Lisa Schwarzbaum
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For 1,906 reviews, this critic has graded:
  • 71% higher than the average critic
  • 2% same as the average critic
  • 27% lower than the average critic
On average, this critic grades 9.4 points higher than other critics. (0-100 point scale)

Lisa Schwarzbaum's Scores

  • Movies
  • TV
Average review score: 69
Highest review score: 100 Last Train Home
Lowest review score: 0 Bigger Than the Sky
Score distribution:
1,906 movie reviews
    • 84 Metascore
    • 100 Lisa Schwarzbaum
    Eastwood directs Mystic River with an invigorated grace and gravitas. This is a true American beauty of a movie, a tale of men and their bonds told by and for adults who value the old-fashioned Hollywood-studio notion of narrative.
    • 92 Metascore
    • 100 Lisa Schwarzbaum
    These 173 minutes don't drag, they waltz.
    • 74 Metascore
    • 100 Lisa Schwarzbaum
    Pfeiffer reveals an emotional nakedness that's almost shocking. Never has she exposed so much and done it so simply. Who knew she could be this good?
    • 90 Metascore
    • 100 Lisa Schwarzbaum
    You could trawl the seven seas and not net a funnier, more beautiful, and more original work of art and comedy than Finding Nemo.
    • 83 Metascore
    • 100 Lisa Schwarzbaum
    This triumphant sequel to the hard-to-top 2002 original may be the first great comic-book movie in the age of self-help and CGI wizardry, an entertainment in which both the thrills and the therapeutic personal growth are well earned.
    • 90 Metascore
    • 100 Lisa Schwarzbaum
    Dazzlingly beautiful, funny, and meaningful.
    • 87 Metascore
    • 100 Lisa Schwarzbaum
    Unfolds with a simplicity that's as breathtaking as its inevitability is harrowing.
    • 74 Metascore
    • 100 Lisa Schwarzbaum
    Without ever dipping into indignity among wet, half-naked men, Shower sparkles with joy.
    • 92 Metascore
    • 100 Lisa Schwarzbaum
    Vibrantly, intricately alive on its own terms. This is what magic the movies can conjure with an inspired fellowship in charge, and unlimited pots of gold.
    • 83 Metascore
    • 100 Lisa Schwarzbaum
    Stunning and compassionate period drama.
    • 83 Metascore
    • 100 Lisa Schwarzbaum
    It took director-producer Leon Gast 22 years to edit and finance When We Were Kings, his thrilling documentary about the legendary 1974 heavyweight-championship fight between Muhammad Ali and George Foreman in Zaire. But the lag time has only deepened the impact of this thrilling documentary: All sad thoughts of Ali as a wounded warrior fall away in the glow of seeing the champ at his best.
    • 82 Metascore
    • 100 Lisa Schwarzbaum
    But it is the steady accretion of hundreds of small moments in this elegant, high-spirited, intensely satisfying production -- the director's third American movie, but the first to approach the dazzle of his Hong Kong stuff -- that, toted up, makes everything right about this des- perately welcome thriller.
    • 82 Metascore
    • 100 Lisa Schwarzbaum
    Around town, Stephen Fry ("Peter's Friends"), as a fluty artiste, dogs Flora with his devotion and declares, "I'm engorgedly in love with you!" That's how I feel about this gem.
    • 83 Metascore
    • 100 Lisa Schwarzbaum
    There are moments in A Little Princess--particularly Cuaron's Indian play-within-the-play, which is nearly avant-garde in its conception--when you may just want to clap from pleasure. My advice to you is: Go ahead, you're a grown-up. [26 May 26 1995]
    • Entertainment Weekly
    • 87 Metascore
    • 100 Lisa Schwarzbaum
    A graceful, unsentimental, well-made movie.
    • 86 Metascore
    • 100 Lisa Schwarzbaum
    This warm, funny, sexy, smart movie erases the boundaries between specialized ''gay content'' and universal ''family content'' with such sneaky authority.
    • 75 Metascore
    • 100 Lisa Schwarzbaum
    With In Between Days, the filmmaker captures feminine melancholy with rare precision. Find this movie.
    • 81 Metascore
    • 100 Lisa Schwarzbaum
    More than a million people have been displaced in central China in the cause of generating electrical power to meet the needs of the future; Jia's flowing river of a picture washes over a few of them as they adjust to life's currents in the present.
    • 83 Metascore
    • 100 Lisa Schwarzbaum
    The title embraces the richness of Kechiche's beautiful film, which captures the rhythms of displacement and hardship, the bond of family meals, and even the daily routines of the magnificent women who are part of Slimane's life.
    • 71 Metascore
    • 100 Lisa Schwarzbaum
    Beautifully led by birdlike Sylvie Testud as an ailing young woman in a wheelchair, every character (pilgrim and helper alike) exhibits a soul. And shaped with confident talent by the Austrian filmmaker, every serenely composed shot matters.
    • 90 Metascore
    • 100 Lisa Schwarzbaum
    One of the unshowiest and most true-blooded epics of Americana you're ever likely to see.
    • 72 Metascore
    • 100 Lisa Schwarzbaum
    Jaoui neatly, gently, firmly slips political commentary into Let It Rain's articulate mayhem.
    • 85 Metascore
    • 100 Lisa Schwarzbaum
    It took writer-director Samuel ''Shmulik'' Maoz nearly 30 years to make this disturbing, visceral, personal film.
    • 88 Metascore
    • 100 Lisa Schwarzbaum
    Hersonski quietly and insistently unravels reality from "reality"; her commitment to archival authenticity is its own tribute to those no longer able to testify.
    • 86 Metascore
    • 100 Lisa Schwarzbaum
    This is essential viewing for understanding our world.
    • 83 Metascore
    • 100 Lisa Schwarzbaum
    A riveting and unexpectedly inspiring essay on the peace that comes from shared physical and mental concentration.
    • 84 Metascore
    • 100 Lisa Schwarzbaum
    Damien Chazelle's extraordinary black-and-white retro dream of a feature debut.
    • 72 Metascore
    • 100 Lisa Schwarzbaum
    Tiny Furniture is proof, against steep odds, that there are no small stories, only small storytellers.
    • 89 Metascore
    • 100 Lisa Schwarzbaum
    Facing a diagnosis of Alzheimer's, the older woman enrolls in a poetry class, desperate to find the words to describe beauty before language fails her. She does even better: She herself becomes a kind of poem about what it means to really see the world.
    • 72 Metascore
    • 100 Lisa Schwarzbaum
    Loving, Playful, and spectacularly well made, Super 8 is easily the best summer movie of the year - of many years.