Lawrence Toppman

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For 1,586 reviews, this critic has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 2.5 points higher than other critics. (0-100 point scale)

Lawrence Toppman's Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 Apocalypse Now Redux
Lowest review score: 0 Waist Deep
Score distribution:
1586 movie reviews
    • 56 Metascore
    • 58 Lawrence Toppman
    The new team thinks that if mayhem is funny, five times the mayhem will be five times as hilarious. That’s not how movie math works, and too many scenes spin out of control.
    • 44 Metascore
    • 58 Lawrence Toppman
    What we get here is Oz the Amiable and Unthreatening.
    • 48 Metascore
    • 58 Lawrence Toppman
    For a while, it’s fun to watch Bardem camp around in his rose-tinted glasses and stuck-my-finger-in-a-socket hairdo.
    • 61 Metascore
    • 58 Lawrence Toppman
    Whether you take to it will depend on whether you consider “high-octane” or “nonsense” the more important word.
    • 47 Metascore
    • 58 Lawrence Toppman
    The Giver has an unsavory reek of box-office calculation about it, from the overworked “teens-must-save-a-world-ruined-by-adults” plot to the casting of pop star Taylor Swift in a small and irrelevant role.
    • 55 Metascore
    • 50 Lawrence Toppman
    Pitt coasts through the movie in second gear. I have no idea what he's trying to accomplish with his tight-lipped, low-key performance; maybe he's angling to replace Tom Cruise in "Mission: Impossible IV."
    • 33 Metascore
    • 50 Lawrence Toppman
    I realize fantasy-based action movies aren't supposed to be as complex as William Gibson's novels. But do they have to be this simple-minded?
    • 63 Metascore
    • 50 Lawrence Toppman
    I can't help but feel that a funny movie was waiting to be unearthed amid all this self-congratulation and juvenile prankishness.
    • 67 Metascore
    • 50 Lawrence Toppman
    Watching the film is also wearying, like assembling a puzzle from a box into which a sadist continually pours new pieces. I was still processing details when the abrupt ending snatched the puzzle away.
    • 43 Metascore
    • 50 Lawrence Toppman
    The extraordinary canine performances in Shaggy Dog and "Eight Below" lead me to wonder whether Disney could dispense with two-legged creatures altogether, until further notice.
    • 70 Metascore
    • 50 Lawrence Toppman
    You can approach it as a surreal story -- you'd have to, to find value in it -- but happy chuckles are miles away from the point.
    • 55 Metascore
    • 50 Lawrence Toppman
    The kids provide all the vitality, but even they've been muffled by the director.
    • 39 Metascore
    • 50 Lawrence Toppman
    The movie hasn’t one character or sequence more memorable than the next. It’s as violent, humorless and brutally efficient as a Stalinist purge, a juggernaut of slaughter and smashing that stuns the senses and leaves nothing behind in the memory.
    • 52 Metascore
    • 50 Lawrence Toppman
    Aspires to rise above the conventional drugs-and-action genre and succeeds about half the time.
    • 66 Metascore
    • 50 Lawrence Toppman
    Del Toro gets the ghostly elements right, with red and black flesh-torn spooks wailing warnings to the receptive Edith. But he goes wildly overboard in aiming for atmosphere after the story shifts to the Sharpes’ crumbling English manor.
    • 61 Metascore
    • 50 Lawrence Toppman
    If serious intent led inevitably to greatness, The Good Shepherd would be a masterpiece. It turtles forward for 160 minutes with unrelenting, humorless solemnity, as if everyone involved were unaware that it has arrived three decades too late to matter.
    • 51 Metascore
    • 50 Lawrence Toppman
    On their accounts (Williams/Collette), The Night Listener is compelling viewing-but on their accounts only.
    • 51 Metascore
    • 50 Lawrence Toppman
    A picture sufficiently shallow that you'll discover everything that lies beneath it well before the end.
    • 45 Metascore
    • 50 Lawrence Toppman
    Audrey Wells's script and Turteltaub's presentation ring true just often enough to prevent the comedy from descending forever into Cutesy-Wutesy Hell.
    • 78 Metascore
    • 50 Lawrence Toppman
    Deals with emotional concerns for half an hour. Then it turns into a mindless bloodfest, where it's impossible to care which characters end on the zombie gore-gasbord.
    • 34 Metascore
    • 50 Lawrence Toppman
    Trying to make sense of this shaggy dog story is like climbing a mountain with glass-smooth sides and quarter-inch toeholds.
    • 30 Metascore
    • 50 Lawrence Toppman
    The film works best as an extended "Twilight Zone" episode.
    • 25 Metascore
    • 50 Lawrence Toppman
    Delivers the kind of vengeance fantasy women unhappy with their husbands may want: Vicarious satisfaction, however clumsily delivered, is better than no satisfaction at all. Just be sure to stop by the lobotomy clinic en route to the theater.
    • 65 Metascore
    • 50 Lawrence Toppman
    The Hunger Games: Mockingjay – Part 2 has the technical polish and competent acting of the four-film series, though less intensity. It contains no surprises and ends with an anticlimax I have heard is faithful to the book, though it doesn’t amount to much onscreen.
    • 56 Metascore
    • 50 Lawrence Toppman
    Damon, trapped in an inert character, shows little inner turmoil.
    • 56 Metascore
    • 50 Lawrence Toppman
    It's slickly executed, handsomely acted for the most part and utterly easy to forget.
    • 63 Metascore
    • 50 Lawrence Toppman
    Writer-director Ben Younger has sketched the foreground of this picture but never gets around to filling in the details.
    • 58 Metascore
    • 50 Lawrence Toppman
    The story was primitive, the characters unmemorable, the direction unsophisticated, the writing cliched, the photography and music drab, the pacing uneven, the acting varying from adroitly funny to exaggerated.
    • Charlotte Observer
    • 49 Metascore
    • 50 Lawrence Toppman
    On the positive side, the four Worm Guys haven't lost their squiggly charm, and Rip Torn is always welcome as MIB mastermind Zed. On the minus side, you get two Johnny Knoxvilles, one of them a tiny head that protrudes from the big one's shoulder.
    • 49 Metascore
    • 50 Lawrence Toppman
    Demolition is a rarity: A film with a profound emotional truth at its heart that lies to us, scene by scene, from start to finish.

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