Manohla Dargis
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For 1,556 reviews, this critic has graded:
  • 44% higher than the average critic
  • 3% same as the average critic
  • 53% lower than the average critic
On average, this critic grades 0.5 points higher than other critics. (0-100 point scale)

Manohla Dargis' Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 The Counselor
Lowest review score: 0 Lolita
Score distribution:
1,556 movie reviews
    • 73 Metascore
    • 90 Manohla Dargis
    Bill Pope's swooping, noir-inflected cinematography is wonderfully complemented by Owen Paterson's inventive production design, a great soundtrack and the best fight choreography this side of Hong Kong. And even if this isn't "Blade Runner," it is very cool shit.
    • 88 Metascore
    • 90 Manohla Dargis
    Zwigoff pulls off something in Ghost World that seems a minor miracle -- he creates someone with a complex inner life.
    • 50 Metascore
    • 90 Manohla Dargis
    The Saint works. The reason why it occasionally soars is Kilmer, an actor who’s happiest when burying himself in eccentric characterizations, a trick he performs repeatedly here even as he fills the screen with pure movie-star dazzle.
    • 78 Metascore
    • 90 Manohla Dargis
    A true rarity, Murderous Maids is an intelligent, moral shocker.
    • 83 Metascore
    • 90 Manohla Dargis
    When We Were Kings is a wonderfully entertaining, at times thrilling, film. Ali is magnificent, Foreman oddly touching, and their fight, which is shown almost in total, makes for superb, nail-biting suspense--even two decades after the fact.
    • 78 Metascore
    • 90 Manohla Dargis
    A seamless model of form and content. (My only quibble is the poor quality of the digital video, which doesn't do justice to Johnson's work.)
    • 84 Metascore
    • 90 Manohla Dargis
    It's sexy, brainy and slightly nuts.
    • 86 Metascore
    • 90 Manohla Dargis
    By far the most approachable of the director's recent films, with an emotional depth that's true to life and a streamlined narrative that for long stretches barely contains a word.
    • 83 Metascore
    • 90 Manohla Dargis
    His film may be something of a beautiful lie, but what's true about Sollett's characters is that their dreams, their grace and their struggles are as real as it gets.
    • 59 Metascore
    • 90 Manohla Dargis
    Here, the message is the moviemaking and the unparalleled joy you get from a film that can carry you off so completely, making you forget about everything save for the beautiful lies in front of you.
    • 85 Metascore
    • 90 Manohla Dargis
    Never before has a fiction film so clearly and to such devastating effect laid out the calculation of the Nazi machinery of death and its irrationality.
    • 76 Metascore
    • 90 Manohla Dargis
    Some filmmakers give us dreams and false worlds in which we can find refuge. For others, though, like the young Mexican filmmaker Carlos Reygadas, the movies aren't an escape from the world but a way more deeply into it.
    • 78 Metascore
    • 90 Manohla Dargis
    Im recounts the painter's life in bold strokes rather than with the literalist's painstaking detail, and in the process tells us more about the mysteries of genius than a bushel full of quotidian fact.
    • 63 Metascore
    • 90 Manohla Dargis
    One of the better documentaries I'd seen in years -- it plays like a suspense thriller because that's exactly what it is.
    • 66 Metascore
    • 90 Manohla Dargis
    In Auto Focus, the strangely wonderful and weirdly touching new film from Paul Schrader, the comedy and the tragedy keep getting mixed up.
    • 62 Metascore
    • 90 Manohla Dargis
    Godard has always made films that are as thrilling for their ideas and ideals as for the sheer beauty of their images; the difference here is that for the first time in years he's more interested in turning us on than in turning us off.
    • 86 Metascore
    • 90 Manohla Dargis
    There are all sorts of ways to look at The Son -- as a philosophical thriller, as a statement of faith, as a call to political arms or just as a terrific entertainment.
    • 82 Metascore
    • 90 Manohla Dargis
    I can't think of another good movie this year that's as tough to watch as Moodysson's, but, then, I can't think of very many movies that are as good.
    • 73 Metascore
    • 90 Manohla Dargis
    At once an old-fashioned freakout and an environmental cautionary tale (mess with Mother Nature and she'll mess with you right back), the film combines two genre standbys -- lethal contagion and the undead -- and gives them a wicked, contemporary spin.
    • 81 Metascore
    • 90 Manohla Dargis
    The jokes would be funny even if they weren't perfectly timed, but what makes them come across as so poignant is the seriousness with which the director and his co-conspirators deliver their jabs and japes.
    • 64 Metascore
    • 90 Manohla Dargis
    It's an exasperating, irresistible, must-see mess of a movie about life in the modern world and so very good that even when its story finally crashes and burns the filmmaking remains unscathed.
    • 70 Metascore
    • 90 Manohla Dargis
    Working with cinematographer Harris Savides and serving as the film's editor, he (Van Sant) has fashioned a visual style and a narrative shape that has the quality of a waking dream, then a nightmare. Rarely do form and content add up with such harmonious grace and power.
    • 83 Metascore
    • 90 Manohla Dargis
    Twenty-four years later -- digitally spruced up, with some scenes shaved and others padded with previously cut material -- Scott's film still shreds nerves.
    • 70 Metascore
    • 90 Manohla Dargis
    What gives the film a formalist kick is that the story unfolds piecemeal as a series of nonlinear moments. What gives it soul are the three lead actors who pull the pieces together with devastating power.
    • 73 Metascore
    • 90 Manohla Dargis
    As with the greatest animated films, the triumph of Kon's work lies not just in its beauty and singularly sophisticated storytelling but in how that beauty and storytelling combine to give the films a sting so human you can forget you're watching a cartoon.
    • 89 Metascore
    • 90 Manohla Dargis
    A memory play and a sleight of hand, Eternal Sunshine is more than anything else deeply sincere. Like Spike Jonze, who directed "Adaptation" and "Being John Malkovich," Gondry succeeds principally by balancing Kaufman's churning skepticism with unflinching hope.
    • 78 Metascore
    • 90 Manohla Dargis
    It's all terribly tortured, often laugh-out-loud, absurdly funny and, as with all of Maddin's movies, conveyed through images that are as lush and beautifully over the top as the story's emotions.
    • 71 Metascore
    • 90 Manohla Dargis
    One of the most harrowing and plausible visions of apocalypse since George A. Romero's 1968 zombie shocker, "Night of the Living Dead."
    • 67 Metascore
    • 90 Manohla Dargis
    Bridges turns a two-dimensional image into a presence so vital, so filled with breath and blood, that you uneasily fall in love with his character and abandon all thought of the artifice that's brought it to life.
    • 73 Metascore
    • 90 Manohla Dargis
    Rarely does pop come with such sizzle.

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