For 2,475 reviews, this critic has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 4.9 points lower than other critics. (0-100 point scale)

Lou Lumenick's Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 Tadpole
Lowest review score: 0 What the #$*! Do We (K)now!?
Score distribution:
2475 movie reviews
    • 47 Metascore
    • 25 Lou Lumenick
    After a slightly promising start, this great-looking but ultimately deeply confusing and unscary sci-fi/horror opus turns into a quite boring rehash of M. Night Shyamalan's post-"Signs" films.
    • 46 Metascore
    • 25 Lou Lumenick
    Exploitation curiosity.
    • 35 Metascore
    • 25 Lou Lumenick
    A totally ridiculous and incoherent sci-fi adventure.
    • 24 Metascore
    • 25 Lou Lumenick
    Cisneros is an appealing actor, but he and Falling Awake get buried under a welter of clichés.
    • 68 Metascore
    • 25 Lou Lumenick
    A real head-scratcher that somehow won the grand jury prize at this year's Sundance Film Festival.
    • 37 Metascore
    • 25 Lou Lumenick
    This is a terminally whimsical vanity project that would probably have been a chore to sit through even in its original intended format, a 20-minute stage monologue.
    • 36 Metascore
    • 25 Lou Lumenick
    Plays like an unwieldy mishmash of "Big Momma's House," "An Unmarried Woman" and "The Burning Bed," with lots of gospel music thrown in.
    • 23 Metascore
    • 25 Lou Lumenick
    Desperately unfunny and unexciting.
    • 38 Metascore
    • 25 Lou Lumenick
    The movie spins further and further into coincidence and incoherence.
    • 26 Metascore
    • 25 Lou Lumenick
    A collection of product plugs masquerading as a movie en route to home video.
    • 38 Metascore
    • 25 Lou Lumenick
    There are bachelor and bachelorette parties, as well as much misbehavior, in this glossy and unconvincing little flick, receiving a vanity booking on the way to video.
    • 27 Metascore
    • 25 Lou Lumenick
    Co-star Christina Applegate, who's much more at home in this down and dirty milieu, wipes the floor (in one scene, literally, in a ludicrous cat fight) with the erstwhile Oscar winner.
    • 16 Metascore
    • 25 Lou Lumenick
    A low-rent, slow-witted horror flick notable chiefly for its hilariously unsuccessful attempt to pass off Luxembourg City as New York City.
    • 14 Metascore
    • 25 Lou Lumenick
    Arguably the most insipid movie released so far this century.
    • 36 Metascore
    • 25 Lou Lumenick
    More "the mild one" than "The Wild One."
    • 19 Metascore
    • 25 Lou Lumenick
    A painfully sincere indie drama that isn't content to evoke only the misery of 9/11 -- it has to reference TWA Flight 800 for extra grief.
    • 53 Metascore
    • 25 Lou Lumenick
    Hollywood’s ongoing campaign to remake every horror movie of the 1970s and ’80s has finally caught up with the Stephen King-Brian De Palma classic “Carrie,’’ and the results are distressingly anemic, pig blood and all.
    • 18 Metascore
    • 12 Lou Lumenick
    A skin-crawlingly unfunny riff on Woody Allen's "Bananas."
    • New York Post
    • 31 Metascore
    • 12 Lou Lumenick
    There isn't a remotely believable moment in the script here, and Kramer's leaden direction only helps strand a capable cast headed by Heather Graham in an hour and a half of virtual laugh-free tedium.
    • 29 Metascore
    • 12 Lou Lumenick
    Epic waste of celluloid.
    • 33 Metascore
    • 12 Lou Lumenick
    A creepy, depressing and leering "comedy" that's a virtual collection of "What were they thinking?" moments.
    • 31 Metascore
    • 12 Lou Lumenick
    Only Bryan Cranston, as Teller’s downsized dad, emerges with his dignity fully intact from Get a Job, whose scattershot direction is credited to Dylan Kidd (“Roger Dodger”).
    • 20 Metascore
    • 12 Lou Lumenick
    Even if it weren't three years too late to parody Moore (ineptly played by Kevin Farley), Moore's ridiculous tribute to Cuban health care in "Sicko" is far funnier than anything in this desperately laughless farce from David Zucker ("Scary Movie 3").
    • 25 Metascore
    • 12 Lou Lumenick
    De Niro mostly looks miserable and very tired (a document glimpsed on-screen hilariously claims his character was born in 1970) and prattles on endlessly about forgetting the past.
    • 34 Metascore
    • 12 Lou Lumenick
    The geniuses behind the new film just don’t understand the difference between genuine subversiveness and pointless vulgarity.
    • 38 Metascore
    • 12 Lou Lumenick
    Don't even think of visiting this French fiasco.
    • New York Post
    • 32 Metascore
    • 12 Lou Lumenick
    Will Ferrell's terminally stupid, sloppy, campy and cheesy -- and thoroughly unexciting and unfunny -- experiment in "family entertainment."
    • 23 Metascore
    • 12 Lou Lumenick
    A painfully earnest and totally unfunny magic-realist fable set on the Lower East Side that works in no way whatsoever.
    • 30 Metascore
    • 12 Lou Lumenick
    The only truly lethal weapons in the criminally unfunny action comedy Let’s Be Cops are the lame script, putrid direction and pair of sitcom stars mugging nonstop in frantic pursuit of laughs that have fled over the state line.
    • 63 Metascore
    • 12 Lou Lumenick
    This time out, Broomfield comes up with maybe enough halfway decent material for a 10-minute segment on a second-rate tabloid TV show.

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