Manohla Dargis
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For 1,569 reviews, this critic has graded:
  • 44% higher than the average critic
  • 3% same as the average critic
  • 53% lower than the average critic
On average, this critic grades 0.6 points higher than other critics. (0-100 point scale)

Manohla Dargis' Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Le Cercle Rouge (re-release)
Lowest review score: 0 Deuces Wild
Score distribution:
1,569 movie reviews
    • 80 Metascore
    • 100 Manohla Dargis
    In Sweetgrass, a graceful and often moving meditation on a disappearing way of life, there is little here that is objective and much that is magnificent.
    • 91 Metascore
    • 100 Manohla Dargis
    Stories We Tell has a number of transparent virtues, including its humor and formal design, although its most admirable quality is the deep sense of personal ethics that frames Ms. Polley’s filmmaking choices.
    • 90 Metascore
    • 100 Manohla Dargis
    Mr. Bale, like some other stars who embrace playing ugly, feels as if he’d been liberated by all the pounds he’s packed on and by his character’s molting looks, an emancipation that’s most evident in his delicately intimate, moving moments with Ms. Adams and Ms. Lawrence.
    • 69 Metascore
    • 100 Manohla Dargis
    Life and death, nature and culture, sex and money, man and beast, God and the Devil — Post Tenebras Lux embraces the world even if it doesn’t open itself up to ready interpretation.
    • 78 Metascore
    • 100 Manohla Dargis
    Mr. Loznitsa doesn’t lighten the mood with any familiar filmmaking tricks: there are, for instance, no musical cues to guide you over the troubling or ambiguous passages. Like the characters, you work through each surprising turn.
    • 90 Metascore
    • 100 Manohla Dargis
    Her
    At once a brilliant conceptual gag and a deeply sincere romance, Her is the unlikely yet completely plausible love story about a man, who sometimes resembles a machine, and an operating system, who very much suggests a living woman.
    • 86 Metascore
    • 100 Manohla Dargis
    A deliriously alive movie, The Great Beauty is the story of a man, a city, a country and a cinema, though not necessarily in that order.
    • 77 Metascore
    • 100 Manohla Dargis
    A blistering fictionalized tale straight out of China, A Touch of Sin is at once monumental and human scale.
    • 87 Metascore
    • 100 Manohla Dargis
    The audacity of The Missing Picture — a brilliant documentary about a child who held on to life in Cambodia’s killing fields — is equaled only by its soulfulness.
    • 81 Metascore
    • 100 Manohla Dargis
    Mr. Phoenix’s note-perfect performance flows on the story’s currents of comedy that occasionally turn into rapids, as the funny ha-ha, funny strange back-and-forth abruptly gives way to Three Stooges slapstick.
    • 88 Metascore
    • 100 Manohla Dargis
    The camerawork in Birdman is an astonishment, and an argument that everything flows together, which in this movie means the cinematography, the story, the people, even time and space.
    • 100 Metascore
    • 100 Manohla Dargis
    In Boyhood, Mr. Linklater’s masterpiece, he both captures moments in time and relinquishes them as he moves from year to year. He isn’t fighting time but embracing it in all its glorious and agonizingly fleeting beauty.
    • 76 Metascore
    • 100 Manohla Dargis
    Words do more than hurt, they also slash and burn in this sharp, dyspeptic, sometimes gaspingly funny exploration of art and life, men and women, being and nonbeing, and the power and limits of language.
    • 86 Metascore
    • 100 Manohla Dargis
    By focusing on such a narrow slice of Nepali life, Ms. Spray and Mr. Velez have ceded any totalizing claim on the truth and instead settled for a perfect incompleteness.
    • 79 Metascore
    • 100 Manohla Dargis
    In Policeman, Mr. Lapid, making an electrifying feature directing debut, traces the line between the group and the individual in a story that can be read as a commentary on the world as much as on Israel.
    • 89 Metascore
    • 100 Manohla Dargis
    Like most of Mr. Wiseman’s work, the movie is at once specific and general, fascinating in its pinpoint detail and transporting in its cosmic reach.
    • 82 Metascore
    • 100 Manohla Dargis
    In most movies, something happens; in Archipelago, many things happen, quietly yet meaningfully.
    • 81 Metascore
    • 100 Manohla Dargis
    In setting Andre on his search for self, Mr. Rock has carved out a third way, in the process creating a black character who’s fully human and a comedy that’s wholly a blast.
    • 83 Metascore
    • 90 Manohla Dargis
    Isn't just a pleasurable rethink of your geek uncle's favorite science-fiction series. It's also a testament to television's power as mythmaker, as a source for some of the fundamental stories we tell about ourselves, who we are and where we came from.
    • 86 Metascore
    • 90 Manohla Dargis
    The images are as delightful, unexpected and playfully uninhibited as Ms. Varda, perhaps the only filmmaker who has both won the Golden Lion at the Venice Film Festival and strolled around an art exhibition while costumed as a potato (not at the same time).
    • 66 Metascore
    • 90 Manohla Dargis
    It is Mr. Soderbergh’s insistence on seeing the A.D.M. scandal as a collective tragedy rather than as another white-collar crime that gives the movie force, resonance, feeling.
    • 94 Metascore
    • 90 Manohla Dargis
    Like the film itself, the performance (Giamatti's) is deeply controlled, played with restraint and with microscopic attention to detail.
    • 82 Metascore
    • 90 Manohla Dargis
    Pitched at the divide between art and industry, poetry and entertainment, it goes darker and deeper than any Hollywood movie of its comic-book kind.
    • 92 Metascore
    • 90 Manohla Dargis
    Here Mr. Cantet -- whose earlier features include "Human Resources" and "Time Out," two other dramas about systems of power -- has done that rarest of things in movies about children: He has allowed them to talk.
    • 70 Metascore
    • 90 Manohla Dargis
    A grave and beautiful work of art.
    • 87 Metascore
    • 90 Manohla Dargis
    Part of what's bracing about Gomorrah, and makes it feel different from so many American crime movies, is both its deadly serious take on violence and its global understanding of how far and wide the mob's tentacles reach, from high fashion to the very dirt.
    • 72 Metascore
    • 90 Manohla Dargis
    Mr. Eastwood is also an adept director of his own performances and, perhaps more important, a canny manipulator of his own iconographic presence.
    • 78 Metascore
    • 90 Manohla Dargis
    Rarely has a film with so much blood on its hands seemed so insistently alive.
    • 85 Metascore
    • 90 Manohla Dargis
    Tamara Jenkins’s The Savages, is a beautifully nuanced tragicomedy about two floundering souls.
    • 84 Metascore
    • 90 Manohla Dargis
    Shot with a sure hand and a cast of unknowns, the film doesn't so much tell a story as develop a tone and root around a place that, despite the intimate camerawork, remains shrouded in ambiguity.

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