Kirk Honeycutt
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For 987 reviews, this critic has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this critic grades 0.9 points higher than other critics. (0-100 point scale)

Kirk Honeycutt's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 United 93
Lowest review score: 0 Your Highness
Score distribution:
  1. Negative: 91 out of 987
987 movie reviews
    • 71 Metascore
    • 70 Kirk Honeycutt
    The most damning account of the failure of the criminal justice system in America anyone is ever likely to see.
    • 54 Metascore
    • 70 Kirk Honeycutt
    There is enough compelling adventure, awesome cinematography and dynamic stunt work involving horses to keep one entertained by Hidalgo.
    • 57 Metascore
    • 70 Kirk Honeycutt
    Does a good job of reviving stale material. Thanks to a snappy script by Josh Goldsmith and Cathy Yuspa and an effervescent performance by Jennifer Garner, this romantic comedy has a buoyant personality.
    • 82 Metascore
    • 70 Kirk Honeycutt
    Although the pace is slow, "Twilight" is a moving account of a family in crisis and the love that provides a short window of happiness for the father.
    • 66 Metascore
    • 70 Kirk Honeycutt
    Results in an edgy comedy, where laughs stem at times from uncomfortable situations. In other words, Mean Girls lives up to its title.
    • 78 Metascore
    • 70 Kirk Honeycutt
    This exercise in style and tongue-in-cheek melodrama from Canada's iconoclastic Guy Maddin will be lionized by admirers for its audacity, but will wear thin for many audience members, who will find it tedious and repetitive.
    • 71 Metascore
    • 70 Kirk Honeycutt
    The movie observes and dramatizes, yet seeks no overriding social moral.
    • 41 Metascore
    • 70 Kirk Honeycutt
    This is the kind of film that will leave many audience members groaning with laughter -- and others simply groaning. It's skit/situation comedy that exploits stereotypes with a vengeance and knows no shame in borrowing from much better movies ranging from "Some Like It Hot" to "Tootsie."
    • 53 Metascore
    • 70 Kirk Honeycutt
    A sprightly musical revue built around Cole Porter songs and a few biographical tidbits culled from his extraordinary life.
    • 63 Metascore
    • 70 Kirk Honeycutt
    Does make you laugh even if you hate yourself for doing so. A creation of former "Saturday Night Live" colleagues, the comedy plays like an extended skit with bits of improvisation and several slightly extended sequences.
    • 46 Metascore
    • 70 Kirk Honeycutt
    What makes the film so much fun is an ingenious plot device embedded in Rashid's sharply observed screenplay.
    • 71 Metascore
    • 70 Kirk Honeycutt
    The movie never really gets below that surface. It sticks to the mean streets of Los Angeles without much introspection or analysis. But those surfaces are slick and beguiling.
    • 63 Metascore
    • 70 Kirk Honeycutt
    Could develop a cult following. But it is hard to envision repeat viewings or any great number of people willing, even vicariously, to undergo the couple's ordeal.
    • 53 Metascore
    • 70 Kirk Honeycutt
    The spirit of that most modern of 19th century heroines, Becky Sharp, remains intact, and Nair's Indian touches make for an intriguing, fresh approach.
    • 47 Metascore
    • 70 Kirk Honeycutt
    It's a cracking good detective yarn with hints of "Chinatown" and Raymond Chandler, and it's a sharp political lampoon of things we're all reading about on today's front pages.
    • 68 Metascore
    • 70 Kirk Honeycutt
    A sobering yet hysterically funny documentary.
    • 64 Metascore
    • 70 Kirk Honeycutt
    There is no room for subtlety. Aiming a rude, foul-mouthed political satire everywhere -- left, right and center -- Trey Parker and Matt Stone blow up a good deal of the world, not to mention the egos of many Hollywood personalities
    • 65 Metascore
    • 70 Kirk Honeycutt
    A delightful though wafer-thin starring vehicle for one of our finest actresses, Annette Bening.
    • 56 Metascore
    • 70 Kirk Honeycutt
    Director-cinematographer Ryan Little neatly ratchets up the suspense while throwing emotional spotlights on the inner struggles of each combatant trapped in this hostile, frozen wilderness.
    • 57 Metascore
    • 70 Kirk Honeycutt
    Fascinating and absorbing tale.
    • 47 Metascore
    • 70 Kirk Honeycutt
    Weinstock takes you down a well-trod path in romantic comedy, but her characters are smart and funny, the twists are unexpected.
    • 58 Metascore
    • 70 Kirk Honeycutt
    Stephen Mirrione's fast-paced editing and David Holmes' pop-rock score propel the story ever forward whether one follows the twists or not.
    • 66 Metascore
    • 70 Kirk Honeycutt
    Weitz gives all his actors room to shine.
    • 70 Metascore
    • 70 Kirk Honeycutt
    The film takes a whimsical view of this insular and sometimes daft environment where everyone's eccentricities are given an opportunity to shine.
    • 64 Metascore
    • 70 Kirk Honeycutt
    Provocative and perceptive.
    • 37 Metascore
    • 70 Kirk Honeycutt
    Be Cool is not really cool as "Get Shorty" was, but it's entertaining, a frivolous cocktail rather than a vintage wine.
    • 44 Metascore
    • 70 Kirk Honeycutt
    While nearly every shock comes at predictable moments, there is genuine ingenuity behind many, and the movie is surprisingly fresh for one made by a guy on his third go-round with the same material.
    • 70 Metascore
    • 70 Kirk Honeycutt
    Very entertainingly takes us into the world of stuntwomen.
    • 37 Metascore
    • 70 Kirk Honeycutt
    A smooth blend of visual special effects, exceptional stunts, fluid photography, sharp design and a possible best-selling soundtrack.
    • 75 Metascore
    • 70 Kirk Honeycutt
    Beat has a moody, furtive quality that jibes perfectly with the perplexed life of a pianist-gangster.

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