Kimberley Jones
Select another critic »
For 675 reviews, this critic has graded:
  • 38% higher than the average critic
  • 2% same as the average critic
  • 60% lower than the average critic
On average, this critic grades 3.6 points lower than other critics. (0-100 point scale)

Kimberley Jones' Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 All the Real Girls
Lowest review score: 0 Yu-Gi-Oh!: The Movie
Score distribution:
675 movie reviews
    • 40 Metascore
    • 40 Kimberley Jones
    A decent enough spot of silliness.
    • 39 Metascore
    • 40 Kimberley Jones
    The opening montage is a jazzy, grabby thing, artfully layering the kids’ auditions to mimic the frenzied pace of the day. But that freneticism never really goes away, nor does the staccato timing.
    • 53 Metascore
    • 40 Kimberley Jones
    The first act is very nearly unbearable, leaden and doomy and generically plotted.
    • 22 Metascore
    • 40 Kimberley Jones
    Leaves me wanting to watch Tomei and company in something more worthy of their abilities.
    • 43 Metascore
    • 40 Kimberley Jones
    After two hours of Vera's pretty but wet-blanket direction, it's too late to ignite any fireworks, even in the hands of such capable actors.
    • 46 Metascore
    • 40 Kimberley Jones
    To say the least, the chemistry is lacking; equally unconvincing is the all-British cast’s attempts at American accents.
    • 48 Metascore
    • 40 Kimberley Jones
    The resultant film is all surface and plush, with nary a hard edge or demanding note. Despite the movie's well-intentioned heart, its head is out to lunch, neglecting its responsibility to provide these powerhouse actresses with a script half as smart or compelling as they.
    • 72 Metascore
    • 40 Kimberley Jones
    It doesn't have the bite to be satire, the pratfalls to be broad comedy, or the wit to pass as a comedy of manners. What does that leave? The French cinematic equivalent of motivational coaching, and -- just like Pignon -- something spectacularly unspectacular.
    • 64 Metascore
    • 40 Kimberley Jones
    Warmed my heart about as much as the cold cream Angèle slathers all over her wrinkling clients.
    • Austin Chronicle
    • 59 Metascore
    • 40 Kimberley Jones
    A clever idea that never stretches beyond just that -- a caterpillar that never blooms into a butterfly.
    • 60 Metascore
    • 40 Kimberley Jones
    In all his misguided enthusiasm, Parker has mustered enough bluster to fill up a zeppelin, blowing harder and harder, for something more and more fanciful. But with so much hot air, the bubble is bound to burst, and so it does in Parker's blundering adaptation.
    • 44 Metascore
    • 40 Kimberley Jones
    The whole thing still reeks of voyeurism -- and not the fly-on-the-wall voyeurism of a vérité doc, but rather the dirty-old-man-in-the-peep-show-booth kind. Might as well just wait for it to hit late-night cable.
    • 36 Metascore
    • 40 Kimberley Jones
    The movie scores some laughs, all of which come from the expert Giamatti.
    • 48 Metascore
    • 40 Kimberley Jones
    Undone by Blanchett's dull, wooden delivery. She's the pap that kills the pulp the rest of the film is bellowing out to be.
    • 41 Metascore
    • 40 Kimberley Jones
    It's all pretty goofy, which I assume is the point, but it's also pretty dull.
    • 48 Metascore
    • 40 Kimberley Jones
    When the boys are tossing balls around and bopping in time to Notorious B.I.G., they -- and the film -- are right-on.
    • 51 Metascore
    • 40 Kimberley Jones
    There are flashes of wit and flair here, including two stylish sequences detailing the French obsession with food and scarves, but they are but brief respites from the film’s near-pathological drear.
    • 47 Metascore
    • 40 Kimberley Jones
    Midway through, there’s a truly riotous set-piece involving Bruiser’s gay love affair with a Great Dane, but not even a Chihuahua in leather bondage gear can zest up a franchise that has degraded from sleeper to snoozer.
    • 41 Metascore
    • 40 Kimberley Jones
    Instantly forgettable but good-natured all the same.
    • 51 Metascore
    • 40 Kimberley Jones
    The soundtrack is a boisterous blast from the past, and there's a quiet pleasure to watching Zoe and Daly let their composure loose like scrambled eggs, but there's little else to hold dear here.
    • 37 Metascore
    • 40 Kimberley Jones
    There's something good-natured, even sweet about this well-meaning affair.
    • 52 Metascore
    • 40 Kimberley Jones
    Either you like your movies to be, well, movie-like: imitations of life, with musical accompaniment and artificial lighting and tracking shots and looped dialogue; or you like them to be re-creations of life, sans the artifice. The King Is Alive clearly falls into the latter camp.
    • 35 Metascore
    • 40 Kimberley Jones
    It's a nice, friendly kind of love, but hardly an inspiring one.
    • 72 Metascore
    • 40 Kimberley Jones
    Starts out as a lark, but veers into grittier, more emotionally complex territory -- just like a real relationship -- that the film doesn't have the chops to sustain.
    • 73 Metascore
    • 40 Kimberley Jones
    When The Company owns up to what it is -– a performance piece -– it’s glorious. Everything else -– the window-dressing of a fiction film -– just gums up that gloriousness.
    • 45 Metascore
    • 40 Kimberley Jones
    In the end, we know Andie and Ben will kiss and make up -– how could too alliteratively aligned pretty people not? -– but first we must wade through the protracted and wholly unwarranted period in which both huffs about the other’s deceptions.
    • 46 Metascore
    • 40 Kimberley Jones
    Their travelogue-ready romance is utterly doofy but not disagreeable, and this sort of wish-fulfillment fantasy will strike the right chord with Moore’s fan base of preteen girls.
    • 65 Metascore
    • 40 Kimberley Jones
    The film's "never grow up" refrain plays like a broken record, until, in an abrupt (but not unexpected) turnaround at film's end, it fixes itself.
    • 57 Metascore
    • 40 Kimberley Jones
    The climax, like the film itself, is big, loud, and looks cool enough, which is what we’ve come to expect from summer movies … but not from Robert Rodriguez.
    • 47 Metascore
    • 40 Kimberley Jones
    Little more than a constant and occasionally pretty imaginative sex show.