Kimberley Jones
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For 693 reviews, this critic has graded:
  • 39% higher than the average critic
  • 2% same as the average critic
  • 59% lower than the average critic
On average, this critic grades 3.4 points lower than other critics. (0-100 point scale)

Kimberley Jones' Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 2046
Lowest review score: 0 Ultraviolet
Score distribution:
693 movie reviews
    • 58 Metascore
    • 67 Kimberley Jones
    After a sparky first half greatly aided by Kristin Scott Thomas' devilish turn as an unsentimental press secretary, Salmon Fishing grows soggier. It's such a pretty, witty gloss of a picture, it hardly knows what to do with real-world terror, hence the Snidely Whiplash-like limning of Muslim extremists.
    • 58 Metascore
    • 89 Kimberley Jones
    God Help the Girl is not so perfectly crafted, but the promise – oh, the promise is irresistible.
    • 58 Metascore
    • 50 Kimberley Jones
    Once the film gets cooking, the questions never stop. For instance: When you find the dead body of someone you love, isn’t your first call to the cops?
    • 58 Metascore
    • 67 Kimberley Jones
    With all its emphasis on beat, Brown Sugar can't maintain a steady one, yet when it finds it, the film surely soars.
    • 58 Metascore
    • 40 Kimberley Jones
    Much of the original film's geniality – and all of its pro-environment stumping – has gone missing; what we have instead is a watered-down likeness that curiously turns disaster flick in its too-scary third act.
    • 58 Metascore
    • 50 Kimberley Jones
    The landscape and the lovers are pretty to look at, but two households divided should really pack more of a punch.
    • 58 Metascore
    • 50 Kimberley Jones
    The supposedly epic battle the entire film builds toward – the single action set-piece – is a ho-hummer. Fire and ice, turns out, was an oversell: Think tepid tap water instead.
    • 58 Metascore
    • 78 Kimberley Jones
    The terrific ensemble acting and Troche’s genuine, nonjudgmental interest in exploring the weird places wounded people go, both internally and externally, amount to an insulated but moving portrait of the real nuclear family.
    • 58 Metascore
    • 50 Kimberley Jones
    Brothers is too depthless to dredge up any tears.
    • 58 Metascore
    • 67 Kimberley Jones
    Somm doesn’t try to write the book on wine connoisseurship, but it does give good CliffsNotes.
    • 58 Metascore
    • 50 Kimberley Jones
    Glory Road really isn't a bad show – it's just an obvious one – and one wishes material of this historical import had received a more refined rendering.
    • 58 Metascore
    • 78 Kimberley Jones
    Mostly this is a tense, portentous, and provocative piece.
    • 58 Metascore
    • 67 Kimberley Jones
    If anything, The Invention of Lying is too soft for the satirical promise of its premise.
    • 57 Metascore
    • 78 Kimberley Jones
    Berger’s low-key, likable ensemble film flares with brilliance in its framing concept.
    • 57 Metascore
    • 67 Kimberley Jones
    It’s a little bit silly – as is Dafoe’s Kentucky-fried cowboy mechanic named Elvis – but silly is fun. In fact, one wishes it were sillier still.
    • 57 Metascore
    • 50 Kimberley Jones
    Paul is offensive solely for being so underachieving.
    • 57 Metascore
    • 40 Kimberley Jones
    The ideas are there, hints of genius, but no one ignites them. Add Osmosis Jones to that list of universal enigmas, and, more specifically, how the Farrelly Brothers could have done so little with so much.
    • 57 Metascore
    • 67 Kimberley Jones
    Once a crucial piece of backstory is revealed, the picture becomes more rewarding for it, emotionally and aesthetically, but that doesn’t temper the feeling that half the film was wasted on arty misdirection.
    • 57 Metascore
    • 40 Kimberley Jones
    The climax, like the film itself, is big, loud, and looks cool enough, which is what we’ve come to expect from summer movies … but not from Robert Rodriguez.
    • 57 Metascore
    • 78 Kimberley Jones
    Happy Endings is unabashedly sentimental (cheekily couched in a black-comic guise), with Roos acting as a sort of benevolent god over his characters.
    • 57 Metascore
    • 67 Kimberley Jones
    The darker stuff begs to be handled less delicately than this dance, and in that respect the director stumbles.
    • 57 Metascore
    • 40 Kimberley Jones
    By film's end, you'll wish they tossed Allen in the rainforest and left him for the leopards to snack on.
    • 57 Metascore
    • 78 Kimberley Jones
    Forget life lessons: I much prefer a lemur king doing the robot.
    • 57 Metascore
    • 30 Kimberley Jones
    But most damningly, Shut Up Little Man! fails to convey what was so hypnotic about the original tapes, and Bate's decision to re-enact the transcripts with actors seems weirdly contrary to the spirit of the thing.
    • 57 Metascore
    • 78 Kimberley Jones
    Ambitious, brutish, ruthlessly unromantic – has the right idea casting its heroine as a Joan of Arc-type crusader and its evil queen a dissertation (albeit first draft) on beauty as the most direct path to power for the disenfranchised female.
    • 57 Metascore
    • 50 Kimberley Jones
    Morning Glory had the capacity to be a smarter, tarter picture, though it's not bad as is: well-acted and ingratiating, with at least one howlingly funny sequence.
    • 57 Metascore
    • 20 Kimberley Jones
    Branagh might as well have opened a can and dumped it on a plate, the ridges of a factory-line production still perfectly hatched on a gelatinous cylinder of crud.
    • 56 Metascore
    • 50 Kimberley Jones
    We have pretty much all the information we need within the first half-hour, which undercuts the supposedly climactic reveal of the contents of Maruge's letter and renders the torturous flashbacks unnecessary for narrative purposes. And not a little bit sadomasochistic, too – an ill fit for a PG-13 family film.
    • 56 Metascore
    • 78 Kimberley Jones
    The filmmakers have cast their underdogs well: Madhur Mittal plays the anxious, upright Dinesh; Suraj Sharma is the loose-limbed, pizza-loving Rinku; and they’re both funny and endearing, two words that apply to the whole of the supporting cast.
    • 56 Metascore
    • 67 Kimberley Jones
    There are just too many damn characters, with the best ones taking a backseat to the dullish love quadrangle.

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