For 40 reviews, this critic has graded:
  • 60% higher than the average critic
  • 2% same as the average critic
  • 38% lower than the average critic
On average, this critic grades 7.2 points lower than other critics. (0-100 point scale)

Larry Terenzi's Scores

  • Movies
Average review score: 52
Highest review score:
Critic Score 89
Lowest review score:
Critic Score 1
Score distribution:
  1. Positive: 18 out of 40
  2. Negative: 11 out of 40
40 movie reviews
    • Metascore: 82
    • Larry Terenzi 89
    It's shlock, yes, but at least it's highbrow shlock.
    • Metascore: 74
    • Larry Terenzi 86
    Massively entertaining.
    • Metascore: 74
    • Larry Terenzi 85
    Tucci has crafted a poignant remembrance of a bygone era, and a touching examination of the responsibilities of creativity.
    • Metascore: 48
    • Larry Terenzi 80
    What matters is that the movie's a blast, right up until its protracted climax.
    • Metascore: 73
    • Larry Terenzi 80
    A 25-minute third act is far too short to suffice, especially when the previous two hours are as astute and technically impressive as they are here.
    • Metascore: 53
    • Larry Terenzi 80
    Marred by an unconvincing love triangle and an insincere dénouement, it's a story that nonetheless resonates as much as "Saving Private Ryan does."
    • Metascore: 71
    • Larry Terenzi 75
    Works best as a mood piece — the mood, however, is grim.
    • Metascore: 48
    • Larry Terenzi 75
    Ultimately nothing more than a live-action cartoon. A high-minded, inspiring cartoon, but a cartoon nonetheless.
    • Metascore: 73
    • Larry Terenzi 74
    An ambitious film, nearly an exploitative one, but its lingering effects are positive.
    • Metascore: 62
    • Larry Terenzi 74
    Seems truncated, incomplete -- mostly because the patented Shyamalan twist is revealed in the dénouement, not the climax.
    • Metascore: 73
    • Larry Terenzi 74
    He's (Eastwood) made a mature film that bests nearly all of the summer's highly touted blockbusters for pure escapism.
    • Metascore: 30
    • Larry Terenzi 72
    An agreeably and unapologetically lightweight late-summer blockbuster.
    • Metascore: 34
    • Larry Terenzi 70
    Boasts a fine cast and makes enough cogent points that it rises above standard cop fare.
    • Metascore: 49
    • Larry Terenzi 70
    A clever but routine science fiction flick.
    • Metascore: 48
    • Larry Terenzi 69
    A shell of a film. It's a stripped-down and blown-out thriller than can only be measured by the sum of its action sequences.
    • Metascore: 45
    • Larry Terenzi 63
    A generally likeable cast atones for the underwritten script with fine comic spirit.
    • Metascore: 44
    • Larry Terenzi 62
    Hicks is far less interested in resolving dramatic conflicts than in framing shots.
    • Metascore: 67
    • Larry Terenzi 62
    For a modest film, however, Too Much Sleep is a modest surprise.
    • Metascore: 56
    • Larry Terenzi 60
    Sunk by its own melodramatic falseness, and it stands as a well-meaning yet lacking tribute to a courageous man.
    • Metascore: 37
    • Larry Terenzi 60
    Wincer keeps the insubstantial story moving and the comedy light.
    • Metascore: 35
    • Larry Terenzi 60
    What does it say that we have a closer relationship with the car than with the characters? It says Bruckheimer.
    • Metascore: 55
    • Larry Terenzi 50
    A botched effort. Not necessarily bad, but hardly compelling either.
    • Metascore: 24
    • Larry Terenzi 41
    McKenna's script is a frayed string and a contextual nightmare, peppered with puzzling references to the first film in a lame attempt at homage.
    • Metascore: 40
    • Larry Terenzi 40
    The only constant is the violence, which assaults rather than amuses.
    • Metascore: 50
    • Larry Terenzi 40
    The most disappointing aspect of Planet of the Apes is that, despite its presentation, the film is so very ordinary, without urgency or revelation.
    • Metascore: 21
    • Larry Terenzi 40
    Vapid, humorless, screeching, and utterly suckworthy.
    • Metascore: 39
    • Larry Terenzi 40
    Even Foxx's lively comedy is lost in the noise.
    • Metascore: 28
    • Larry Terenzi 40
    Kids deserve better than this. They deserve more respect than P2K is willing to give for the price of a Saturday matinee.
    • Metascore: 37
    • Larry Terenzi 40
    Struggles for any kind of movement and cohesion -- and most of all for any kind of humor.
    • Metascore: 22
    • Larry Terenzi 38
    80 minutes of comic mistiming and missed opportunities.
    • Metascore: 35
    • Larry Terenzi 35
    A film without mirth or magic.
    • Metascore: 26
    • Larry Terenzi 33
    Without any momentum and lacking both depth and interesting characters, Shadow Hours makes sin seem pretty damn boring.
    • Metascore: 32
    • Larry Terenzi 32
    Shelton attempts to fashion a kind of road movie-love triangle-sports flick. He fails on all three counts.
    • Metascore: 32
    • Larry Terenzi 30
    The selling out of Chris Rock -- or Down to Earth, as he's chosen to call it -- is a sad, sad thing.
    • Metascore: 36
    • Larry Terenzi 30
    Through a messy series of news reports, interviews, talk shows, and behind-the-scenes footage, Arcand creates a cinema vérité spoof that's not nearly as penetrating or enjoyable as he thinks.
    • Metascore: 30
    • Larry Terenzi 29
    Two hours' worth of painful stupidity, overt racism, and mind-battering noise and movement.
    • Metascore: 35
    • Larry Terenzi 13
    First the TV show, then the video games, the playing cards, the books, the clothes, and now the movie -- the dreaded movie.
    • Metascore: 29
    • Larry Terenzi 10
    A slick, simplistic, and laughable effort that's reminiscent of a bad Jerry Bruckheimer film. A really bad Bruckheimer film.
    • Metascore: 15
    • Larry Terenzi 5
    There aren't even any naked chicks in it. What the hell is up with that?
    • Metascore: 10
    • Larry Terenzi 1
    Whipped is cinematic suicide, if not for actor, then certainly for audience.