For 2,327 reviews, this critic has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 3.9 points lower than other critics. (0-100 point scale)

Lou Lumenick's Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 Babel
Lowest review score: 0 Thomas and the Magic Railroad
Score distribution:
2,327 movie reviews
    • 49 Metascore
    • 38 Lou Lumenick
    In the clumsy hands of director Rob Marshall, this tacky, all-star botch more closely resembles a video catalog for Victoria’s Secret.
    • 33 Metascore
    • 38 Lou Lumenick
    Rent "Enchanted" with Adams, and watch Goode as Colin Firth's boyfriend in his other current movie, "A Single Man."
    • 31 Metascore
    • 38 Lou Lumenick
    Repeatedly shoots for laughs -- but ends up mostly firing blanks.
    • 51 Metascore
    • 38 Lou Lumenick
    Seems almost like a self-parody of Williams' earlier work.
    • 35 Metascore
    • 38 Lou Lumenick
    Dazzles the eye, numbs the mind and may cause deafness in some cases. Did I mention to bring along some Excedrin?
    • 41 Metascore
    • 38 Lou Lumenick
    This is one of those movies that's too cool to have a plot.
    • 61 Metascore
    • 38 Lou Lumenick
    A pretentious, unsatisfying and ultra-slow-moving thriller.
    • 44 Metascore
    • 38 Lou Lumenick
    An unrelenting assault on the brain and eardrums.
    • 49 Metascore
    • 38 Lou Lumenick
    It's the audience that gets punk'd in this crass and sloppy comic recycling.
    • 33 Metascore
    • 38 Lou Lumenick
    That someone as smart as Duchovny would get bogged down in such predictable treacle is a mystery worthy of investigation by Scully and Mulder.
    • 52 Metascore
    • 38 Lou Lumenick
    A mild, slow-moving drama that belatedly tries to argue that graffiti writers are political artists, not an urban blight.
    • 69 Metascore
    • 38 Lou Lumenick
    Ron Howard's bio-pic is an Oscar-baiting fairy tale that manipulates the audience at every turn of the clich.
    • 47 Metascore
    • 38 Lou Lumenick
    There's no real payoff - artistically or emotionally - in Gregory Harrison's gimmicky and tedious psychological thriller November, shot on ugly digital video.
    • 47 Metascore
    • 38 Lou Lumenick
    Strictly summer schlock.
    • 40 Metascore
    • 38 Lou Lumenick
    Though Cho occasionally connects with her targets, more often than not she seems as intolerant and hate-filled as she accuses them of being - and that's not funny.
    • 33 Metascore
    • 38 Lou Lumenick
    Yet another screwed-up mess that will give audiences another excuse to shun the multiplexes this weekend.
    • 43 Metascore
    • 38 Lou Lumenick
    Solid performances can't save Melissa Painter's pretentious teen drama Steal Me, which plays like a cross between "Dangerous Skin" (without the gay sex) and "Picnic" (without the production values or credible situations).
    • 58 Metascore
    • 38 Lou Lumenick
    This maudlin, fact-inspired and anti-feminist dramedy is no "Far From Heaven" or "The Hours."
    • 45 Metascore
    • 38 Lou Lumenick
    Rambling, schmaltzy romantic comedy.
    • 34 Metascore
    • 38 Lou Lumenick
    Basically a deadly dull rehash of "Resident Evil," which in turn was a third-generation clone of "Aliens."
    • 38 Metascore
    • 38 Lou Lumenick
    Filmmaker Josh Stolberg claims to have been inspired by real-life events, but mostly he ineptly rips off other movies and wastes a cast that includes Rosanna Arquette, Adam Arkin and Elizabeth Perkins.
    • 38 Metascore
    • 38 Lou Lumenick
    Lame family filler.
    • 51 Metascore
    • 38 Lou Lumenick
    an overlong and surprisingly dull documentary.
    • 45 Metascore
    • 38 Lou Lumenick
    A sincere but underwhelming dramatization of one of the biggest news stories of 1956.
    • 45 Metascore
    • 38 Lou Lumenick
    The kind of thriller whose ridiculous climax hinges on a hitherto undisclosed GPS tracking device in a dog's collar - an appropriate touch in a movie that's more than a little flea-ridden itself.
    • 45 Metascore
    • 38 Lou Lumenick
    A cartoonish, unfocused and mostly unfunny satire.
    • 40 Metascore
    • 38 Lou Lumenick
    Pretentious, stagy and over-the-top update of Chekov's "The Three Sisters."
    • 45 Metascore
    • 38 Lou Lumenick
    There are precious few laughs in this poorly written and directed "unromantic comedy" - the sort of dire date movie you'd take somebody to if you wanted it to be a LAST date.
    • 49 Metascore
    • 38 Lou Lumenick
    A sloppy and only mildly engaging documentary.
    • 52 Metascore
    • 38 Lou Lumenick
    A glacially paced, extremely moist, terminally gloomy and cliché-laden romantic drama with a supernatural twist.