For 2,316 reviews, this critic has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 3.6 points lower than other critics. (0-100 point scale)

Lou Lumenick's Scores

  • Movies
Average review score: 56
Highest review score: 100 Tadpole
Lowest review score: 0 The Wedding Date
Score distribution:
2,316 movie reviews
    • 36 Metascore
    • 25 Lou Lumenick
    Kirschner's excruciatingly earnest coming-of-age comedy, is about as fresh as year-old matzoh and plays like the unholy spawn of "Brighton Beach Memoirs" and "Fiddler on the Roof."
    • 43 Metascore
    • 25 Lou Lumenick
    With Roth at the helm of a script attributed to Price, there is minimal suspense, audience involvement or coherent social commentary.
    • 23 Metascore
    • 25 Lou Lumenick
    William H. Macy lends a little class as a snail, but Smith nails it in the closing-credit outtakes: "Don't expect Robin Williams-caliber work."
    • 43 Metascore
    • 25 Lou Lumenick
    Who let this dog out?
    • 27 Metascore
    • 25 Lou Lumenick
    Watchable in a train-wreck kind of way, but you'll probably want to take a shower afterwards.
    • 53 Metascore
    • 25 Lou Lumenick
    Most of the interviews are as brief as they are obvious, and it doesn't help that none of those interviewees, including clergymen who served as technical advisers, are identified.
    • 40 Metascore
    • 25 Lou Lumenick
    Scary Movie 4 concludes by satirizing Cruise's couch-jumping orgy on "Oprah." Funny, but nowhere near as hilarious as the real thing.
    • 30 Metascore
    • 25 Lou Lumenick
    A great-looking but stupefyingly incoherent supernatural thriller adapted from a popular video game that ransacks the entire catalog of horror film tropes for more than two mind-numbing hours.
    • 38 Metascore
    • 25 Lou Lumenick
    There are bachelor and bachelorette parties, as well as much misbehavior, in this glossy and unconvincing little flick, receiving a vanity booking on the way to video.
    • 23 Metascore
    • 25 Lou Lumenick
    Arguably as effective as Ambien at inducing sleep, but possible side effects include uncontrollable laughter.
    • 47 Metascore
    • 25 Lou Lumenick
    Sometimes there's a fine line between a labor of love and a vanity project, and The Lost City, Andy Garcia's heartfelt - but hackneyed and interminable - love letter to his native Cuba, repeatedly crosses it.
    • 34 Metascore
    • 25 Lou Lumenick
    Looks great for a no-budget indie, but not a single moment rings true in this sluggish vanity project, which is sorely in need of Viagra.
    • 37 Metascore
    • 25 Lou Lumenick
    Slow-witted and occasionally unintentionally hilarious.
    • 26 Metascore
    • 25 Lou Lumenick
    Sexual and toilet humor plumb new depths in Keenen Ivory Wayans' Little Man, which will stink up theaters like several gross of dirty diapers.
    • 48 Metascore
    • 25 Lou Lumenick
    Despite this seemingly surefire premise and cast of veteran comedians - there's even a cameo by Liza Minnelli as a masturbation coach - The OH in Ohio just lies there, without a single laugh.
    • 36 Metascore
    • 25 Lou Lumenick
    A charmless, unscary, fatuous and largely incoherent fairy tale.
    • 41 Metascore
    • 25 Lou Lumenick
    I wouldn't have thought it was possible to make a prison picture as utterly boring as Jailbait.
    • 27 Metascore
    • 25 Lou Lumenick
    Pulse bears more than a slight resemblance to a 1994 American horror called "Ghost in the Machine." They didn't screen that stinker in advance for critics, either.
    • 29 Metascore
    • 25 Lou Lumenick
    A repugnant little indie black comedy, poorly acted in hideous-looking digital video, guaranteed to send audiences fleeing for the nearest shower.
    • 57 Metascore
    • 25 Lou Lumenick
    A strained, ultra-predictable and headache-inducing mockumentary.
    • 40 Metascore
    • 25 Lou Lumenick
    The sort of lowbrow sports comedy best enjoyed on a 50-inch screen with a six-pack, a bucket of wings and a fast-forward button.
    • 49 Metascore
    • 25 Lou Lumenick
    An excellent case for euthanizing the entire talking-animals genre.
    • 55 Metascore
    • 25 Lou Lumenick
    Relentlessly grim.
    • 58 Metascore
    • 25 Lou Lumenick
    Rarely has a documentary been so pleased with itself - with so little justification.
    • 54 Metascore
    • 25 Lou Lumenick
    One of the year's worst movies.
    • 52 Metascore
    • 25 Lou Lumenick
    A deadly dull, by-the-numbers rendition of the Nativity story.
    • 32 Metascore
    • 25 Lou Lumenick
    The latest catastrophe from the Weinstein Co.
    • 28 Metascore
    • 25 Lou Lumenick
    An ugly, unfunny, headache-inducing fairy-tale spoof.
    • 34 Metascore
    • 25 Lou Lumenick
    Suspenselessly directed by Robby Henson, Thr3e commits the eighth deadly sin - boredom.
    • 26 Metascore
    • 25 Lou Lumenick
    Thirty years after "Annie Hall," the beloved actress is scraping below the bottom of the barrel with this desperately unfunny farce, in which she mugs and pratfalls in the worst performance of her entire career.