Kimberley Jones

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For 746 reviews, this critic has graded:
  • 39% higher than the average critic
  • 2% same as the average critic
  • 59% lower than the average critic
On average, this critic grades 3.7 points lower than other critics. (0-100 point scale)

Kimberley Jones' Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 The Grand Budapest Hotel
Lowest review score: 0 Waiting...
Score distribution:
746 movie reviews
    • 47 Metascore
    • 50 Kimberley Jones
    Until Hollywood stops being a boys club, and America graduates beyond short pants and its embarrassingly pubescent attitudes toward sex, I suppose one can only hope that all male adolescent fantasies will play as goofily sweet as this one.
    • 47 Metascore
    • 40 Kimberley Jones
    There's some funny stuff here that doesn't involve degrading its female protagonists, and the cast, by and large, is appealing.
    • 47 Metascore
    • 50 Kimberley Jones
    It IS consistently funny. Its trash-can humor is tasteless, no doubt, but hey, that doesn't make it unpalatable.
    • 47 Metascore
    • 40 Kimberley Jones
    Midway through, there’s a truly riotous set-piece involving Bruiser’s gay love affair with a Great Dane, but not even a Chihuahua in leather bondage gear can zest up a franchise that has degraded from sleeper to snoozer.
    • 47 Metascore
    • 40 Kimberley Jones
    Mancini's character boils down to a lot of self-loathing and unresolved mommy issues – which is as tedious as it sounds.
    • 47 Metascore
    • 50 Kimberley Jones
    The jokes hit about half the time – the best bits have an off-the-cuff feel – and it’s pocked with the kind of rom-com clichés that are practically written in stone (screenwriter Aline Brosh McKenna's script for "The Devil Wears Prada" was far sharper).
    • 47 Metascore
    • 50 Kimberley Jones
    “Caution: Contents may induce brain bleed.” That is, if you think too hard on the logic and mechanics of its time-travel conceit.
    • 47 Metascore
    • 40 Kimberley Jones
    The trouble with retooling fairy tales to jibe with our more enlightened times is that too often the fun gets stripped along with the offensive parts.
    • 47 Metascore
    • 50 Kimberley Jones
    Fact is, good looks will go a long way in masking mediocrity, and Hollywood Homicide capitalizes on that fact doubly so: Co-writer/director Ron Shelton’s latest boasts two pretty faces, and all across the country, mothers and daughters sigh alike.
    • 47 Metascore
    • 50 Kimberley Jones
    The cast seems to have been assembled primarily for its blinking resemblance to the stars of the original Eighties TV series about a renegade group of former Army Rangers now for hire.
    • 47 Metascore
    • 50 Kimberley Jones
    Isaac and Olsen are both mesmerizing actors, and Lange and Felton also do very good work in supporting roles, but their collective gameness – all that acting their pants off (sometimes literally) – is underserved by the film’s script and direction.
    • 46 Metascore
    • 40 Kimberley Jones
    This is fussy filmmaking, overly made-up (the costume mandate seems to include the buzzwords "coffee filters," "croquembouche," and "Day-Glo paint") and bereft of wit.
    • 46 Metascore
    • 40 Kimberley Jones
    To say the least, the chemistry is lacking; equally unconvincing is the all-British cast’s attempts at American accents.
    • 46 Metascore
    • 40 Kimberley Jones
    It's hard, as a viewer, not to shudder in tandem with Lisa – this isn't a love match, it's two would-be motivational coaches swapping slogans.
    • 46 Metascore
    • 50 Kimberley Jones
    That's the ultimate cheat in this pleasant, but trifling affair: Allen has cheated himself out of an actress (Leoni) that could have been Diane Keaton's heir.
    • 46 Metascore
    • 40 Kimberley Jones
    Bruce Almighty attempts to blend both sides of the actor – comedic and dramatic – and while Carrey achieved that balance quite wonderfully in "The Truman Show," Bruce Almighty doesn't so much straddle the fence as impale itself on it.
    • 46 Metascore
    • 40 Kimberley Jones
    Frankly, I don't like to be bullied, and bullying is exactly what Knight and Day – overly cute and overconvinced of its own cool – does best.
    • 46 Metascore
    • 40 Kimberley Jones
    Knoxville, in his first dramatic role, does what he can with script and direction that aggressively eschew any insight into Kaufman's grief.
    • 46 Metascore
    • 40 Kimberley Jones
    Their travelogue-ready romance is utterly doofy but not disagreeable, and this sort of wish-fulfillment fantasy will strike the right chord with Moore’s fan base of preteen girls.
    • 45 Metascore
    • 50 Kimberley Jones
    Far more interesting than Juli and Bryce's banal budding love is Reiner and co-scripter Andrew Scheinman's sensitive exploration of how parents shape their children.
    • 45 Metascore
    • 40 Kimberley Jones
    There's just no reconciling the film's ambivalent message. Newell hangs a modern sensibility on a supposed period piece, and hangs his film in the process.
    • 45 Metascore
    • 50 Kimberley Jones
    It runs the stopwatch on a chase sequence to a comical extreme and takes way, way too long to take its final bow, in the process burning off any residual goodwill.
    • 45 Metascore
    • 50 Kimberley Jones
    It’s just too much drama for one modest film to service adequately. In an effort to cram it all in, scenes abruptly jump from one to the next with nary a smooth transition in sight, relationships evolve far too quickly, and certain subplots drop out of the mix only to resurface, jarringly, much later.
    • 45 Metascore
    • 50 Kimberley Jones
    It is a truth universally acknowledged, at least among Janeites, that we’ll spend long hours scouring every streaming service out there, hungering for a corseted drama to watch. In that respect at least, Pride and Prejudice and Zombies is fresh meat, if a tough cut.
    • 45 Metascore
    • 50 Kimberley Jones
    What it needs is a little more dirtying down. What it needs, in short, is less New York, and more Alabama.
    • 45 Metascore
    • 40 Kimberley Jones
    Sure, it's nifty enough to see dust particles swirling or hands swooshing at you, but mostly the 3-D muddles the invention and exquisiteness of the film's raison d'être: the dancing.
    • 45 Metascore
    • 50 Kimberley Jones
    The stripped-down title gets at what we're really here for: the cars. Are they fast? Check. Are they furious? Yep.
    • 45 Metascore
    • 50 Kimberley Jones
    It comes as no surprise that the film is less about fandom as it is about the community fans create with one another – who else to turn to when the object of your affection, your enduring obsession, blows big chunks? – and Fanboys, a likable, shaggy picture, pays nice tribute to that community.
    • 45 Metascore
    • 40 Kimberley Jones
    In the end, we know Andie and Ben will kiss and make up -– how could too alliteratively aligned pretty people not? -– but first we must wade through the protracted and wholly unwarranted period in which both huffs about the other’s deceptions.
    • 45 Metascore
    • 40 Kimberley Jones
    A lightweight, intermittently engaging comedy.

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