Kimberley Jones
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For 718 reviews, this critic has graded:
  • 39% higher than the average critic
  • 2% same as the average critic
  • 59% lower than the average critic
On average, this critic grades 3.7 points lower than other critics. (0-100 point scale)

Kimberley Jones' Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 All the Real Girls
Lowest review score: 0 Yu-Gi-Oh!: The Movie
Score distribution:
718 movie reviews
    • 59 Metascore
    • 67 Kimberley Jones
    It all boils down to trying too hard, when everybody knows a good grift is one that appears effortless.
    • 75 Metascore
    • 67 Kimberley Jones
    These women are marvelous, with ancient, creased faces and the kind of admirable f...-all attitude that comes with age. I couldn't take my eyes off them.
    • 59 Metascore
    • 67 Kimberley Jones
    An admirable effort, but too many words, words, and more words, and not enough of the ache of that half-smile.
    • 70 Metascore
    • 67 Kimberley Jones
    With so many soldiers interviewed, some only fleetingly, it's impossible to keep track of them all.
    • 74 Metascore
    • 67 Kimberley Jones
    Capitalizes on the audience’s familiarity with the many players and their complex backstories, but never advances the ball down the field, tenders no new thought or wrinkle to the franchise. It’s the difference between a diverting entertainment, and a riveting one.
    • 63 Metascore
    • 67 Kimberley Jones
    Columbus never quite captures the depth, the rich complexities of Rowling's novels. She's written four Harry Potter books for kids that adults swoon for, too. Columbus has made two Harry Potter movies for kids … and we'll leave it at that. That isn't bad. But I suspect there's something better just around the bend.
    • 64 Metascore
    • 67 Kimberley Jones
    The material is interesting, and the production values are top-notch. Anushia Nieradzik deserves special notice for her costume design; her luxurious dresses in deep shades of purple and magenta race the pulse more than anything particular in the plot or characterization. It’s all quite well done, if only a touch too decorous.
    • 54 Metascore
    • 67 Kimberley Jones
    It's a goofy, tongue-in-cheek, my-gawd-how-could-we-be-so-dumb shrine, but a shrine nonetheless.
    • 48 Metascore
    • 67 Kimberley Jones
    The space prison set-pieces get the job done; only in the film's terrestrial bookends does this nuts-and-bolts action film show its rust.
    • 73 Metascore
    • 67 Kimberley Jones
    Director Roger Michell and his frequent writer Hanif Kureishi (their last film together was Venus) regularly dance to the very cliff’s edge of despair, and only for the grace of good casting do you not wish they’d just jump and get it over with.
    • 73 Metascore
    • 67 Kimberley Jones
    It's the tortoise and the hare, Nepalese-style, and it's surprisingly dramatic.
    • 63 Metascore
    • 67 Kimberley Jones
    Penn's Bicke is often so pitiable it's hard not to want to look away – but what else to expect from perhaps our most compulsively watchable contemporary actor?
    • 58 Metascore
    • 67 Kimberley Jones
    After a sparky first half greatly aided by Kristin Scott Thomas' devilish turn as an unsentimental press secretary, Salmon Fishing grows soggier. It's such a pretty, witty gloss of a picture, it hardly knows what to do with real-world terror, hence the Snidely Whiplash-like limning of Muslim extremists.
    • 62 Metascore
    • 67 Kimberley Jones
    Marshmallow nation, you may now exhale: Rob Thomas did ya right.
    • 62 Metascore
    • 67 Kimberley Jones
    Everybody likes to watch the messy guts-stuff of other peoples' lives, if only because we know then we're not alone in our weird ways.
    • 69 Metascore
    • 67 Kimberley Jones
    She knew what "it" was going to be before anyone else. Or maybe she invented "it," and the magazine-buying public simply did as they were told.
    • 71 Metascore
    • 67 Kimberley Jones
    Sleepwalk With Me is never anything less than awfully likable. But I so wanted it to be more.
    • 63 Metascore
    • 67 Kimberley Jones
    Falling in love with the wrong person makes for a far more toothsome melodrama, a fact this small, satisfying picture rightly recognizes.
    • 63 Metascore
    • 67 Kimberley Jones
    It’s an enjoyable enough exercise in teen angst triumphing.
    • 62 Metascore
    • 67 Kimberley Jones
    While Saved! initially gets in some good gags at the expense of religious hypocrisy, it eases off, opting not to skewer religion but rather to poke it gently with a stick to see what happens.
    • 73 Metascore
    • 67 Kimberley Jones
    A Girl Cut in Two is Hitchcock sans the whodunit, essentially a long preamble of seduction and spiritual ruin, capped by a crime everyone saw coming (and an eye-dazzling coda that twists the title from metaphor to … something else).
    • 50 Metascore
    • 67 Kimberley Jones
    Is Gary Winick atoning for his sins? If “Bride Wars” was an acid spill -- and that’s putting it generously -- then Letters to Juliet is like the safety shower in your high school chemistry class, delivering an unsubtle blast of sanitized sentimentality.
    • 53 Metascore
    • 67 Kimberley Jones
    A merry entertainment that never pretends to greatness, Penguins of Madagascar is all about antics, verbal and visual.
    • 77 Metascore
    • 67 Kimberley Jones
    It’s muddy, bloody, and studded with amputated limbs, yet still rather generic-feeling; it lacks the visceral impact of Joe Wright’s version of Western Front atrocities in "Atonement."
    • 78 Metascore
    • 67 Kimberley Jones
    It’s always a pleasure to be in the company of Potter, and when looking back at the just-competent first outings – well, baby, you’ve come a long way – but still: Where’s the magic, huh?
    • 42 Metascore
    • 67 Kimberley Jones
    All told, either you get it or you don't. Film critics and senators with election prospects don't. Kids in the mood to laugh at stupid shit for 87 minutes do. I'll toss my hat in the latter ring with glee.
    • 72 Metascore
    • 67 Kimberley Jones
    Taking a cue from the horse in question, Ross’ film takes its time getting into the race, but once it gets going, the going gets good.
    • 63 Metascore
    • 67 Kimberley Jones
    If you ever thought "Footloose" might’ve been improved with an Irish brogue and a short pour of agitprop, then by all means look to this latest from Ken Loach, Britain’s elder statesman of cinema and its evergreen champion of the working class.
    • 73 Metascore
    • 67 Kimberley Jones
    All herky-jerky camera movements and no pussyfooting around with the interior lives of these characters.
    • 53 Metascore
    • 67 Kimberley Jones
    What a glorious weepie The Notebook might have been if they’d just found a way to get rid of the damned notebook.

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