For 1,403 reviews, this critic has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 4.9 points higher than other critics. (0-100 point scale)

Lawrence Toppman's Scores

  • Movies
Average review score: 64
Highest review score: 100 Gravity
Lowest review score: 0 Little Nicky
Score distribution:
1,403 movie reviews
    • 44 Metascore
    • 38 Lawrence Toppman
    Has the sex appeal of a Road Runner cartoon, one-tenth the laughs and equal plausibility.
    • 78 Metascore
    • 38 Lawrence Toppman
    Punch-Drunk Love buries a terrific performance by Adam Sandler under a heap of faux cleverness, meaningless symbolism and irritating mannerisms.
    • 41 Metascore
    • 38 Lawrence Toppman
    This film might have been daringly funny 10 years ago, even with its broadest elements intact. Now it's comfortable as old slippers and unthreatening as a sleeping kitten.
    • 50 Metascore
    • 38 Lawrence Toppman
    The film's as chaotic and heavy-handed as "Summer of Sam" without the same sense of harsh reality.
    • 55 Metascore
    • 38 Lawrence Toppman
    The Truth About Charlie...is that this "Charade" remake is a lumpen bore.
    • 64 Metascore
    • 38 Lawrence Toppman
    Ambiguity can enrich a movie, but artists abdicate their responsibilities if they don't take a stance of any kind.
    • 64 Metascore
    • 38 Lawrence Toppman
    The outcome is alternately unsatisfying, meaningless, contradictory and laughable.
    • 43 Metascore
    • 38 Lawrence Toppman
    As lame as a three-legged mule.
    • 37 Metascore
    • 38 Lawrence Toppman
    Since there can be no suspense, the point is to enjoy the hewing of limbs and the severing of necks, to delight in chopped-off fingers and gouged-out eyes. The title characters are embodiments of utter evil, right?
    • 65 Metascore
    • 38 Lawrence Toppman
    Solaris is a film where people...often...speak... like... this, and the camera moves slowly across sterile interiors.
    • 42 Metascore
    • 38 Lawrence Toppman
    Just a great, empty wind machine.
    • 38 Metascore
    • 38 Lawrence Toppman
    A miler trying to run a marathon, a fair middleweight idea trying to deliver heavyweight thrills.
    • 33 Metascore
    • 38 Lawrence Toppman
    As in most cheap futuristic movies, everything is dark or illuminated by a drab bluish glow. The buildings look grubbily similar to each other, so every location has to be identified onscreen. Of course, that saves the audience the trouble of paying attention.
    • 30 Metascore
    • 38 Lawrence Toppman
    What a riveting movie The League of Extraordinary Gentlemen might have been! And what a rickety mess it turned out to be when the people responsible lost faith in the origin of the material!
    • 66 Metascore
    • 38 Lawrence Toppman
    The picture brims over with ideas - good ones, silly ones, maudlin ones, witty ones, absurd ones - and they bump up against each other like ingredients in a vast stewpot that never comes to a continuous boil.
    • 36 Metascore
    • 38 Lawrence Toppman
    Epps emerges mostly unscathed, and Dutton gives an excellent performance; he's as able before the camera as he is inept behind it.
    • 27 Metascore
    • 38 Lawrence Toppman
    Should appeal to anyone who likes films as mushy and unsurprising as baby food.
    • 41 Metascore
    • 38 Lawrence Toppman
    It took four years to come up with this? Someone needed that long to assemble this patchy, recycled collection of gags about stinky butts, superfreaks, finger-wide blunts and racial cliches?
    • 28 Metascore
    • 38 Lawrence Toppman
    Director Richard Donner finds a few startling images for bloody battle scenes, but awful dialogue prevents the actors from giving performances of any depth.
    • 45 Metascore
    • 38 Lawrence Toppman
    Speaking of sounding Southern, I have to admit that the accents didn't match, and half the actors couldn't even do accents. But since we all sound alike down here, that's no big deal.
    • 31 Metascore
    • 38 Lawrence Toppman
    Has any movie this millennium had less reason to exist than First Daughter?
    • 43 Metascore
    • 38 Lawrence Toppman
    Isn't a bad movie, until John Woo remembers that he's John Woo and we remember that Ben Affleck is Ben Affleck.
    • 26 Metascore
    • 38 Lawrence Toppman
    No one associated with the film tries very hard, from cinematographer Peter Deming -- San Francisco has never looked so drab -- to composer Mark Isham, whose watery jazz score is meant to summon melancholy but merely relieves insomnia.
    • 28 Metascore
    • 38 Lawrence Toppman
    Ghost Ship, which can best be described by altering one consonant in the second word, sustains the stylishness of its opening for exactly three minutes.
    • 48 Metascore
    • 38 Lawrence Toppman
    The shreds have vanished in Charlie's Angels: Full Throttle, which runs at that speed during its stunts but is utterly out of gas in every other way.
    • 47 Metascore
    • 38 Lawrence Toppman
    The Girl Next Door is to "Risky Business" what near-beer is to beer. If you're desperate for a mild buzz, you might make it do.
    • 51 Metascore
    • 38 Lawrence Toppman
    I don't know if the new movie is Smith's weakest. It's certainly his most disposable, a warmed-over hash of jokes that will have Mewes fans rolling with laughter and the rest of us rolling our eyes in disbelief.
    • 18 Metascore
    • 38 Lawrence Toppman
    After five minutes, Christopher Walken vanishes. We wait vainly for the next 90 minutes for someone, anyone to bring that kind of danger, unpredictability and vitality to a story as drab as army fatigues.
    • 24 Metascore
    • 38 Lawrence Toppman
    De Niro wears a shamefaced look most of the time, as if doubly embarrassed: He agreed to a movie he knew was worthless, yet he's too lazy or indifferent to give us his best.
    • 33 Metascore
    • 38 Lawrence Toppman
    It's not only an ultraviolent, ludicrously inconsistent rip-off of Bradbury's idea, but it poisons the well for future efforts.