Without a doubt, Homeland is the best drama on TV right now.

Although it's been described by other critics as a cop version of "The Sopranos," I don't see it. The only similarities are the fact that the lead characters are unlikely sex symbols, and on both shows you've got a bad guy with a heart somewhere in there...So why is this still any good? Because Chiklis is so good, because the writing is very good, and the cast has actors other than great-looking Gen Xers who look like they fell out of the Sports Illustrated swimsuit issue.

To paraphrase one of the great ads from the glory days: Between love and Mad Men lies obsession.

Showtime's edgy, edge-of-your-seat series, is, bar none, the best thriller on American TV.

Each week, the series takes on a Holmes classic, updates it, turns it on its ear and leaves you breathless.

Not as much sex as you may be used to, but plenty of action, and enough complexities to keep geeks, geniuses and fans glued to the strange and wonderful world of the Seven Kingdoms all spring.

Frozen Planet [is] perhaps the single greatest accomplishment in nature TV history.

Nothing but shocker after shocker.

This silly excuse for a show is made up of a great-looking ensemble in the most blatant teen-sexuality show in broadcast history.

Verdict: guilty--of being a guilty pleasure.

Yes, there is a lot to love here, but too often the bad guys are standard-issue gangsters--while the women are one dimensional, naked, needy and greedy.

What's missing here are the big laughs, despite Rock's clever narration.

The Game is worth it. Really.

Disturbing, sober and flawless.

It's the possibility of unlimited complications looming that make it so insanely riveting.

The ultimate style show is still so fascinating that I couldn’t stop watching, all the while thinking, “Why is this so good?”

Treme is like Cajun food--it's spicy, it's weird and it's good, but it takes a while to appreciate.

If you are female and under the age of 28, you may really relate to these women and their struggles. If you're over that age, you should hang in until episode three when the series takes off in a great way.

Was it worth the wait? Are you kidding me? Does London Fog make raincoats?

Normally, this should be as much fun as pulling out your own fingernails, but the cast for the most part makes it tolerable and fun.

In the weeks ahead, there is a tremendous amount of not-to-be-missed drama--including the area's first face transplant.

It's funny, it's vicious, it's politically incorrect--in other words, everything that "Community" wants to be and isn't.

As important as those set battles scenes are to the series, they are blended beautifully with the bravery, frailties, strength and weaknesses of the actual people involved.

This six-part series is so layered and unexpected that nothing follows a tried-and-true formula.... This is great TV.

It's like watching a drag show--you know, when you're supposed to laugh because we're conditioned to laugh on cue. But in reality, it's forced, er, gaiety.

This is not to say that vapid and ruthless can't work on TV (think "Nip/Tuck"). But vapid and ruthless has to be redeemed by ridiculous and funny.

Pushing Daisies is fanciful and fun, but sometimes pushes the daisies too hard.

An intriguing, well-done documentary.