Kimberley Jones
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For 693 reviews, this critic has graded:
  • 39% higher than the average critic
  • 2% same as the average critic
  • 59% lower than the average critic
On average, this critic grades 3.4 points lower than other critics. (0-100 point scale)

Kimberley Jones' Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 Force Majeure
Lowest review score: 0 Someone Like You...
Score distribution:
693 movie reviews
    • 42 Metascore
    • 20 Kimberley Jones
    I have never doodled during a movie before in my life, but holy hell, Parker's two-hour running time takes a lifetime. Plenty of time for mental doodling, too.
    • 42 Metascore
    • 40 Kimberley Jones
    For such a deft wit, Jane Austen sure has inspired some nitwitted entertainments. Actually, the Austen influence here is negligible.
    • 42 Metascore
    • 67 Kimberley Jones
    The twentysomething talents behind Mystery Team are still in the comedy minors, but this nerdy, nutty, perfectly pitched first swing suggests there are major things to come.
    • 41 Metascore
    • 78 Kimberley Jones
    It's a shame if the controversy surrounding Bubble Boy distracts people from what a smart, subversive, and genuinely good-hearted film it is.
    • 41 Metascore
    • 40 Kimberley Jones
    It's all pretty goofy, which I assume is the point, but it's also pretty dull.
    • 41 Metascore
    • 50 Kimberley Jones
    Hopelessly old-fashioned then, but not the aggressively bad picture you might have anticipated.
    • 41 Metascore
    • 40 Kimberley Jones
    Instantly forgettable but good-natured all the same.
    • 41 Metascore
    • 40 Kimberley Jones
    It’s an impossible standard, maybe, but in 42 minutes, TV’s "Friday Night Lights" delivered all-star-level emotional complexity and action. When the Game Stands Tall is strictly JV squad.
    • 41 Metascore
    • 11 Kimberley Jones
    Vacant and pointless.
    • 41 Metascore
    • 50 Kimberley Jones
    It's a Big Idea movie that comes out only half-baked.
    • 41 Metascore
    • 30 Kimberley Jones
    The film finds some momentum once the bodies start dropping – but maybe that was only the sweet relief in knowing the end was nigh.
    • 40 Metascore
    • 30 Kimberley Jones
    The jokes just aren't there, which makes it very hard for the stars -- who are trying very, very hard -- to really make a dent.
    • 40 Metascore
    • 40 Kimberley Jones
    Not a man, but the romanticizing of him. A lot of jive-shit.
    • 40 Metascore
    • 40 Kimberley Jones
    A decent enough spot of silliness.
    • 40 Metascore
    • 0 Kimberley Jones
    The Virginity Hit is repugnant.
    • 40 Metascore
    • 20 Kimberley Jones
    Overlong, overplotted, and pocked with improbabilities.
    • 40 Metascore
    • 78 Kimberley Jones
    There is, quite simply, a rather refreshing ordinariness to Remember Me in the unflashy, knuckle-down attention it gives to character development and the building of plausible and involving family and friend dynamics.
    • 39 Metascore
    • 50 Kimberley Jones
    Instantly forgettable but intermittently funny movie.
    • 39 Metascore
    • 40 Kimberley Jones
    The opening montage is a jazzy, grabby thing, artfully layering the kids’ auditions to mimic the frenzied pace of the day. But that freneticism never really goes away, nor does the staccato timing.
    • 39 Metascore
    • 40 Kimberley Jones
    It’s clear this director sees carnage as nothing more than an opportunity for music-video production values.
    • 39 Metascore
    • 30 Kimberley Jones
    Bait equals bad.
    • 39 Metascore
    • 40 Kimberley Jones
    For a comedy, The Sitter is frightfully spare on full-bodied laughs.
    • 39 Metascore
    • 30 Kimberley Jones
    Unimaginatively filmed and of a misbegotten construction, Tammy goes all in with its namesake character (played by McCarthy), hanging the entire movie around a person who is immediately and irreversibly established as being thoughtless, unperceptive, destructive, and uneducated.
    • 39 Metascore
    • 20 Kimberley Jones
    There is running, hiding, fighting, shooting, bleeding, biting, slicing, dicing, and damnably little entertainment value in any of it.
    • 39 Metascore
    • 20 Kimberley Jones
    What a clunker.
    • 38 Metascore
    • 30 Kimberley Jones
    There’s nothing especially offensive about the actress (Hudson); if anything, it’s that lack of offense, her overwhelmingly benign vibe, that has become increasingly repugnant with every picture she puts out.
    • 38 Metascore
    • 40 Kimberley Jones
    Tiny and well-intentioned but dramatically inert and sham-kooky, Girl Most Likely is for Kristen Wiig completists only, and even they may squirm at spending a whole movie waiting for her character to pull her head out of her ass.
    • 38 Metascore
    • 50 Kimberley Jones
    For the first 30 minutes I couldn't shake the feeling that I was watching a really promising pilot for network TV.
    • 38 Metascore
    • 67 Kimberley Jones
    Murphy's screentime takes a back seat to Douglas', of course, but from that back seat she makes a very big noise.
    • 38 Metascore
    • 20 Kimberley Jones
    Not just narratively crude but aesthetically ugly, Men, Women & Children’s framing occasionally cuts characters off at the forehead, in effect lobotomizing them. I couldn’t think of a better metaphor for this brainless splotch of self-important scaremongering.

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