Kimberley Jones
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For 694 reviews, this critic has graded:
  • 39% higher than the average critic
  • 2% same as the average critic
  • 59% lower than the average critic
On average, this critic grades 3.5 points lower than other critics. (0-100 point scale)

Kimberley Jones' Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 Before Night Falls
Lowest review score: 0 The Women
Score distribution:
694 movie reviews
    • 47 Metascore
    • 50 Kimberley Jones
    “Caution: Contents may induce brain bleed.” That is, if you think too hard on the logic and mechanics of its time-travel conceit.
    • 47 Metascore
    • 40 Kimberley Jones
    The trouble with retooling fairy tales to jibe with our more enlightened times is that too often the fun gets stripped along with the offensive parts.
    • 47 Metascore
    • 50 Kimberley Jones
    Fact is, good looks will go a long way in masking mediocrity, and Hollywood Homicide capitalizes on that fact doubly so: Co-writer/director Ron Shelton’s latest boasts two pretty faces, and all across the country, mothers and daughters sigh alike.
    • 47 Metascore
    • 50 Kimberley Jones
    The cast seems to have been assembled primarily for its blinking resemblance to the stars of the original Eighties TV series about a renegade group of former Army Rangers now for hire.
    • 47 Metascore
    • 50 Kimberley Jones
    Isaac and Olsen are both mesmerizing actors, and Lange and Felton also do very good work in supporting roles, but their collective gameness – all that acting their pants off (sometimes literally) – is underserved by the film’s script and direction.
    • 46 Metascore
    • 67 Kimberley Jones
    As a portrait of what happens to a family when its glue disappears, Extremely Loud and Incredibly Close wrung a bucket of tears out of me.
    • 46 Metascore
    • 30 Kimberley Jones
    The Greek myths, of course, will endure. The same cannot be said for Singh's silly, self-serious, instantly forgettable, and inaptly named Immortals.
    • 46 Metascore
    • 40 Kimberley Jones
    This is fussy filmmaking, overly made-up (the costume mandate seems to include the buzzwords "coffee filters," "croquembouche," and "Day-Glo paint") and bereft of wit.
    • 46 Metascore
    • 40 Kimberley Jones
    To say the least, the chemistry is lacking; equally unconvincing is the all-British cast’s attempts at American accents.
    • 46 Metascore
    • 30 Kimberley Jones
    Even though She’s Out of My League ends exactly where you think it will, it does so without ever having actually gone anywhere at all.
    • 46 Metascore
    • 40 Kimberley Jones
    It's hard, as a viewer, not to shudder in tandem with Lisa – this isn't a love match, it's two would-be motivational coaches swapping slogans.
    • 46 Metascore
    • 40 Kimberley Jones
    Bruce Almighty attempts to blend both sides of the actor – comedic and dramatic – and while Carrey achieved that balance quite wonderfully in "The Truman Show," Bruce Almighty doesn't so much straddle the fence as impale itself on it.
    • 46 Metascore
    • 50 Kimberley Jones
    That's the ultimate cheat in this pleasant, but trifling affair: Allen has cheated himself out of an actress (Leoni) that could have been Diane Keaton's heir.
    • 46 Metascore
    • 40 Kimberley Jones
    Frankly, I don't like to be bullied, and bullying is exactly what Knight and Day – overly cute and overconvinced of its own cool – does best.
    • 46 Metascore
    • 11 Kimberley Jones
    No film that requires a woman to jump in water and dogpaddle toward a man has the "sisterhood's" best interests at heart.
    • 46 Metascore
    • 40 Kimberley Jones
    Knoxville, in his first dramatic role, does what he can with script and direction that aggressively eschew any insight into Kaufman's grief.
    • 46 Metascore
    • 40 Kimberley Jones
    Their travelogue-ready romance is utterly doofy but not disagreeable, and this sort of wish-fulfillment fantasy will strike the right chord with Moore’s fan base of preteen girls.
    • 46 Metascore
    • 20 Kimberley Jones
    And then there's the overacting. And then there's the hamminess of the script. And then there's
    • 45 Metascore
    • 50 Kimberley Jones
    Far more interesting than Juli and Bryce's banal budding love is Reiner and co-scripter Andrew Scheinman's sensitive exploration of how parents shape their children.
    • 45 Metascore
    • 40 Kimberley Jones
    There's just no reconciling the film's ambivalent message. Newell hangs a modern sensibility on a supposed period piece, and hangs his film in the process.
    • 45 Metascore
    • 50 Kimberley Jones
    It runs the stopwatch on a chase sequence to a comical extreme and takes way, way too long to take its final bow, in the process burning off any residual goodwill.
    • 45 Metascore
    • 50 Kimberley Jones
    It’s just too much drama for one modest film to service adequately. In an effort to cram it all in, scenes abruptly jump from one to the next with nary a smooth transition in sight, relationships evolve far too quickly, and certain subplots drop out of the mix only to resurface, jarringly, much later.
    • 45 Metascore
    • 20 Kimberley Jones
    Bill Condon (Dreamgirls, Chicago, Gods and Monsters) takes over the directing reins for these final two parts; his most noteworthy contribution to the series so far is a terrifyingly staged birth scene that should turn the teen fan base off of sex altogether … which is precisely what this whole dumb, punishing series has been gunning for from the start.
    • 45 Metascore
    • 20 Kimberley Jones
    Irritating throughout, Love Me if You Dare turns positively appalling in its last half hour, with the inevitable final showdown producing an image that continues to curdle my stomach days later.
    • 45 Metascore
    • 78 Kimberley Jones
    It's a rattling, heartrending performance (Moore) in, yes, a long, hard slough of a film – one that is well worth the journey, if not a repeat trip.
    • 45 Metascore
    • 50 Kimberley Jones
    What it needs is a little more dirtying down. What it needs, in short, is less New York, and more Alabama.
    • 45 Metascore
    • 40 Kimberley Jones
    Sure, it's nifty enough to see dust particles swirling or hands swooshing at you, but mostly the 3-D muddles the invention and exquisiteness of the film's raison d'être: the dancing.
    • 45 Metascore
    • 0 Kimberley Jones
    Hall Pass has half the right idea: Scratch out "Hall," and just … pass.
    • 45 Metascore
    • 50 Kimberley Jones
    The stripped-down title gets at what we're really here for: the cars. Are they fast? Check. Are they furious? Yep.
    • 45 Metascore
    • 30 Kimberley Jones
    Because “all in” – to me, at least – suggests a certain standard of enthusiasm, of emphaticness, and what this latest Step Up movie indifferently chunks out falls far short of that standard.

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