For 2,361 reviews, this critic has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 3.8 points lower than other critics. (0-100 point scale)

Lou Lumenick's Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 The Illusionist
Lowest review score: 0 Southland Tales
Score distribution:
2,361 movie reviews
    • 37 Metascore
    • 12 Lou Lumenick
    The movie has two modes - very loud and extremely loud - and all of the actors are encouraged to mug their hearts out. That even includes Cusack's real-life sister Joan, normally one of the most reliable performers in the business.
    • 20 Metascore
    • 12 Lou Lumenick
    Even if it weren't three years too late to parody Moore (ineptly played by Kevin Farley), Moore's ridiculous tribute to Cuban health care in "Sicko" is far funnier than anything in this desperately laughless farce from David Zucker ("Scary Movie 3").
    • 32 Metascore
    • 12 Lou Lumenick
    Will Ferrell's terminally stupid, sloppy, campy and cheesy -- and thoroughly unexciting and unfunny -- experiment in "family entertainment."
    • 38 Metascore
    • 12 Lou Lumenick
    Don't even think of visiting this French fiasco.
    • New York Post
    • 18 Metascore
    • 12 Lou Lumenick
    A skin-crawlingly unfunny riff on Woody Allen's "Bananas."
    • New York Post
    • 29 Metascore
    • 12 Lou Lumenick
    Epic waste of celluloid.
    • 46 Metascore
    • 12 Lou Lumenick
    This would be a stultifyingly incestuous affair even if all the jokes about fertilization weren't so tiresomely lame and predictable.
    • New York Post
    • 63 Metascore
    • 12 Lou Lumenick
    This time out, Broomfield comes up with maybe enough halfway decent material for a 10-minute segment on a second-rate tabloid TV show.
    • 13 Metascore
    • 12 Lou Lumenick
    Stinko movies often unwittingly critique themselves -- and the brain-dead romantic comedy Down to You (which Miramax understandably didn't screen in advance for critics) is no exception.
    • New York Post
    • 32 Metascore
    • 12 Lou Lumenick
    Beyond-lame satire.
    • 33 Metascore
    • 12 Lou Lumenick
    A creepy, depressing and leering "comedy" that's a virtual collection of "What were they thinking?" moments.
    • 31 Metascore
    • 12 Lou Lumenick
    One bad movie -- in the original sense of the word.
    • New York Post
    • 27 Metascore
    • 12 Lou Lumenick
    A movie so pathetically lame that hopefully even Spears most ardent young fans will give this stinker a big thumbs down.
    • 9 Metascore
    • 12 Lou Lumenick
    A low-end scam by Lions Gate Films -- whose recent "The Wash" was a masterpiece by comparison.
    • 47 Metascore
    • 12 Lou Lumenick
    An unholy mess.
    • 40 Metascore
    • 12 Lou Lumenick
    More than lives up to its name with ultra-campy performances, high-glucose direction, laughable dialogue, cheesy effects and a back-lot simulation of a Manhattan street that wouldn't pass muster on an after-school special.
    • 18 Metascore
    • 12 Lou Lumenick
    Misconceived, bloated and incredibly ugly fantasy epic.
    • 30 Metascore
    • 12 Lou Lumenick
    Zookeeper barely avoids a zero-star rating because of James.
    • 55 Metascore
    • 12 Lou Lumenick
    The title It's About You is something Kurt Markus claims Mellencamp told him when he commissioned the film. With the elder Markus' self-important, egotistical narration rarely shutting up, it was a fairly prophetic remark.
    • 49 Metascore
    • 12 Lou Lumenick
    His late father directed "Rambo: First Blood,'' but Panos Cosmatos' debut feature couldn't be more different - this would-be cult classic is the movie equivalent of gazing at a lava lamp for nearly two hours.
    • 33 Metascore
    • 12 Lou Lumenick
    The worst Hollywood musical so far this century, it’s another misstep for Sony Pictures, which also sponsored the abortive ‘‘The Interview.’’
    • 25 Metascore
    • 12 Lou Lumenick
    De Niro mostly looks miserable and very tired (a document glimpsed on-screen hilariously claims his character was born in 1970) and prattles on endlessly about forgetting the past.
    • 30 Metascore
    • 12 Lou Lumenick
    The only truly lethal weapons in the criminally unfunny action comedy Let’s Be Cops are the lame script, putrid direction and pair of sitcom stars mugging nonstop in frantic pursuit of laughs that have fled over the state line.
    • 55 Metascore
    • 12 Lou Lumenick
    Vanity, thy name is Kevin Spacey.
    • 34 Metascore
    • 0 Lou Lumenick
    Less funny or romantic than your average colonoscopy, this cringe-inducing bore provides dubious employment for four Oscar winners, two nominees and a raft of TV performers.
    • 25 Metascore
    • 0 Lou Lumenick
    Even by the extremely low standards of the genre, When in Rome gets failing marks for chemistry, credibility and even coherence.
    • 23 Metascore
    • 0 Lou Lumenick
    A schmaltzy, smutty and mean-spirited quasi-satire.
    • 17 Metascore
    • 0 Lou Lumenick
    Stick a fork in Nia Vardalos. I've been to funerals that were a lot more fun than I Hate Valentine's Day, her second alleged romantic comedy in less than a month.
    • 20 Metascore
    • 0 Lou Lumenick
    Tedious and tawdry.
    • 32 Metascore
    • 0 Lou Lumenick
    A witless, stale and half-hearted rehash of cliches borrowed from the likes of "The Wedding Planner," "The Wedding Singer" and "Four Weddings and a Funeral," this pathetic, alleged comedy certainly wasn't improved by clueless direction by Clare Kilner.

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