Kimberley Jones
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For 689 reviews, this critic has graded:
  • 39% higher than the average critic
  • 2% same as the average critic
  • 59% lower than the average critic
On average, this critic grades 3.5 points lower than other critics. (0-100 point scale)

Kimberley Jones' Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 Birdman or (The Unexpected Virtue of Ignorance)
Lowest review score: 0 Bucky Larson: Born to Be a Star
Score distribution:
689 movie reviews
    • 72 Metascore
    • 78 Kimberley Jones
    Pray maintains a steadfastly objective viewpoint, and it's a testament to his film's success that it can accommodate the audience's inevitably shifting allegiances from one family member to the next.
    • 79 Metascore
    • 78 Kimberley Jones
    Post-viewing, I was still coasting on the giddy high of kinetic cinema, only to have the astonishing callousness of its conclusion slowly settle in. It's a better film for it – one only wishes that Reprise on a whole had been of the same mind: a little less cool, a little more cruel. That's where the really good stuff is.
    • 64 Metascore
    • 78 Kimberley Jones
    A film that is at once elegant and sublimely silly.
    • 64 Metascore
    • 78 Kimberley Jones
    The film, a distinctly secular take on Waugh's religiosity, is far more interested in the battle of blind faith vs. rigid unbelief and its devastating effects. Herein, everyone is complicated – by their station, their philosophy, their God – and everyone is complicit.
    • 45 Metascore
    • 78 Kimberley Jones
    It's a rattling, heartrending performance (Moore) in, yes, a long, hard slough of a film – one that is well worth the journey, if not a repeat trip.
    • 84 Metascore
    • 78 Kimberley Jones
    The deeply heartfelt Milk is more of a surface skim: a fairly standard biopic – if a very fine one, indeed – but never the transcendent work one would have hoped from the filmmaker or his subject.
    • 80 Metascore
    • 78 Kimberley Jones
    Because Wendy and Lucy is so lean on plot and dialogue, there are long spaces to contemplate Wendy and her situation, and the logistics are mind-boggling.
    • 63 Metascore
    • 78 Kimberley Jones
    They don't make women, sexy but regal, like Pfeiffer much anymore, and Cheri is quite a monument to her.
    • 64 Metascore
    • 78 Kimberley Jones
    A staggering document of the lengths parents will go to for the sake of their child.
    • 72 Metascore
    • 78 Kimberley Jones
    Hair is personal. It's also political.
    • 40 Metascore
    • 78 Kimberley Jones
    There is, quite simply, a rather refreshing ordinariness to Remember Me in the unflashy, knuckle-down attention it gives to character development and the building of plausible and involving family and friend dynamics.
    • 76 Metascore
    • 78 Kimberley Jones
    Going dramatic, Stiller commits to the role completely; there's something rather admirable in his refusal to pander or soft-pedal the self-serious, frankly unlikable Greenberg.
    • 73 Metascore
    • 78 Kimberley Jones
    Burrus has a face that does all the talking for him -- deep creases, sad eyes, and a gray hue that hangs over him like a rain cloud. It's a remarkable performance.
    • 66 Metascore
    • 78 Kimberley Jones
    Much to cheer here, from its treasure trove of early and alternate versions of songs to the triumphant finale.
    • Austin Chronicle
    • 66 Metascore
    • 78 Kimberley Jones
    It's easy enough to forget there are special effects involved, so convincing is Stu's rippling fur and big beamy eyes filling up with tears.
    • 64 Metascore
    • 78 Kimberley Jones
    Bardem injects a shaggy, compassionate humor throughout, aided by a wry and moving ensemble cast and co-writer/director Fernando León de Aranda's eye for the offbeat.
    • 78 Metascore
    • 78 Kimberley Jones
    Swinton is heartbreaking. She's not just craft; she's high art.
    • 68 Metascore
    • 78 Kimberley Jones
    Something that falls just shy of greatness.
    • 73 Metascore
    • 78 Kimberley Jones
    Leaves you scratching your head a bit, wondering what just happened, and worrying if maybe it could happen to you too.
    • 75 Metascore
    • 78 Kimberley Jones
    Appropriately belongs to Lopez. His mannequin glaze and never-wavering smile provide more creepy-crawlies than a thousand quivering violins or perfectly timed thunderclaps.
    • 56 Metascore
    • 78 Kimberley Jones
    Some of The Anniversary Party's titillation factor rests on the awareness that these are actors playing actors, in roles written specifically for them that at times appear awfully close to home.
    • 83 Metascore
    • 78 Kimberley Jones
    Sollett’s first feature is a small, but indelible picture, one that approaches the most universal of themes -– first love, confused hormones, parental clashes -– with originality.
    • 58 Metascore
    • 78 Kimberley Jones
    The terrific ensemble acting and Troche’s genuine, nonjudgmental interest in exploring the weird places wounded people go, both internally and externally, amount to an insulated but moving portrait of the real nuclear family.
    • 72 Metascore
    • 78 Kimberley Jones
    The magnificence of the film's pieces does not quite add up to a satisfying whole.
    • 61 Metascore
    • 78 Kimberley Jones
    You can easily lose five minutes making sense of it - and another 10 poking holes in it - but what of it? The preceding 100 minutes pass so pleasurably, the few false moves barely register - maybe the biggest con of all, but consider me happily snowed.
    • 75 Metascore
    • 78 Kimberley Jones
    Mamet does a shrewdly skillful job with these Tinseltown terrors.
    • 78 Metascore
    • 78 Kimberley Jones
    Ramsay is experimental, unconventional, and forever reaching at the gorgeousness in grief and despair. Her film moves slow as molasses, slow as paint drying -– and all the better to see the colors and the complexities.
    • 85 Metascore
    • 78 Kimberley Jones
    Writer/director Lonergan succeeds at capturing eloquently the disappointments of growing up and growing old. But he isn't always successful at reining in the schmaltz.
    • 63 Metascore
    • 78 Kimberley Jones
    Good, clean fun, with none of the icky aftertaste so common to “family friendly” ware, Drumline proves irresistible in more ways than one.
    • 74 Metascore
    • 78 Kimberley Jones
    Like a kindler, gentler "Bully," Mean Creek hinges on the bullied fighting back against the aggressor, but offers a more expansive examination of aggression and, even more significantly, passivity.

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