Kimberley Jones

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For 746 reviews, this critic has graded:
  • 39% higher than the average critic
  • 2% same as the average critic
  • 59% lower than the average critic
On average, this critic grades 3.8 points lower than other critics. (0-100 point scale)

Kimberley Jones' Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 The Grand Budapest Hotel
Lowest review score: 0 View from the Top
Score distribution:
746 movie reviews
    • 38 Metascore
    • 40 Kimberley Jones
    Tiny and well-intentioned but dramatically inert and sham-kooky, Girl Most Likely is for Kristen Wiig completists only, and even they may squirm at spending a whole movie waiting for her character to pull her head out of her ass.
    • 38 Metascore
    • 50 Kimberley Jones
    For the first 30 minutes I couldn't shake the feeling that I was watching a really promising pilot for network TV.
    • 38 Metascore
    • 40 Kimberley Jones
    A film that is long on atmosphere, but short on smarts: Plot points are easily unraveled 20 minutes in advance (no fun sleuthing for the audience here), the ending is an unsatisfying pastiche off too many horror tropes, and it would take a week to plug all of Gothika’s gaps in logic.
    • 37 Metascore
    • 40 Kimberley Jones
    Most devastating to the film’s effectiveness is its inability to convey that one essential to the story of Amelia Earhart: the tangible pleasures of flying.
    • 37 Metascore
    • 40 Kimberley Jones
    There's something good-natured, even sweet about this well-meaning affair.
    • 37 Metascore
    • 50 Kimberley Jones
    Imagine "Little Miss Sunshine's" dark materials (and superior craftsmanship) diluted with a Hannah Montana-like sunny silliness – which is to say: sometimes funny, often broad-stroked, ever sweet, and landing shy of its potential.
    • 37 Metascore
    • 40 Kimberley Jones
    The richly hued CG animation is quite nice – a mix of hyperdetailed character work and painterly cityscapes and pastorals – and the script putters along with small but regular amusements.
    • 36 Metascore
    • 40 Kimberley Jones
    The movie scores some laughs, all of which come from the expert Giamatti.
    • 36 Metascore
    • 40 Kimberley Jones
    Thrillers don’t come much more nondescript than this: If Runner Runner were a color scheme, it would be beige, with an accent wall in taupe.
    • 36 Metascore
    • 50 Kimberley Jones
    Fairly uninspiring, but it still manages to ingratiate itself, largely through the efforts of Krasinski in a secondary part.
    • 35 Metascore
    • 50 Kimberley Jones
    Scooby's just so dang cute, what's the point in grousing?
    • 35 Metascore
    • 40 Kimberley Jones
    This film adaptation feels like YA, with cat’s-cradle love matches, soft-focus sexuality, and a main character who never satisfactorily makes the transition from page to screen.
    • 35 Metascore
    • 40 Kimberley Jones
    It's a nice, friendly kind of love, but hardly an inspiring one.
    • 35 Metascore
    • 40 Kimberley Jones
    Still, once you accept Paul W.S. Anderson's entirely unnecessary adaptation on its own terms (nonsensical, underachieving), it has its limited charms, which include a snigger-inducing alphabet soup of accents, a standout rooftop swordfight, and British comedian James Corden as the Musketeers' put-upon manservant.
    • 34 Metascore
    • 40 Kimberley Jones
    This isn’t Nicole Kidman’s first dalliance with witchcraft, and it is one of Bewitched’s unfortunate achievements that it actually makes one pine for Kidman’s 1998 dud, "Practical Magic." That witch at least had some sass; this cardigan-clad witch, alas, is an altogether more benign being, and by "benign" I mean boring.
    • 34 Metascore
    • 50 Kimberley Jones
    Lucas and Moore aren’t savvy enough, or brave enough, to truly plumb the gallows humor embedded in their premise.
    • 33 Metascore
    • 50 Kimberley Jones
    Little girls will love it. I used to be a little girl once, too. I didn’t care much for the Top 40 glossy coat slathered over every song, but this heart will never harden to a spunky kid who’s certain the sun’ll come out tomorrow.
    • 33 Metascore
    • 40 Kimberley Jones
    In terms of a pre-teen instructional, Sleepover offers throughout a laudable emphasis on the importance of friendship, but parents may rightfully flinch at a protagonist who is ultimately rewarded for breaking all the rules.
    • 32 Metascore
    • 40 Kimberley Jones
    Alexander's script considers context anathema, leaving us to wonder, among other puzzlers, why these two jerks are friends to begin with – and, perhaps, on what bad breakup or neglected childhood one may blame the film's dispiriting misanthropy.
    • 32 Metascore
    • 50 Kimberley Jones
    The action is constant, often pointless, definitely gratuitous, and breathlessly fun.
    • 31 Metascore
    • 50 Kimberley Jones
    Life at least deserves a nod for supplying the mostly dramatic actress with her first starring comedic role.
    • 30 Metascore
    • 50 Kimberley Jones
    This is in fact the end – it is what is. We’ve had some good laughs. Let’s part amicably.
    • 28 Metascore
    • 40 Kimberley Jones
    A lot of gunk: dance-offs, sing-alongs, awkward exes, and a dirty-talking White blasting through, I'm afraid, the last bits of her novelty. That again?
    • 28 Metascore
    • 50 Kimberley Jones
    Overall, Just Married doesn't really take -- it has a shelf life about as short as the disastrous honeymoon -- but in the moment, it's cute, if corny. It'll do.
    • 27 Metascore
    • 50 Kimberley Jones
    Failed feminist statement or not, Coyote Ugly is a likable, if confused film.
    • 26 Metascore
    • 40 Kimberley Jones
    If A Thousand Words' formula seems familiar, that's because writer Steve Koren has tripped down this quasi-metaphysical path before in "Bruce Almighty" and "Click."
    • 24 Metascore
    • 50 Kimberley Jones
    The real tension of the piece lies in the sound design, with its layering of heavy breaths, inexplicably compromised frequencies, and invasive thwackings of no known origin to the ship hull.
    • 22 Metascore
    • 40 Kimberley Jones
    Leaves me wanting to watch Tomei and company in something more worthy of their abilities.
    • 22 Metascore
    • 40 Kimberley Jones
    Wouldn't it make more sense on basic cable? Plum screen incarnate (and film producer) Katherine Heigl got her start in TV, on Roswell and Grey's Anatomy, and her public persona – a combination of prickliness and adoration-seeking that has famously grated on viewers' and critics' nerves alike – has historically played better there.
    • 18 Metascore
    • 40 Kimberley Jones
    Saving Christmas will hold little interest for anyone not already a believer. It’s too single-minded in its instructional purpose, too averse to multidimensional characters, too youth-pastor-like in its dorky humor.

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