Lawrence Toppman
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For 1,455 reviews, this critic has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 4.4 points higher than other critics. (0-100 point scale)

Lawrence Toppman's Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 E.T.: The Extra-Terrestrial (re-release)
Lowest review score: 0 Little Nicky
Score distribution:
1,455 movie reviews
    • 61 Metascore
    • 38 Lawrence Toppman
    It's almost impossible for a movie to go irrevocably wrong during the opening credits, but the ceaselessly irritating The Jane Austen Book Club does just that.
    • 70 Metascore
    • 38 Lawrence Toppman
    Hamlet has audacity, intelligence, a provocative visual and musical style, virtually no poetry, a garbled story line weakened by savage cutting of the play, and a great yawning hole where a Hamlet ought to be.
    • 41 Metascore
    • 38 Lawrence Toppman
    The script by Kristofor Brown and Seth Rogen and the direction by Steven Brill have a careless, never-gave-a-damn feel that's as insulting to viewers as the film is dull.
    • 41 Metascore
    • 38 Lawrence Toppman
    The film's filled with inconsequential scenes and supporting characters who add useless atmosphere or by-the-book diversity.
    • 15 Metascore
    • 38 Lawrence Toppman
    The assault is against our ears, as the soundtrack pours forth a stream of thrash and Goth music.
    • 49 Metascore
    • 38 Lawrence Toppman
    The opposite of memorable.
    • 23 Metascore
    • 38 Lawrence Toppman
    Isn't satisfying or surprising. It doesn't even make sense from scene to scene.
    • 30 Metascore
    • 38 Lawrence Toppman
    Sometimes seems longer than a rainy Super Bowl.
    • 38 Metascore
    • 38 Lawrence Toppman
    You'll have to swallow this gooey confection whole or spit it out after the first couple of bites.
    • 33 Metascore
    • 38 Lawrence Toppman
    A mind-numbing carnival of violence.
    • 38 Metascore
    • 38 Lawrence Toppman
    He (Murphy) can't make chicken a la king from the chicken manure supplied by the writers.
    • 53 Metascore
    • 38 Lawrence Toppman
    Is Josh Hartnett attracted to cinematic bombs, or do movies merely self-destruct once he signs on as the leading man?
    • 35 Metascore
    • 38 Lawrence Toppman
    Far be it from me to spoil the secret, but I will say this: The last reel should've been sent straight to the city dump.
    • 34 Metascore
    • 38 Lawrence Toppman
    It's neither dull nor stimulating, neither off-putting nor engaging.
    • 18 Metascore
    • 38 Lawrence Toppman
    After five minutes, Christopher Walken vanishes. We wait vainly for the next 90 minutes for someone, anyone to bring that kind of danger, unpredictability and vitality to a story as drab as army fatigues.
    • 37 Metascore
    • 38 Lawrence Toppman
    The Critic's Code of Honor forbids me from explaining in detail why the storytelling is so inept, because I'd have to spoil the silly surprises. So I'll say only this: You can interpret the climax two ways, and both will probably infuriate you.
    • 38 Metascore
    • 38 Lawrence Toppman
    The only interesting character is the dragon, who grows from an adorably dependent baby to a protective, intelligent adult voiced by Rachel Weisz.
    • 32 Metascore
    • 38 Lawrence Toppman
    A punch-drunk lightweight. Inside the ring, it lands some forceful punches. Outside the ring, it stumbles around, swinging wildly at nothing, until it collapses.
    • 39 Metascore
    • 38 Lawrence Toppman
    Writer-director Barry Levinson leaned on Robin Williams the way a one-ring circus relies on its lone acrobat. So they're jointly responsible for the film's utter failure.
    • 42 Metascore
    • 38 Lawrence Toppman
    Just a great, empty wind machine.
    • 50 Metascore
    • 38 Lawrence Toppman
    A long, slow pity party full of characters who constantly bemoan their fate while telling other people not to pity themselves.
    • 38 Metascore
    • 38 Lawrence Toppman
    The story's so sloppy that it contradicts itself constantly.
    • 46 Metascore
    • 38 Lawrence Toppman
    Melvin Van Peebles wrote and directed the biting "Don't Play Us Cheap" 30 years ago to complain about racial stereotyping in films. But Hollywood never listened. It kept playing African -Americans cheap in mainstream comedies, whether the directors were white or black. Deliver Us From Eva -- is one of the worst recent offenders.
    • 78 Metascore
    • 38 Lawrence Toppman
    Punch-Drunk Love buries a terrific performance by Adam Sandler under a heap of faux cleverness, meaningless symbolism and irritating mannerisms.
    • 47 Metascore
    • 38 Lawrence Toppman
    Man on Fire is as ludicrous as "John Q," "Virtuosity" and "Out of Time," yet substantially more violent, artificial, self-conscious and dull.
    • 33 Metascore
    • 38 Lawrence Toppman
    There's nothing wrong with Simpson's performance that a head transplant wouldn't cure, and the grinning Reynolds looks Botoxed into immobility.
    • 35 Metascore
    • 38 Lawrence Toppman
    Errors in logic will delight the attentive.
    • 47 Metascore
    • 38 Lawrence Toppman
    As Disney-fied as "Pinocchio," barely challenging the images Americans have treasured for 150 years.
    • 37 Metascore
    • 38 Lawrence Toppman
    Since there can be no suspense, the point is to enjoy the hewing of limbs and the severing of necks, to delight in chopped-off fingers and gouged-out eyes. The title characters are embodiments of utter evil, right?
    • 59 Metascore
    • 38 Lawrence Toppman
    The movie that's meant to be his (Apatow) most personal turns out to be his most dully generic.

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