Kimberley Jones
Select another critic »
For 706 reviews, this critic has graded:
  • 38% higher than the average critic
  • 2% same as the average critic
  • 60% lower than the average critic
On average, this critic grades 3.8 points lower than other critics. (0-100 point scale)

Kimberley Jones' Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 Force Majeure
Lowest review score: 0 Someone Like You...
Score distribution:
706 movie reviews
    • 52 Metascore
    • 40 Kimberley Jones
    Either you like your movies to be, well, movie-like: imitations of life, with musical accompaniment and artificial lighting and tracking shots and looped dialogue; or you like them to be re-creations of life, sans the artifice. The King Is Alive clearly falls into the latter camp.
    • 64 Metascore
    • 40 Kimberley Jones
    Warmed my heart about as much as the cold cream Angèle slathers all over her wrinkling clients.
    • Austin Chronicle
    • 59 Metascore
    • 40 Kimberley Jones
    A clever idea that never stretches beyond just that -- a caterpillar that never blooms into a butterfly.
    • 42 Metascore
    • 40 Kimberley Jones
    For such a deft wit, Jane Austen sure has inspired some nitwitted entertainments. Actually, the Austen influence here is negligible.
    • 55 Metascore
    • 40 Kimberley Jones
    Liberal Arts is not unlikable: There are some intelligent observations about how humans woo, and the film is so suffused with sincerity you want to give it a pat on the head just for trying so hard.
    • 40 Metascore
    • 40 Kimberley Jones
    Not a man, but the romanticizing of him. A lot of jive-shit.
    • 32 Metascore
    • 40 Kimberley Jones
    Alexander's script considers context anathema, leaving us to wonder, among other puzzlers, why these two jerks are friends to begin with – and, perhaps, on what bad breakup or neglected childhood one may blame the film's dispiriting misanthropy.
    • 39 Metascore
    • 40 Kimberley Jones
    For a comedy, The Sitter is frightfully spare on full-bodied laughs.
    • 58 Metascore
    • 40 Kimberley Jones
    Much of the original film's geniality – and all of its pro-environment stumping – has gone missing; what we have instead is a watered-down likeness that curiously turns disaster flick in its too-scary third act.
    • 26 Metascore
    • 40 Kimberley Jones
    If A Thousand Words' formula seems familiar, that's because writer Steve Koren has tripped down this quasi-metaphysical path before in "Bruce Almighty" and "Click."
    • 48 Metascore
    • 40 Kimberley Jones
    The only thrill here comes from the adrenaline kick of the chase. Alas, it's an empty, Pavlovian kick at best.
    • 62 Metascore
    • 40 Kimberley Jones
    It’s a curiously inert, workmanlike production: a whole lot of pomp and incircumstance.
    • 49 Metascore
    • 40 Kimberley Jones
    Amusing but never rousing, this fourth installment in the Ice Age cartoon franchise comes fretted with freezer burn.
    • 50 Metascore
    • 40 Kimberley Jones
    Bell steals every scene she's in, and her abrupt dismissal feels all the crueler for so much charisma wasted: She shoulda been a contender.
    • 69 Metascore
    • 40 Kimberley Jones
    Perhaps there was some confusion – should we play this as a lark or a lesson in geopolitical unrest? – or maybe there was some studio involvement to defang the politics; whatever the case, the noncommittal Charlie Wilson's War treads a good-natured but yawning in-between.
    • 72 Metascore
    • 40 Kimberley Jones
    Starts out as a lark, but veers into grittier, more emotionally complex territory -- just like a real relationship -- that the film doesn't have the chops to sustain.
    • 48 Metascore
    • 40 Kimberley Jones
    Book of Secrets isn’t so much a romp as a long trudge through American history factoids and conspiracy-theory gobbledygook. Cool car chase, though.
    • 49 Metascore
    • 40 Kimberley Jones
    Short to short, it’s a Russian roulette.
    • 46 Metascore
    • 40 Kimberley Jones
    Their travelogue-ready romance is utterly doofy but not disagreeable, and this sort of wish-fulfillment fantasy will strike the right chord with Moore’s fan base of preteen girls.
    • 46 Metascore
    • 40 Kimberley Jones
    This is fussy filmmaking, overly made-up (the costume mandate seems to include the buzzwords "coffee filters," "croquembouche," and "Day-Glo paint") and bereft of wit.
    • 41 Metascore
    • 40 Kimberley Jones
    It’s an impossible standard, maybe, but in 42 minutes, TV’s "Friday Night Lights" delivered all-star-level emotional complexity and action. When the Game Stands Tall is strictly JV squad.
    • 67 Metascore
    • 40 Kimberley Jones
    As an unsparing portrait of disaffection among the small-paycheck, faux-creative class, The Future is rather astute … which isn't to say it isn't also bang-your-head-on-the-wall annoying.
    • 69 Metascore
    • 40 Kimberley Jones
    There's nothing that feels like real rage, nothing that even remotely approximates the spiritual decimation of a termination.
    • 43 Metascore
    • 40 Kimberley Jones
    Patinkin and King’s characters’ wrangling with spirituality is sincere, and specific. Everything else in this everything-and-the-kitchen-sink film feels like too many ideas stored up over an especially long winter.
    • 35 Metascore
    • 40 Kimberley Jones
    This film adaptation feels like YA, with cat’s-cradle love matches, soft-focus sexuality, and a main character who never satisfactorily makes the transition from page to screen.
    • 48 Metascore
    • 40 Kimberley Jones
    Undone by Blanchett's dull, wooden delivery. She's the pap that kills the pulp the rest of the film is bellowing out to be.
    • 37 Metascore
    • 40 Kimberley Jones
    There's something good-natured, even sweet about this well-meaning affair.
    • 44 Metascore
    • 40 Kimberley Jones
    The script negates anything heartfelt with its flippant, almost vulgar tone.
    • 45 Metascore
    • 40 Kimberley Jones
    There's just no reconciling the film's ambivalent message. Newell hangs a modern sensibility on a supposed period piece, and hangs his film in the process.
    • 37 Metascore
    • 40 Kimberley Jones
    The richly hued CG animation is quite nice – a mix of hyperdetailed character work and painterly cityscapes and pastorals – and the script putters along with small but regular amusements.

Top Trailers