For 407 reviews, this critic has graded:
  • 66% higher than the average critic
  • 3% same as the average critic
  • 31% lower than the average critic
On average, this critic grades 2.4 points higher than other critics. (0-100 point scale)

M. E. Russell's Scores

  • Movies
Average review score: 62
Highest review score:
Lowest review score:
Critic Score 0
Score distribution:
  1. Negative: 36 out of 407
407 movie reviews
    • Metascore: 53
    • M. E. Russell 75
    To my thinking, the grand simplicity of the metaphor is a big part of In Time's oddly retro sci-fi charm. Niccol is practicing the old-school craft of making a barn-broad alternate-reality that forces you to think about the way we all consensually agree to participate in systems -- even when those systems are hopelessly screwed up.
    • Metascore: 57
    • M. E. Russell 75
    The movie is strongest when it stays with Bateman and Spacey, who play greatest-hits remixes of their best-loved performances.
    • Metascore: 50
    • M. E. Russell 75
    I suspect audiences will divide sharply on the movie's wild tone shifts. I found them sort of fearless.
    • Metascore: 51
    • M. E. Russell 75
    John Carter is too wickedly strange not to recommend. Movies this expensive usually play it much safer.
    • Metascore: 73
    • M. E. Russell 75
    It's better at being droll than laugh-out-loud funny.
    • Metascore: 61
    • M. E. Russell 75
    "Fast Five" and Fast & Furious 6 -- the newest, nearly-as-much-dumb-fun sequel -- play more like "The Avengers" than they don't.
    • Metascore: 75
    • M. E. Russell 75
    In their best moments, Hark's action movies have a what-did-I-just-see giddiness, as if their choreography were springing straight from a cartoon id. Though I could have done without much of the film's CGI-heavy fakery, "Detective Dee" finds that giddiness more than a few times.
    • Metascore: 70
    • M. E. Russell 75
    Boy
    Waititi is still telling stories of offbeat, semi-delusional New Zealanders, and he's still sprinkling his work with cartoonish flights of fancy -- but this time he grounds the comedy in a big-hearted, bittersweet story about a boy desperate to connect with his father.
    • Metascore: 58
    • M. E. Russell 75
    The film's climax is a bit of a jumble, but by then Hillcoat has built his world so vibrantly that it hardly matters. And the hard-charging soundtrack -- featuring Cave, Warren Ellis, Ralph Stanley, Emmylou Harris and Willie Nelson -- is an absolute blast.
    • Metascore: 70
    • M. E. Russell 75
    It's fascinating as an offbeat storytelling exercise.
    • Metascore: 50
    • M. E. Russell 67
    If you find the film's xenophobic undercurrents distasteful, take solace in this: Taken was co-written and directed by the Frenchmen responsible for "District B13," so at least the xenophobia is imported.
    • Metascore: 69
    • M. E. Russell 67
    The movie still works as a clever little "Twilight Zone" episode with great production values, and it's an impressively ambitious debut for Barthes.
    • Metascore: 50
    • M. E. Russell 67
    It all sort of plays out like "Law and Order: Spiritual Victims Unit," but the movie's stuffed (some might say overstuffed) with wonderfully staged moments and set pieces.
    • Metascore: 44
    • M. E. Russell 67
    Full of small, weird moments.
    • Metascore: 39
    • M. E. Russell 67
    It's fun junk. And it doesn't satisfy. Dot the I is a weird, pretty film with a dumb script, a skilled cast and a good twist, plus one hot sex scene and one brilliant scene-chew by D'Arcy.
    • Metascore: 41
    • M. E. Russell 67
    Surprisingly entertaining.
    • Metascore: 48
    • M. E. Russell 67
    It's a definite crowd-pleaser and a perfectly fun night at the movies.
    • Metascore: 42
    • M. E. Russell 67
    I was annoyed by Levasseur and Aja's desertion of their tense, simple plot in favor of tedious "plot twists" that could, frankly, use a rest. It's a waste of a good first half. (Grade: A- for first hour, C- thereafter.)
    • Metascore: 64
    • M. E. Russell 67
    Surprisingly flabby, with lazy writing and some final-act lurches into unironic rom-com that seem at odds with the bizarro premise.
    • Metascore: 50
    • M. E. Russell 67
    The final third...is so overblown and anticlimactic that it finally gets you thinking about empty profundity and loose ends.
    • Metascore: 35
    • M. E. Russell 67
    While you're in the theater, it's actually -- heaven help me -- pretty fun to watch.
    • Metascore: 62
    • M. E. Russell 67
    Taken as a whole -- and it kills me to write this -- it just doesn't add up to much.
    • Metascore: 59
    • M. E. Russell 67
    This movie is a powerfully silly brain vacation. It's a by-the-numbers underdogs vs. bullies comedy.
    • Metascore: 50
    • M. E. Russell 67
    While it's focused on the people -- on men who never had mentors struggling to mentor themselves and each other -- the movie works as a smart B film.
    • Metascore: 65
    • M. E. Russell 67
    Intriguing, not-terribly-probing documentary.
    • Metascore: 58
    • M. E. Russell 67
    The King feels like a morality play without any morals.
    • Metascore: 45
    • M. E. Russell 67
    It's an ambitious idea that monkeys with your expectations: make a whole movie about the ugly, hurt-feelings part of the relationship that's usually disposed of in a romantic-comedy musical montage. Unfortunately, like a bad boyfriend, The Break-Up has a problem with consistency.
    • Metascore: 46
    • M. E. Russell 67
    As idiot car-crash movies go, "Tokyo Drift" is pretty fun, and certainly a more-than-decent entry in this franchise.
    • Metascore: 43
    • M. E. Russell 67
    When it works, it's decent family fun; the kids are incredibly sharp. But the script's not as sharp as they are, and not everyone brings his A-game.
    • Metascore: 48
    • M. E. Russell 67
    Night at the Museum ends up being a pretty fun all-ages comedy -- if you can survive its first 20 minutes.