and Omega not going straight to DVD.
    • 52 Metascore
    • 30 Kimberley Jones
    Maybe taking a cue from his namesake dish, that much-maligned Scottish pudding concoction made with sheep innards and root vegetables, Haggis presents a mishmash of genres in this redo of Fred Cavayé's 2008 French film "Pour Elle."
    • 52 Metascore
    • 30 Kimberley Jones
    No one would mistake the Benzini Bros. Circus for the greatest show on earth – the Depression-era traveling troupe is a junker compared to the gold-standard Ringling Bros. – but still, a film has to try pretty hard to render lions and tigers and trapeze artists so uniformly underwhelming.