For 113 reviews, this critic has graded:
  • 58% higher than the average critic
  • 0% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 6.1 points higher than other critics. (0-100 point scale)

Leslie Felperin's Scores

  • Movies
Average review score: 65
Highest review score: 100 Leviathan
Lowest review score: 20 A Long Way Down
Score distribution:
  1. Positive: 69 out of 113
  2. Negative: 5 out of 113
113 movie reviews
    • 86 Metascore
    • 80 Leslie Felperin
    A charming animated feature.
    • 82 Metascore
    • 80 Leslie Felperin
    This is a beautifully distilled and literally still work that lingers in the mind long after its conclusion.
    • 65 Metascore
    • 80 Leslie Felperin
    Taken strictly on its own terms, Saving Mr. Banks works exceedingly well as mainstream entertainment.
    • 64 Metascore
    • 80 Leslie Felperin
    A pleasing walk in the park for all involved, not exactly profound, but appealing to both long term fans of the franchise and accessible to newcomers.
    • 86 Metascore
    • 70 Leslie Felperin
    The picture laudably adopts an intimate, personal approach to a subject -- hardworking Chinese garment workers -- that's been covered in more hectoring fashion elsewhere.
    • 48 Metascore
    • 70 Leslie Felperin
    An utterly fascinating experiment that apparently blends real and faked material to examine notions of celebrity, mental stability and friendship.
    • 64 Metascore
    • 70 Leslie Felperin
    Adapted from a comicstrip-turned-graphic novel by Posy Simmonds, which was itself based on Thomas Hardy's "Far From the Madding Crowd," picture represents a satirical but soft-biting swipe at contempo middle-class mores among Blighty's chattering countryside classes.
    • 71 Metascore
    • 70 Leslie Felperin
    While managing to deliver enough suspense and bloodletting to appease gore fans, steadily improving helmer Christopher Smith ("Severance") and screenwriter Dario Poloni smuggle in a merciless critique of religious delusion.
    • 63 Metascore
    • 70 Leslie Felperin
    Rio
    Like its flight-challenged parrot protagonist, Rio takes a while to get off the ground but manages to soar by the end.
    • 64 Metascore
    • 70 Leslie Felperin
    Picture's tone is far more poetic than polemical.
    • 70 Metascore
    • 70 Leslie Felperin
    Like most Sono pictures, too long. But its gleeful humor and dare-you-to-watch aesthetic will help it rack up kills at specialty fests.
    • 57 Metascore
    • 70 Leslie Felperin
    Like the lemon meringue pies and shrimp cocktails it features throughout, Brit comedy-drama Toast is tasty, hearty and rather conventional.
    • 42 Metascore
    • 70 Leslie Felperin
    A chirpy, tween-skewing, snowboarding-themed romantic comedy, Chalet Girl slaloms exuberantly down a predictable path, kicking up regular flurries of fun along the way.
    • 71 Metascore
    • 70 Leslie Felperin
    Although rich in ideas and always compelling to look at, writer-helmer Patrick Keiller's latest semi-experimental pic Robinson in Ruins reps a minor disappointment after his outstanding, same-veined previous works, "London" and "Robinson in Space."
    • 62 Metascore
    • 70 Leslie Felperin
    Helmer James Watkins ("Eden Lake") and scripter Jane Goldman judiciously combine moves from the classic scare-'em-ups with new tricks from recent J-horror pictures to retell Susan Hill's oft-adapted Victorian gothic pastiche.
    • 80 Metascore
    • 70 Leslie Felperin
    Although beautifully rendered throughout, with delicate, elegantly drawn watercolor-like illustrations, the picture may seem too plain and simple for the oversophisticated tastes of kids in Europe and North America, while Arrietty herself reps a slightly insipid heroine.
    • 52 Metascore
    • 70 Leslie Felperin
    The picture still tells a riveting story about contempo Russia's darkest side.
    • 77 Metascore
    • 70 Leslie Felperin
    The worst that could be said of helmer David Gelb's feature debut is that it's perhaps a little over-garnished with backstory about Ono's relationship with his two sons, and is slightly repetitive. That said, this intrinsically compelling hymn to craftsmanship and taste in every sense should cleanse palates.
    • 67 Metascore
    • 70 Leslie Felperin
    Stillman proves he still knows how to write crackling, articulate dialogue for quirky preppie characters whom he loves laughing at as much as with.
    • 62 Metascore
    • 70 Leslie Felperin
    The powerhouse cast is so capable, the actors just about manage to play the picture as if it were a "Midsummer Night's Dream"-style frothy farce, with marigold garlands and picturesque poverty.
    • 57 Metascore
    • 70 Leslie Felperin
    Sacrifice is practically a chamber piece, and duly draws its strength from its performances, especially those of Ge and Wang.
    • 67 Metascore
    • 70 Leslie Felperin
    Brugger ensures it's a fairly entertaining excursion, especially when he starts to enjoy getting into character as the nefarious white man in Africa.
    • 63 Metascore
    • 70 Leslie Felperin
    Setting most of the action in a mocked-up theater emphasizes the performance aspects of the characters' behavior, a strategy enhanced by lead thesp Keira Knightley's willingness to let her neurotic Anna appear less sympathetic than in previous incarnations.
    • 81 Metascore
    • 70 Leslie Felperin
    No
    After "Tony Manero" and "Post Mortem," his devastating portraits of how the Pinochet regime psychologically brutalized the people of Chile from 1973-90, Chilean helmer Pablo Larrain satisfyingly completes the trilogy with an affirmative victory for democracy in No.
    • 48 Metascore
    • 70 Leslie Felperin
    Saucily thumbing its nose at the insipid teen love of the "Twilight" franchise, Kiss reimagines its bloodsuckers as horny, supercilious Eurotrash with addiction issues, sucking the life blood from naive American thrill-seekers.
    • 57 Metascore
    • 70 Leslie Felperin
    Robert Redford’s unabashedly heartfelt but competent tribute to 1960s idealism.
    • 66 Metascore
    • 70 Leslie Felperin
    An amiable comedy about young Glaswegian roughnecks discovering the world of whisky, The Angels’ Share finds helmer Ken Loach and long-term screenwriting partner Paul Laverty in better, breezier form than their rebarbative prior effort, “Route Irish.”
    • 50 Metascore
    • 70 Leslie Felperin
    If the emotional mathematics don’t quite add up, enough diversion is provided by pic’s broader comic setpieces to paper over the cracks.
    • 63 Metascore
    • 70 Leslie Felperin
    There’s much to admire in the film’s elegantly classical tempo and the way Omirbayev achieves so much with so little.
    • 81 Metascore
    • 70 Leslie Felperin
    A fraction less gut-bustingly goofy than its predecessors.