Manohla Dargis

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For 1,758 reviews, this critic has graded:
  • 45% higher than the average critic
  • 3% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 0.7 points lower than other critics. (0-100 point scale)

Manohla Dargis' Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 The Apostle
Lowest review score: 0 Formula 51
Score distribution:
1758 movie reviews
    • 85 Metascore
    • 90 Manohla Dargis
    It is undeniable in its poignancy, an ecstatic vision of what might have been, though as much for its story as for the fact that the whole thing dissolves like a paper fan in rain, an evanescent masterwork.
    • 71 Metascore
    • 90 Manohla Dargis
    A terrifically clever film; has a soft-boilded heart.
    • 92 Metascore
    • 90 Manohla Dargis
    Generous, soulful film.
    • 79 Metascore
    • 90 Manohla Dargis
    The film is unabashedly sexy, and its heady romanticism feels as right and as unaffected as Im's bold use of color and his equally bold decision to tell the story through traditional pansori narration.
    • 76 Metascore
    • 90 Manohla Dargis
    In a film that verges on greatness, it is a sign of terrific faith, as well as of Anderson's promise as a director, that when one of the characters in The Royal Tenenbaums wears hospital pajamas after a detour into grief, the words over his heart read "recovery area."
    • 79 Metascore
    • 90 Manohla Dargis
    At once an emotional thriller and a domestic horror movie -- a woman's picture with a vengeance, in which the bloodletting is kept to a minimum, and ends up all the more powerful and profound for it.
    • L.A. Weekly
    • 76 Metascore
    • 90 Manohla Dargis
    Enormously enjoyable, high-adrenaline documentary.
    • 84 Metascore
    • 90 Manohla Dargis
    Has the glorious look and immaculate technique we expect from Mann, along with a wealth of superb secondary performances.
    • 79 Metascore
    • 90 Manohla Dargis
    Va Savoir doesn't so much flow as wander, trailing off into drama one minute, slapstick the next; it tries your patience, but ever so gently, masterfully.
    • 90 Metascore
    • 90 Manohla Dargis
    Crowe has made a hugely entertaining, nearly pitch-perfect film about rock & roll.
    • 78 Metascore
    • 90 Manohla Dargis
    This sensitively directed film is one of those rarest of accomplishments: a graceful work of art about the very creation of art itself.
    • 84 Metascore
    • 90 Manohla Dargis
    This unassuming, insistently entertaining documentary has the virtue of a great subject.
    • 64 Metascore
    • 90 Manohla Dargis
    The film's strength and its entertainment lie in John Myhre's production design, its generally appealing cast...and, perhaps most importantly, a canny degree of self-parody.
    • 72 Metascore
    • 90 Manohla Dargis
    Pi
    A triumph of low-end production design, shot in sizzling, solarized black and white, and driven by a propulsive, insinuating score, Pi is a horror movie that makes you think and an indie film that makes you squirm.
    • 73 Metascore
    • 90 Manohla Dargis
    Bill Pope's swooping, noir-inflected cinematography is wonderfully complemented by Owen Paterson's inventive production design, a great soundtrack and the best fight choreography this side of Hong Kong. And even if this isn't "Blade Runner," it is very cool shit.
    • 88 Metascore
    • 90 Manohla Dargis
    Zwigoff pulls off something in Ghost World that seems a minor miracle -- he creates someone with a complex inner life.
    • 50 Metascore
    • 90 Manohla Dargis
    The Saint works. The reason why it occasionally soars is Kilmer, an actor who’s happiest when burying himself in eccentric characterizations, a trick he performs repeatedly here even as he fills the screen with pure movie-star dazzle.
    • 78 Metascore
    • 90 Manohla Dargis
    A true rarity, Murderous Maids is an intelligent, moral shocker.
    • 83 Metascore
    • 90 Manohla Dargis
    When We Were Kings is a wonderfully entertaining, at times thrilling, film. Ali is magnificent, Foreman oddly touching, and their fight, which is shown almost in total, makes for superb, nail-biting suspense--even two decades after the fact.
    • 78 Metascore
    • 90 Manohla Dargis
    A seamless model of form and content. (My only quibble is the poor quality of the digital video, which doesn't do justice to Johnson's work.)
    • 84 Metascore
    • 90 Manohla Dargis
    It's sexy, brainy and slightly nuts.
    • 86 Metascore
    • 90 Manohla Dargis
    By far the most approachable of the director's recent films, with an emotional depth that's true to life and a streamlined narrative that for long stretches barely contains a word.
    • 83 Metascore
    • 90 Manohla Dargis
    His film may be something of a beautiful lie, but what's true about Sollett's characters is that their dreams, their grace and their struggles are as real as it gets.
    • 59 Metascore
    • 90 Manohla Dargis
    Here, the message is the moviemaking and the unparalleled joy you get from a film that can carry you off so completely, making you forget about everything save for the beautiful lies in front of you.
    • 85 Metascore
    • 90 Manohla Dargis
    Never before has a fiction film so clearly and to such devastating effect laid out the calculation of the Nazi machinery of death and its irrationality.
    • 76 Metascore
    • 90 Manohla Dargis
    Some filmmakers give us dreams and false worlds in which we can find refuge. For others, though, like the young Mexican filmmaker Carlos Reygadas, the movies aren't an escape from the world but a way more deeply into it.
    • 78 Metascore
    • 90 Manohla Dargis
    Im recounts the painter's life in bold strokes rather than with the literalist's painstaking detail, and in the process tells us more about the mysteries of genius than a bushel full of quotidian fact.
    • 63 Metascore
    • 90 Manohla Dargis
    One of the better documentaries I'd seen in years -- it plays like a suspense thriller because that's exactly what it is.
    • 66 Metascore
    • 90 Manohla Dargis
    In Auto Focus, the strangely wonderful and weirdly touching new film from Paul Schrader, the comedy and the tragedy keep getting mixed up.
    • 62 Metascore
    • 90 Manohla Dargis
    Godard has always made films that are as thrilling for their ideas and ideals as for the sheer beauty of their images; the difference here is that for the first time in years he's more interested in turning us on than in turning us off.

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