Kimberley Jones
Select another critic »
For 688 reviews, this critic has graded:
  • 38% higher than the average critic
  • 2% same as the average critic
  • 60% lower than the average critic
On average, this critic grades 3.5 points lower than other critics. (0-100 point scale)

Kimberley Jones' Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 The Past
Lowest review score: 0 Zookeeper
Score distribution:
688 movie reviews
    • 69 Metascore
    • 40 Kimberley Jones
    Perhaps there was some confusion – should we play this as a lark or a lesson in geopolitical unrest? – or maybe there was some studio involvement to defang the politics; whatever the case, the noncommittal Charlie Wilson's War treads a good-natured but yawning in-between.
    • 69 Metascore
    • 78 Kimberley Jones
    So potent it nearly succeeds even as a vacuum sits squarely at its center.
    • 69 Metascore
    • 78 Kimberley Jones
    Elgort’s performance is more mannered than Woodley’s open-faced, direct line to the heart, but it works.
    • 69 Metascore
    • 40 Kimberley Jones
    There's nothing that feels like real rage, nothing that even remotely approximates the spiritual decimation of a termination.
    • 69 Metascore
    • 78 Kimberley Jones
    The film moves so subtly, in fact, and so seamlessly between wry humor and the emotional wreckage of life-or-death, that it was with some shock that I found myself weeping halfway through the film.
    • 69 Metascore
    • 89 Kimberley Jones
    Wright takes the tools of a bloodless medium, the video game, and crafts an action-comedy with a true-blue beating heart.
    • 69 Metascore
    • 89 Kimberley Jones
    Kazan appears in every scene of The Exploding Girl’s perfectly paced 80 minutes, and you’d miss her if she ducked out for even a moment.
    • 68 Metascore
    • 67 Kimberley Jones
    Tonally, it all makes sense, but there’s such a thing as overmuchness. Gibney laudably launches a withering attack here on the pay-to-play relationship between lobbyists and lawmakers. But this viewer felt withered, too, by the end of his battering ram of a movie.
    • 68 Metascore
    • 78 Kimberley Jones
    The film provides invaluable context in its detailing of institutional racism in the Sixties and Seventies and in its emphasis on Ellis as an advocate for equality and as a righteous shit-stirrer.
    • 68 Metascore
    • 78 Kimberley Jones
    Something that falls just shy of greatness.
    • 68 Metascore
    • 89 Kimberley Jones
    The film can feel a touch overscripted, but Polley and her actors effect true-to-life rhythms of speech.
    • 68 Metascore
    • 78 Kimberley Jones
    Funny and fierce and deeply moving.
    • 68 Metascore
    • 78 Kimberley Jones
    The only weak link here is Aniston's character – her Olivia, stuck in a holding pattern, feels like a holdover from Holofcener's previous, single-girl pictures, and Aniston underplays the role to the point of expressionlessness.
    • 68 Metascore
    • 67 Kimberley Jones
    (It should also be noted that Page One wears its pro-Times bias on its sleeve, right up to the rankling but now-common inclusion of a "get involved" Web address at film's end.)
    • 68 Metascore
    • 67 Kimberley Jones
    To a one, they're terrific. But in this overpacked ensemble cast, it's Binoche you want to see more of.
    • 68 Metascore
    • 40 Kimberley Jones
    Amusing enough, but weirdly joyless.
    • 68 Metascore
    • 78 Kimberley Jones
    This is provocative stuff, to be sure, in which the stakes are so high that a pratfall concludes with exploding limbs and the anguished effect of its final minutes is a quiet shock to the system. A comedy of errors and terrors? Who woulda thunk it?
    • 67 Metascore
    • 89 Kimberley Jones
    Moon doesn't belabor anything, really, so confidently measured and philosophically nuanced it all plays out (aided by a striking, under-the-skin original score by Clint Mansell).
    • 67 Metascore
    • 67 Kimberley Jones
    It’s best to situate yourself in the middle of the row; a seat at the end will most likely leave you feeling cross-eyed for an hour.
    • 67 Metascore
    • 78 Kimberley Jones
    What a weird, winning little movie is Robot & Frank, which explores what happens to the essential self as the memory goes. Oh, and it's a heist picture. With robot butlers. I'm not sure I've ever seen anything quite like it.
    • 67 Metascore
    • 67 Kimberley Jones
    To do no disservice to the impressive work of Bridges' co-stars, anytime his ragged writer, in flowing caftans and floppy hats, is on screen, it's impossible to take in anything else, so commanding is his presence.
    • 67 Metascore
    • 30 Kimberley Jones
    "By practicing his art, he revealed himself to us." Fellini: I’m a Born Liar provides proof positive: The art indeed reveals far more than this pedestrian documentary ever does.
    • 67 Metascore
    • 78 Kimberley Jones
    Isn't Lee's most personal piece, but it may very well be his most mature.
    • 67 Metascore
    • 40 Kimberley Jones
    As is, it's simply too much information crammed too haphazardly into a running time that at times borders on interminable.
    • 67 Metascore
    • 50 Kimberley Jones
    It's unclear if Van Sant intends to inspire guilt; here, as elsewhere, he is exasperatingly abstruse. And in this striving to not say too much, he ends up not saying much of anything at all.
    • 67 Metascore
    • 50 Kimberley Jones
    Chbosky surrounds his hurting characters with the cinematic equivalent of a hug circle – which is sweet, but rather antithetical to tension-building.
    • 67 Metascore
    • 40 Kimberley Jones
    As an unsparing portrait of disaffection among the small-paycheck, faux-creative class, The Future is rather astute … which isn't to say it isn't also bang-your-head-on-the-wall annoying.
    • 66 Metascore
    • 50 Kimberley Jones
    The Girl Who Played With Fire's chief frustration is in how removed Salander and Blomkvist are from each other.
    • 66 Metascore
    • 89 Kimberley Jones
    Funny and sweet and guaranteed to flood you with good feeling.
    • 66 Metascore
    • 40 Kimberley Jones
    Grace and Johannson's courtship has all the heat of a wet wipe and, worse yet, leaves Quaid offscreen for long stretches.

Top Trailers