Kimberley Jones

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For 746 reviews, this critic has graded:
  • 39% higher than the average critic
  • 2% same as the average critic
  • 59% lower than the average critic
On average, this critic grades 3.8 points lower than other critics. (0-100 point scale)

Kimberley Jones' Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 Before Night Falls
Lowest review score: 0 Waiting...
Score distribution:
746 movie reviews
    • 39 Metascore
    • 50 Kimberley Jones
    Instantly forgettable but intermittently funny movie.
    • 38 Metascore
    • 50 Kimberley Jones
    For the first 30 minutes I couldn't shake the feeling that I was watching a really promising pilot for network TV.
    • 74 Metascore
    • 50 Kimberley Jones
    Morris has found a real character in McKinney, but to what end, I couldn't say.
    • 56 Metascore
    • 50 Kimberley Jones
    We have pretty much all the information we need within the first half-hour, which undercuts the supposedly climactic reveal of the contents of Maruge's letter and renders the torturous flashbacks unnecessary for narrative purposes. And not a little bit sadomasochistic, too – an ill fit for a PG-13 family film.
    • 82 Metascore
    • 50 Kimberley Jones
    Sugar is a curiosity – too somber for a picaresque, too arm's-length for much emotional effect – and while it's interesting, it's never truly absorbing.
    • 45 Metascore
    • 50 Kimberley Jones
    It’s just too much drama for one modest film to service adequately. In an effort to cram it all in, scenes abruptly jump from one to the next with nary a smooth transition in sight, relationships evolve far too quickly, and certain subplots drop out of the mix only to resurface, jarringly, much later.
    • 57 Metascore
    • 40 Kimberley Jones
    The ideas are there, hints of genius, but no one ignites them. Add Osmosis Jones to that list of universal enigmas, and, more specifically, how the Farrelly Brothers could have done so little with so much.
    • 47 Metascore
    • 40 Kimberley Jones
    Midway through, there’s a truly riotous set-piece involving Bruiser’s gay love affair with a Great Dane, but not even a Chihuahua in leather bondage gear can zest up a franchise that has degraded from sleeper to snoozer.
    • 60 Metascore
    • 40 Kimberley Jones
    In all his misguided enthusiasm, Parker has mustered enough bluster to fill up a zeppelin, blowing harder and harder, for something more and more fanciful. But with so much hot air, the bubble is bound to burst, and so it does in Parker's blundering adaptation.
    • 55 Metascore
    • 40 Kimberley Jones
    Luhrmann has always had a knack with the fever of passion, but here he only catches high fever’s empty gibberish.
    • 40 Metascore
    • 40 Kimberley Jones
    A decent enough spot of silliness.
    • 63 Metascore
    • 40 Kimberley Jones
    Kit Kittredge is a dutiful bore. Still, I couldn't help but wonder if, in the face of all-out market collapse, it might serve a dual purpose as primer for kiddies on economic depression – because food stamps always taste better with a side order of spunk. Or is it pluck?
    • 18 Metascore
    • 40 Kimberley Jones
    Saving Christmas will hold little interest for anyone not already a believer. It’s too single-minded in its instructional purpose, too averse to multidimensional characters, too youth-pastor-like in its dorky humor.
    • 45 Metascore
    • 40 Kimberley Jones
    In the end, we know Andie and Ben will kiss and make up -– how could too alliteratively aligned pretty people not? -– but first we must wade through the protracted and wholly unwarranted period in which both huffs about the other’s deceptions.
    • 54 Metascore
    • 40 Kimberley Jones
    The music so wholly engulfs the second half of the film, there’s no room left to expand on characters that feel less than lived-in or on the film’s more ambitious ideas.
    • 34 Metascore
    • 40 Kimberley Jones
    This isn’t Nicole Kidman’s first dalliance with witchcraft, and it is one of Bewitched’s unfortunate achievements that it actually makes one pine for Kidman’s 1998 dud, "Practical Magic." That witch at least had some sass; this cardigan-clad witch, alas, is an altogether more benign being, and by "benign" I mean boring.
    • 68 Metascore
    • 40 Kimberley Jones
    Amusing enough, but weirdly joyless.
    • 46 Metascore
    • 40 Kimberley Jones
    To say the least, the chemistry is lacking; equally unconvincing is the all-British cast’s attempts at American accents.
    • 28 Metascore
    • 40 Kimberley Jones
    A lot of gunk: dance-offs, sing-alongs, awkward exes, and a dirty-talking White blasting through, I'm afraid, the last bits of her novelty. That again?
    • 22 Metascore
    • 40 Kimberley Jones
    Wouldn't it make more sense on basic cable? Plum screen incarnate (and film producer) Katherine Heigl got her start in TV, on Roswell and Grey's Anatomy, and her public persona – a combination of prickliness and adoration-seeking that has famously grated on viewers' and critics' nerves alike – has historically played better there.
    • 64 Metascore
    • 40 Kimberley Jones
    In manipulating its many disparate characters to bump into each other and set plot lines in motion, Intermission walks a fine line between clever and contrived, with the scale tipping more often toward contrived.
    • 55 Metascore
    • 40 Kimberley Jones
    As the songs pile up and the plot putters along, Romance & Cigarettes wears thin, like a moral for the titular addiction: Sure, there’s the sweet dream of that first drag, but a whole pack’ll do a body bad.
    • 22 Metascore
    • 40 Kimberley Jones
    Leaves me wanting to watch Tomei and company in something more worthy of their abilities.
    • 45 Metascore
    • 40 Kimberley Jones
    A lightweight, intermittently engaging comedy.
    • 54 Metascore
    • 40 Kimberley Jones
    The promising-sounding football movie would turn out to be a movie about men talking on phones.
    • 47 Metascore
    • 40 Kimberley Jones
    There's some funny stuff here that doesn't involve degrading its female protagonists, and the cast, by and large, is appealing.
    • 52 Metascore
    • 40 Kimberley Jones
    Saint Laurent gets across how isolating celebrity can be, how exhausting it is to keep a toehold on top of a mountain that keeps shifting underfoot. But the film is allergic to insight: It’s as numbed-out as its hero addict.
    • 42 Metascore
    • 40 Kimberley Jones
    A bright idea, disappointingly dulled in the execution.
    • 53 Metascore
    • 40 Kimberley Jones
    The first act is very nearly unbearable, leaden and doomy and generically plotted.
    • 67 Metascore
    • 40 Kimberley Jones
    As is, it's simply too much information crammed too haphazardly into a running time that at times borders on interminable.

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