Lawrence Toppman
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For 1,420 reviews, this critic has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 4.7 points higher than other critics. (0-100 point scale)

Lawrence Toppman's Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 Brokeback Mountain
Lowest review score: 0 Little Nicky
Score distribution:
1,420 movie reviews
    • 19 Metascore
    • 38 Lawrence Toppman
    Utterly generic.
    • 36 Metascore
    • 38 Lawrence Toppman
    The truly appalling thing, though, is the stupidity of the screenplay by Richard Kelly.
    • 34 Metascore
    • 38 Lawrence Toppman
    We don't need a discussion of plot in a review of a movie made from a video game, do we? Nor do we care whether the characters are complicated (no), the acting is sophisticated (no), the direction is competent (no) or the camerawork is clever (no).
    • 41 Metascore
    • 38 Lawrence Toppman
    Gosling's been better elsewhere but delivers an adequate performance. McGregor and Watts seem baffled most of the time, as well they might be. Forster keeps us from drifting off with inventive camerawork; in this case, that's like saying a hideous suit has well-stitched lapels.
    • 45 Metascore
    • 38 Lawrence Toppman
    I expected Get Rich or Die Tryin' to be gritty, scary, maybe disturbing or thought-provoking. What I didn't realize was that it would be so dull that any other effect it could have made was wiped away.
    • 40 Metascore
    • 38 Lawrence Toppman
    Most painfully, the semi-alert Owen and the leaden Aniston go together like sausages and syrup.
    • 63 Metascore
    • 38 Lawrence Toppman
    The hot comic du jour wants to startle us but is merely startlingly dull.
    • 44 Metascore
    • 38 Lawrence Toppman
    What comes from the mouth of Johnny Depp...not the crucial spark of wit or insight that could encourage us to spend two hours with this cruel bore.
    • 77 Metascore
    • 38 Lawrence Toppman
    Writer Guillermo Arriaga earns most of the blame. He played similar games with narrative in the vastly better "Amores Perros" and "21 Grams," jumping back and forth in time to show relationships among subplots and characters. But "Burials" barely has one plot.
    • 45 Metascore
    • 38 Lawrence Toppman
    The "Puppetoonish" characters in Hoodwinked didn't bother me: They're primitive and inexpressive, but their personalities come through. In fact, the problem is that their personalities do come through: They're all wackily sarcastic, unfunny nonentities.
    • 53 Metascore
    • 38 Lawrence Toppman
    There's nothing more painful than watching comics tank, and Looking for Comedy in a Muslim World is a 95-minute wince.
    • 38 Metascore
    • 38 Lawrence Toppman
    Martin, who plays Clouseau and wrote the script with Len Blum, has completely mishandled the character.
    • 63 Metascore
    • 38 Lawrence Toppman
    ATL
    Director Chris Robinson moves his camera aimlessly, cutting in and out of speeches as if he were just as bored as I.
    • 53 Metascore
    • 38 Lawrence Toppman
    Is Josh Hartnett attracted to cinematic bombs, or do movies merely self-destruct once he signs on as the leading man?
    • 45 Metascore
    • 38 Lawrence Toppman
    The writer-producer-director of American Dreamz makes nearly every mistake in the satirical book. His targets are either too easy or too dated. He's inconsistent in his attitudes toward them. His stereotypes are stale.
    • 57 Metascore
    • 38 Lawrence Toppman
    I once said I'd watch Chiwetel Ejiofor act in any piece of disposable fluff, and now I have.
    • 36 Metascore
    • 38 Lawrence Toppman
    This isn't nitpicking. Every bit of the tale is as full of holes as a wool sweater at a moth convention, and Shyamalan telegraphs each potential surprise.
    • 65 Metascore
    • 38 Lawrence Toppman
    If you really must see Miami Vice (and you mustn't), buy a ticket to something better, then slip into "Vice" at the 95-minute mark and watch the last third of the movie. No one involved will profit by your curiosity, and you won't miss a thing of importance.
    • 48 Metascore
    • 38 Lawrence Toppman
    When Allen revives his plodding "Manhattan Murder Mystery" as the even duller Scoop, I snore.
    • 43 Metascore
    • 38 Lawrence Toppman
    "Man" is like a sour, half-formed version of a TV sitcom full of dislikable, disconnected characters.
    • 37 Metascore
    • 38 Lawrence Toppman
    Yet even the language, finally, becomes as inauthentic as the accents.
    • 39 Metascore
    • 38 Lawrence Toppman
    Writer-director Barry Levinson leaned on Robin Williams the way a one-ring circus relies on its lone acrobat. So they're jointly responsible for the film's utter failure.
    • 65 Metascore
    • 38 Lawrence Toppman
    Writer-director Coppola and her production team have gotten the look of the late 18th century right...But they've gotten almost everything else wrong.
    • 47 Metascore
    • 38 Lawrence Toppman
    Ridley Scott and Russell Crowe attempt light romantic comedy in A Good Year, and the results are as grindingly discordant as a punk band writing a suite of waltzes.
    • 56 Metascore
    • 38 Lawrence Toppman
    Harsh Times contains exactly 30 seconds of novelty.
    • 68 Metascore
    • 38 Lawrence Toppman
    It's "Braveheart" without historical significance and "Passion" without spirituality, though it dabbles in both, and it represents as brazen an act of career suicide as I can recall from a star director. If he were a first-timer, he'd never work again.
    • 38 Metascore
    • 38 Lawrence Toppman
    The only interesting character is the dragon, who grows from an adorably dependent baby to a protective, intelligent adult voiced by Rachel Weisz.
    • 48 Metascore
    • 38 Lawrence Toppman
    This movie is made by and for people who don't care about good storytelling.
    • 35 Metascore
    • 38 Lawrence Toppman
    Errors in logic will delight the attentive.
    • 49 Metascore
    • 38 Lawrence Toppman
    Attaching Chris Rock to I Think I Love My Wife is like chaining a Kentucky Derby winner to the merry-go-round in a petting zoo. His humor is hobbled, his personality dulled, his energy depleted. Who's responsible for this lapse in judgment? Chris Rock.

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