For 666 reviews, this critic has graded:
  • 38% higher than the average critic
  • 2% same as the average critic
  • 60% lower than the average critic
On average, this critic grades 3.3 points lower than other critics. (0-100 point scale)

Kimberley Jones' Scores

  • Movies
Average review score: 56
Highest review score: 100 All the Real Girls
Lowest review score: 0 A Haunted House
Score distribution:
666 movie reviews
    • 42 Metascore
    • 50 Kimberley Jones
    Big, dumb, and fun.
    • 70 Metascore
    • 50 Kimberley Jones
    Ultimately Hedges’ film, like the turkey, comes out underdone.
    • 54 Metascore
    • 50 Kimberley Jones
    Phillips and co-writer Scot Armstrong waste too much time on a silly love-interest subplot for Wilson; that time is much better served by the frat-boy idiocies, like Frank beer-bonging himself into streaking.
    • 48 Metascore
    • 50 Kimberley Jones
    The exceedingly silly Super Troopers is an earnest, mostly funny spoof.
    • 28 Metascore
    • 50 Kimberley Jones
    Overall, Just Married doesn't really take -- it has a shelf life about as short as the disastrous honeymoon -- but in the moment, it's cute, if corny. It'll do.
    • 60 Metascore
    • 50 Kimberley Jones
    Has a heart bursting with good intentions, something that goes a long way in dimming from memory its inherent routineness.
    • 76 Metascore
    • 50 Kimberley Jones
    The elements are all here for something spectacular – and in brilliant bursts, Jeunet really gets it – but in the end, all that potential is sunk by a terminally confused tone and milquetoast pairing of lovers. Pity that.
    • 43 Metascore
    • 50 Kimberley Jones
    Two hours pass painlessly enough, thanks to the affability of its trio of leads, Hathaway, Andrews, and Elizondo.
    • 58 Metascore
    • 50 Kimberley Jones
    The supposedly epic battle the entire film builds toward – the single action set-piece – is a ho-hummer. Fire and ice, turns out, was an oversell: Think tepid tap water instead.
    • 50 Metascore
    • 50 Kimberley Jones
    Roberts, wearing that beatific half-smile of hers that suggests inner peace and wisdom before she's even begun her journey, is too open-faced with her emotions to signal the complexities of Gilbert's distress – over her divorce, her control issues, her rootlessness, and inability to live in the moment.
    • 45 Metascore
    • 50 Kimberley Jones
    It runs the stopwatch on a chase sequence to a comical extreme and takes way, way too long to take its final bow, in the process burning off any residual goodwill.
    • 47 Metascore
    • 50 Kimberley Jones
    The cast seems to have been assembled primarily for its blinking resemblance to the stars of the original Eighties TV series about a renegade group of former Army Rangers now for hire.
    • 62 Metascore
    • 50 Kimberley Jones
    Counselors and campers' moms tend to tear up when they talk about the lessons these girls are learning, lessons that go way beyond how to tune a bass, but this isn't exactly a "rah-rah" film.
    • 43 Metascore
    • 50 Kimberley Jones
    There is much to recommend this earnest and enraged film.
    • 62 Metascore
    • 50 Kimberley Jones
    Perfectly passable film.
    • 66 Metascore
    • 50 Kimberley Jones
    It has a basic goodness of heart that counteracts, if not entirely cancels out, the film's broadness and busyness.
    • 66 Metascore
    • 50 Kimberley Jones
    The Girl Who Played With Fire's chief frustration is in how removed Salander and Blomkvist are from each other.
    • 45 Metascore
    • 50 Kimberley Jones
    Far more interesting than Juli and Bryce's banal budding love is Reiner and co-scripter Andrew Scheinman's sensitive exploration of how parents shape their children.
    • 57 Metascore
    • 50 Kimberley Jones
    Morning Glory had the capacity to be a smarter, tarter picture, though it's not bad as is: well-acted and ingratiating, with at least one howlingly funny sequence.
    • 55 Metascore
    • 50 Kimberley Jones
    I suppose when you make a movie, however tangentially, about Viagra, you're required to insert at least one scene of its side effects, but the broadness with which Zwick plays it out is like a stake to the heart of the film's hard-earned but fast-lost authenticity.
    • 51 Metascore
    • 50 Kimberley Jones
    Despite his character's fondness for mugging and mouthing like Michael Corleone, Spacey (and by extension, his director and writer Norman Snider) can't quite catch the operatic wallop of Corleone's arc, possibly because the film is played top-to-bottom like a caprice.
    • 57 Metascore
    • 50 Kimberley Jones
    Paul is offensive solely for being so underachieving.
    • 24 Metascore
    • 50 Kimberley Jones
    The real tension of the piece lies in the sound design, with its layering of heavy breaths, inexplicably compromised frequencies, and invasive thwackings of no known origin to the ship hull.
    • 36 Metascore
    • 50 Kimberley Jones
    Fairly uninspiring, but it still manages to ingratiate itself, largely through the efforts of Krasinski in a secondary part.
    • 50 Metascore
    • 50 Kimberley Jones
    For better or worse (and I'd argue the latter), the aliens are as monolithically evil, unformed, and un-individuated as characters as Native Americans once were in the earliest of Westerns.
    • 66 Metascore
    • 50 Kimberley Jones
    The final conflict is so protracted as to comfortably accommodate a bathroom break. Don't worry. You won't miss anything you haven't seen before.
    • 62 Metascore
    • 50 Kimberley Jones
    The Help may be more interested in the moral at the end of the story than the story itself, but what saves the film from its meticulous one-dimensionality is that nuanced, deeply moving cast.
    • 47 Metascore
    • 50 Kimberley Jones
    It IS consistently funny. Its trash-can humor is tasteless, no doubt, but hey, that doesn't make it unpalatable.
    • 43 Metascore
    • 50 Kimberley Jones
    The film's best stretch, wherein each American gal is romanced by an international lover, faintly recalling the Fifties' sudser "Three Coins in the Fountain."
    • 39 Metascore
    • 50 Kimberley Jones
    Instantly forgettable but intermittently funny movie.