For 2,195 reviews, this critic has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 4 points lower than other critics. (0-100 point scale)

Lou Lumenick's Scores

  • Movies
Average review score: 55
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 0
Score distribution:
2,195 movie reviews
    • Metascore: 77
    • Lou Lumenick 88
    Forget those weepie liberal clichés. This starless and vividly authentic romantic thriller set in Central America really rocks, and is one of the most exciting directorial debuts in years.
    • Metascore: 89
    • Lou Lumenick 88
    The role of William is a perfect fit for Red West, a well-weathered member of Elvis Presley's Memphis Mafia who has served as a bodyguard as well as a stuntman and bit-part actor.
    • Metascore: 57
    • Lou Lumenick 88
    Gut-bustingly funny.
    • Metascore: 86
    • Lou Lumenick 88
    This environmentally themed, very loose version of Hans Christian Andersen's "Little Mermaid" is never going to be mistaken for Disney's musical of the same name.
    • Metascore: 69
    • Lou Lumenick 88
    May be the most fun you'll have at the movies this summer.
    • Metascore: 83
    • Lou Lumenick 88
    In the Loop is certainly the smartest and funniest movie inspired by the Iraq war.
    • Metascore: 76
    • Lou Lumenick 88
    You might not want to watch all of "The ABC of Love and Sex Australian Style," "Turkey Shoot" or "The True Story of Eskimo Nell," but the clips on view in "Not Quite Hollywood" are a hoot.
    • Metascore: 83
    • Lou Lumenick 88
    Rarely less than absorbing and never boring over its nearly three-hour length.
    • Metascore: 68
    • Lou Lumenick 88
    Sweet without being sticky and funny without getting silly, Whip It introduces Barrymore as a director with a keen eye, a good ear for tone and an inspired touch with actors.
    • Metascore: 83
    • Lou Lumenick 88
    A gorgeous and witty piece of stop-motion animation.
    • Metascore: 92
    • Lou Lumenick 88
    May not be a masterpiece, but it still had me in tears at the end.
    • Metascore: 76
    • Lou Lumenick 88
    That still makes Broken Embraces superior to at least 99 percent of the movies released in 2009. Run, don't walk.
    • Metascore: 74
    • Lou Lumenick 88
    This movie depicts an unlikely intersection of sports and leadership in ways that manage to be inspiring and insightful without ever becoming schmaltzy or preachy.
    • Metascore: 76
    • Lou Lumenick 88
    Helen Mirren outdoes even her Oscar-winning performance in "The Queen" with her tour de force as Countess Sofya Tolstoy in Michael Hoffman's delightful The Last Station.
    • Metascore: 62
    • Lou Lumenick 88
    The Yellow Handkerchief tells a timeless fable, and tells it extremely well.
    • Metascore: 81
    • Lou Lumenick 88
    Quite unlike anything I've ever seen before.
    • Metascore: 66
    • Lou Lumenick 88
    For me, the movie's high point comes when Tony auditions for a role in a Martin Scorsese movie. Tony learns not to try so hard -- a lesson that Garcia also seems to have absorbed from City Island.
    • Metascore: 79
    • Lou Lumenick 88
    Astonishingly sharp and stunningly beautiful images of galaxies as far as 100 billion light-years away.
    • Metascore: 53
    • Lou Lumenick 88
    Head and shoulders above the sort of lightheaded epics Hollywood typically offers during the summer season.
    • Metascore: 66
    • Lou Lumenick 88
    Like the Master of Suspense's best films, Double Take (which makes great use of Bernard Herrmann's haunting "Psycho" score) is an intellectual puzzle that also works as a thoroughly accessible entertainment.
    • Metascore: 79
    • Lou Lumenick 88
    A documentary that exerts a car-wreck fascination as it follows the icon through her 75th year (she's now 77) while looking back over her tumult-filled life and career.
    • Metascore: 85
    • Lou Lumenick 88
    A gut-wrenching, politically neutral documentary that spends more than a year with a platoon of American GIs in a valley that's been called the most dangerous spot on Earth.
    • Metascore: 83
    • Lou Lumenick 88
    Vigorously played as a young man by Chris Pine, Kirk is a brilliant, sports-car driving, bar-brawling rebel who is finally shamed into joining Starfleet Academy.
    • Metascore: 77
    • Lou Lumenick 88
    Duvall and Spacek are so in tune with each other's rhythms -- despite their 20-year age difference -- that it's hard to believe they've never acted together before.
    • Metascore: 88
    • Lou Lumenick 88
    Extremely unsettling and thought- provoking.
    • Metascore: 74
    • Lou Lumenick 88
    An exciting and extremely well acted film. Even a nearly unrecognizable Blake Lively impresses in the key role of Jem's sister and Doug's sometime girlfriend.
    • Metascore: 72
    • Lou Lumenick 88
    Writer-director Will Gluck has written a stiletto-sharp, zinger-filled script that recalls "Mean Girls" as well as the films of John Hughes, which are sampled to amusing effect in a clever clip montage.
    • Metascore: 79
    • Lou Lumenick 88
    The scariest, creepiest and most elegantly filmed horror movie I've seen in years - it positively drives a stake through the competition.
    • Metascore: 65
    • Lou Lumenick 88
    Sally Hawkins is the heart and soul of Made in Dagenham, but another actress to watch for is the equally wonderful Rosamund Pike. She steals every scene she's in as the sympathetic wife of Rita's sexist boss (Rupert Graves).
    • Metascore: 86
    • Lou Lumenick 88
    As much a study of prehistoric art as archaeology, this documentary brings in experts to speculate about the mysterious artists who made these paintings, some quite elaborate and others intriguingly abstract.