For 650 reviews, this critic has graded:
  • 38% higher than the average critic
  • 2% same as the average critic
  • 60% lower than the average critic
On average, this critic grades 3.6 points lower than other critics. (0-100 point scale)

Kimberley Jones' Scores

  • Movies
Average review score: 55
Highest review score: 100 Before Night Falls
Lowest review score: 0 Yu-Gi-Oh!: The Movie
Score distribution:
650 movie reviews
    • 54 Metascore
    • 50 Kimberley Jones
    Ambling, just-passable picture.
    • 54 Metascore
    • 50 Kimberley Jones
    Sparks, an acting novice, falters when her character must muster gumption or sexual heat. She saves her best for last in a barnburner singing performance, but it's too little, too late – especially with the memory of Houston's one song – a heart-stopping gospel number – still ringing in the ears.
    • 66 Metascore
    • 50 Kimberley Jones
    It's unclear where the buck stops in terms of creative authority – at one point, Clayman complains that "the only thing I feel in control of is the money" – which renders OC87 at once a remarkable achievement, and a fatally compromised film.
    • 55 Metascore
    • 50 Kimberley Jones
    Frustrations abound with this limited film, but Wild Horse, Wild Ride does one thing exceptionally well, and that is convey the emotional bond between trainer and horse.
    • 67 Metascore
    • 50 Kimberley Jones
    Chbosky surrounds his hurting characters with the cinematic equivalent of a hug circle – which is sweet, but rather antithetical to tension-building.
    • 37 Metascore
    • 50 Kimberley Jones
    Imagine "Little Miss Sunshine's" dark materials (and superior craftsmanship) diluted with a Hannah Montana-like sunny silliness – which is to say: sometimes funny, often broad-stroked, ever sweet, and landing shy of its potential.
    • 63 Metascore
    • 50 Kimberley Jones
    There's no denying the dazzling effect, but a fireworks sequence midfilm only underscores the sad fact that there's no lasting illumination here, only the fast-burn spitzing of bang snaps.
    • 34 Metascore
    • 50 Kimberley Jones
    Lucas and Moore aren’t savvy enough, or brave enough, to truly plumb the gallows humor embedded in their premise.
    • 58 Metascore
    • 50 Kimberley Jones
    Once the film gets cooking, the questions never stop. For instance: When you find the dead body of someone you love, isn’t your first call to the cops?
    • 80 Metascore
    • 50 Kimberley Jones
    There are no hard answers in Room 237, a feature-length, sporadically engaging exploration of the latter (The Shining).
    • 61 Metascore
    • 50 Kimberley Jones
    I suspect a second viewing would uncover more information embedded in the mise-en-scène; had Trance – tonally a jumble and disorienting to the point of distraction – rewarded the audience with the pure perfection of a Keyser Söze-like reveal, I’d be more inclined to make the return trip.
    • 61 Metascore
    • 50 Kimberley Jones
    There is a plot – a pretty clunky one, jerry-rigged with character motivations that amount to one long “huh?” and dialogue that might as well have been chunked out of a cliche generator – but who needs plot when we can have mayhem?
    • 30 Metascore
    • 50 Kimberley Jones
    This is in fact the end – it is what is. We’ve had some good laughs. Let’s part amicably.
    • 42 Metascore
    • 50 Kimberley Jones
    Product placement aside, there’s an admirable, even sweet, message about fellowship and misfit pride shot through the whole script, and Vaughn is rather touching as a kind of cuddly uncle figure to his fellow interns.
    • 65 Metascore
    • 50 Kimberley Jones
    It’s not like Monsters University is a bad movie. It’s just not a terribly interesting one.
    • 47 Metascore
    • 50 Kimberley Jones
    It’s all supremely silly stuff, and amusingly so, as long as you don’t stop to think about all those blameless officers and agents cut down in the line of mindless entertainment.
    • 60 Metascore
    • 50 Kimberley Jones
    This is Jackman’s show entirely, and he’s as forceful and charismatic as ever as the walking, talking hurt that is Wolverine. If only he had something more interesting to do here.
    • 74 Metascore
    • 50 Kimberley Jones
    Frozen can count in its favor visual grandeur, two energetic young women as co-leads, and a couple of plot twists that place the film a cut above your average princess fare.
    • 54 Metascore
    • 50 Kimberley Jones
    The Secret Life of Walter Mitty is a very pretty production – pretty colors, pretty scenery, pretty bromides – and a busy one, too, which helps distract us from the sad fact that the movie is generous and humane but not all that interesting.
    • 47 Metascore
    • 50 Kimberley Jones
    Isaac and Olsen are both mesmerizing actors, and Lange and Felton also do very good work in supporting roles, but their collective gameness – all that acting their pants off (sometimes literally) – is underserved by the film’s script and direction.
    • 48 Metascore
    • 50 Kimberley Jones
    The bestselling first book in yet another dystopic Young Adult series, Veronica Roth’s Divergent is engrossing enough to devour overnight, and flimsy enough to forget by morning light. Neil Burger’s film adaptation faithfully reproduces the same effect.
    • 45 Metascore
    • 40 Kimberley Jones
    A lightweight, intermittently engaging comedy.
    • 51 Metascore
    • 40 Kimberley Jones
    The soundtrack is a boisterous blast from the past, and there's a quiet pleasure to watching Zoe and Daly let their composure loose like scrambled eggs, but there's little else to hold dear here.
    • 72 Metascore
    • 40 Kimberley Jones
    Starts out as a lark, but veers into grittier, more emotionally complex territory -- just like a real relationship -- that the film doesn't have the chops to sustain.
    • 40 Metascore
    • 40 Kimberley Jones
    Not a man, but the romanticizing of him. A lot of jive-shit.
    • 35 Metascore
    • 40 Kimberley Jones
    It's a nice, friendly kind of love, but hardly an inspiring one.
    • 44 Metascore
    • 40 Kimberley Jones
    The whole thing still reeks of voyeurism -- and not the fly-on-the-wall voyeurism of a vérité doc, but rather the dirty-old-man-in-the-peep-show-booth kind. Might as well just wait for it to hit late-night cable.
    • 64 Metascore
    • 40 Kimberley Jones
    Warmed my heart about as much as the cold cream Angèle slathers all over her wrinkling clients.
    • 43 Metascore
    • 40 Kimberley Jones
    After two hours of Vera's pretty but wet-blanket direction, it's too late to ignite any fireworks, even in the hands of such capable actors.
    • 37 Metascore
    • 40 Kimberley Jones
    There's something good-natured, even sweet about this well-meaning affair.