Manohla Dargis
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For 1,556 reviews, this critic has graded:
  • 44% higher than the average critic
  • 3% same as the average critic
  • 53% lower than the average critic
On average, this critic grades 0.5 points higher than other critics. (0-100 point scale)

Manohla Dargis' Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Captain Phillips
Lowest review score: 0 The Replacement Killers
Score distribution:
1,556 movie reviews
    • 72 Metascore
    • 100 Manohla Dargis
    The Grandmaster is, at its most persuasive, about the triumph of style. When Ip Man slyly asks “What’s your style?” it’s clear that Mr. Wong is asking the same question because here, as in his other films, style isn’t reducible to ravishing surfaces; it’s an expression of meaning.
    • 77 Metascore
    • 100 Manohla Dargis
    A blistering fictionalized tale straight out of China, A Touch of Sin is at once monumental and human scale.
    • 83 Metascore
    • 100 Manohla Dargis
    Captain Phillips, a movie that insistently closes the distance between us and them, has a vital moral immediacy.
    • 97 Metascore
    • 100 Manohla Dargis
    The genius of 12 Years a Slave is its insistence on banal evil, and on terror, that seeped into souls, bound bodies and reaped an enduring, terrible price.
    • 48 Metascore
    • 100 Manohla Dargis
    Mr. Scott’s seriousness isn’t always well served by the scripts he films, but in Mr. McCarthy he has found a partner with convictions about good and evil rather than canned formula.
    • 86 Metascore
    • 100 Manohla Dargis
    A deliriously alive movie, The Great Beauty is the story of a man, a city, a country and a cinema, though not necessarily in that order.
    • 90 Metascore
    • 100 Manohla Dargis
    Mr. Bale, like some other stars who embrace playing ugly, feels as if he’d been liberated by all the pounds he’s packed on and by his character’s molting looks, an emancipation that’s most evident in his delicately intimate, moving moments with Ms. Adams and Ms. Lawrence.
    • 90 Metascore
    • 100 Manohla Dargis
    Her
    At once a brilliant conceptual gag and a deeply sincere romance, Her is the unlikely yet completely plausible love story about a man, who sometimes resembles a machine, and an operating system, who very much suggests a living woman.
    • 87 Metascore
    • 100 Manohla Dargis
    The audacity of The Missing Picture — a brilliant documentary about a child who held on to life in Cambodia’s killing fields — is equaled only by its soulfulness.
    • 86 Metascore
    • 100 Manohla Dargis
    By focusing on such a narrow slice of Nepali life, Ms. Spray and Mr. Velez have ceded any totalizing claim on the truth and instead settled for a perfect incompleteness.
    • 79 Metascore
    • 100 Manohla Dargis
    In Policeman, Mr. Lapid, making an electrifying feature directing debut, traces the line between the group and the individual in a story that can be read as a commentary on the world as much as on Israel.
    • 82 Metascore
    • 100 Manohla Dargis
    In most movies, something happens; in Archipelago, many things happen, quietly yet meaningfully.
    • 100 Metascore
    • 100 Manohla Dargis
    In Boyhood, Mr. Linklater’s masterpiece, he both captures moments in time and relinquishes them as he moves from year to year. He isn’t fighting time but embracing it in all its glorious and agonizingly fleeting beauty.
    • 77 Metascore
    • 100 Manohla Dargis
    Words do more than hurt, they also slash and burn in this sharp, dyspeptic, sometimes gaspingly funny exploration of art and life, men and women, being and nonbeing, and the power and limits of language.
    • 89 Metascore
    • 100 Manohla Dargis
    The camerawork in Birdman is an astonishment, and an argument that everything flows together, which in this movie means the cinematography, the story, the people, even time and space.
    • 90 Metascore
    • 100 Manohla Dargis
    Like most of Mr. Wiseman’s work, the movie is at once specific and general, fascinating in its pinpoint detail and transporting in its cosmic reach.
    • 85 Metascore
    • 90 Manohla Dargis
    It is undeniable in its poignancy, an ecstatic vision of what might have been, though as much for its story as for the fact that the whole thing dissolves like a paper fan in rain, an evanescent masterwork.
    • 71 Metascore
    • 90 Manohla Dargis
    A terrifically clever film; has a soft-boilded heart.
    • 92 Metascore
    • 90 Manohla Dargis
    Generous, soulful film.
    • 79 Metascore
    • 90 Manohla Dargis
    The film is unabashedly sexy, and its heady romanticism feels as right and as unaffected as Im's bold use of color and his equally bold decision to tell the story through traditional pansori narration.
    • 75 Metascore
    • 90 Manohla Dargis
    In a film that verges on greatness, it is a sign of terrific faith, as well as of Anderson's promise as a director, that when one of the characters in The Royal Tenenbaums wears hospital pajamas after a detour into grief, the words over his heart read "recovery area."
    • 79 Metascore
    • 90 Manohla Dargis
    At once an emotional thriller and a domestic horror movie -- a woman's picture with a vengeance, in which the bloodletting is kept to a minimum, and ends up all the more powerful and profound for it.
    • L.A. Weekly
    • 76 Metascore
    • 90 Manohla Dargis
    Enormously enjoyable, high-adrenaline documentary.
    • 84 Metascore
    • 90 Manohla Dargis
    Has the glorious look and immaculate technique we expect from Mann, along with a wealth of superb secondary performances.
    • 79 Metascore
    • 90 Manohla Dargis
    Va Savoir doesn't so much flow as wander, trailing off into drama one minute, slapstick the next; it tries your patience, but ever so gently, masterfully.
    • 90 Metascore
    • 90 Manohla Dargis
    Crowe has made a hugely entertaining, nearly pitch-perfect film about rock & roll.
    • 78 Metascore
    • 90 Manohla Dargis
    This sensitively directed film is one of those rarest of accomplishments: a graceful work of art about the very creation of art itself.
    • 84 Metascore
    • 90 Manohla Dargis
    This unassuming, insistently entertaining documentary has the virtue of a great subject.
    • 64 Metascore
    • 90 Manohla Dargis
    The film's strength and its entertainment lie in John Myhre's production design, its generally appealing cast...and, perhaps most importantly, a canny degree of self-parody.
    • 72 Metascore
    • 90 Manohla Dargis
    Pi
    A triumph of low-end production design, shot in sizzling, solarized black and white, and driven by a propulsive, insinuating score, Pi is a horror movie that makes you think and an indie film that makes you squirm.

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