Manohla Dargis
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For 1,548 reviews, this critic has graded:
  • 44% higher than the average critic
  • 3% same as the average critic
  • 53% lower than the average critic
On average, this critic grades 0.5 points higher than other critics. (0-100 point scale)

Manohla Dargis' Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 A Touch of Sin
Lowest review score: 0 How to Lose Friends & Alienate People
Score distribution:
1,548 movie reviews
    • 95 Metascore
    • 90 Manohla Dargis
    When Mr. Eisenberg makes Mark's face go blank, the character seems scarily emptied out: it's a subtly great, at times unsettling, performance.
    • 76 Metascore
    • 90 Manohla Dargis
    Both newcomers to Mr. To and longtime admirers should be prepared for a master class in directing.
    • 69 Metascore
    • 90 Manohla Dargis
    With beauty, mild and sharp jolts, and mesmerizing camerawork, he (Gaspar Noe) tries to open the doors of perception.
    • 94 Metascore
    • 90 Manohla Dargis
    Like the convictions of some born into religious families, his (Carlos) Marxism seems more a matter of habit than faith. What seems to turn him on is power, which, the movie suggests, he nurtured alongside his luxe tastes.
    • 50 Metascore
    • 90 Manohla Dargis
    As it turns out, Mr. Perry, while busily establishing his economic independence, has been finding his voice as a filmmaker. And here, working with fine performers like Ms. Elise, Anika Noni Rose, Phylicia Rashad and Kerry Washington, he sings the song the way he likes it - with force, feeling and tremendous sincerity.
    • 83 Metascore
    • 90 Manohla Dargis
    Pugilists and philosophers of all kinds converge in Frederick Wiseman's mesmerizing documentary Boxing Gym.
    • 87 Metascore
    • 90 Manohla Dargis
    A stirring, unexpectedly moving story of love and blood.
    • 64 Metascore
    • 90 Manohla Dargis
    With no grand speeches or oversized gestures, Mr. Katz creates a specific world that gracefully enlarges with universal meaning.
    • 70 Metascore
    • 90 Manohla Dargis
    Tim isn't super anything (though he proves heroic), and what makes Cedar Rapids a low-wattage pleasure is its insistence that his ordinariness - with his decency and sense of wonder - is pretty extraordinary.
    • 87 Metascore
    • 90 Manohla Dargis
    Childhood ends, this time forever, with tears and howls, swirls of smoke, the shock of mortality and bittersweet smiles in Harry Potter and the Deathly Hallows: Part 2, the grave, deeply satisfying final movie in the series.
    • 83 Metascore
    • 90 Manohla Dargis
    Waves of melancholy wash over the story and keep the treacle at bay, as do the spasms of broad comedy, much of it nimbly executed by Mr. Baron Cohen.
    • 75 Metascore
    • 90 Manohla Dargis
    Gaudily vibrant, at times morbidly funny.
    • 70 Metascore
    • 90 Manohla Dargis
    There are several genres nimbly folded into The Skin I Live In, which might also be described as an existential mystery, a melodramatic thriller, a medical horror film or just a polymorphous extravaganza. In other words, it's an Almodóvar movie with all the attendant gifts that implies: lapidary technique, calculated perversity, intelligent wit.
    • 85 Metascore
    • 90 Manohla Dargis
    A pleasurably sly and involving puzzler - a mystery about mysteries within mysteries.
    • 66 Metascore
    • 90 Manohla Dargis
    Stuffed with zingers and zippy stunts, it comes with pretty young things of all hues and hair types - few prettier than its lead, Joseph Gordon-Levitt - and start-to-finish clever special effects, none more clever or special than Michael Shannon.
    • 80 Metascore
    • 90 Manohla Dargis
    What the studio does, brilliantly, is preserve a hand-drawn look and feel in its work, as in the exteriors in The Secret World, where the characters pop against a painterly meadow.
    • 84 Metascore
    • 90 Manohla Dargis
    Moonrise Kingdom breezes along with a beautifully coordinated admixture of droll humor, deadpan and slapstick. Like all of Mr. Anderson's films, though, there's a deep, pervasive melancholia here too.
    • 72 Metascore
    • 90 Manohla Dargis
    It's a modest film, if only in scale and apparent budget, about some of the greatest questions in life, like the existence of God, our capacity to see beyond our own vanity and the legacies of fathers, both blood and state.
    • 82 Metascore
    • 90 Manohla Dargis
    As in many road movies, the trip becomes an occasion for philosophizing, a journey inward and out as the men joust and parry, improvising and entertaining each other, at times by imitating, hilariously, someone else (Michael Caine, Sean Connery).
    • 76 Metascore
    • 90 Manohla Dargis
    In some sense it was beauty that saved Mr. Brannaman, that of his conscience and that of horses, which, having been tied to humans long ago, became companions, workers and for some, as this lovely movie shows, saviors.
    • 69 Metascore
    • 90 Manohla Dargis
    With a visual style and a deadpan humor that owes an obvious debt to the Finnish director Aki Kaurismaki ("Drifting Clouds"), they hold their shots long enough for you to scan details, look deep into faces and think on how little (or much) it takes to be happy. Here a painted Jesus hovers on a chipped wall, but it's an unholy family of three that finds heaven on earth.
    • 72 Metascore
    • 90 Manohla Dargis
    Far more than Norman's adventure, which takes him from home to a cemetery and deep into his town's history, what pulls you in, quickening your pulse and widening your eyes, are the myriad visual enchantments - from the rich, nubby tactility of his clothes to the skull-and-bones adorning his bedroom wallpaper.
    • 55 Metascore
    • 90 Manohla Dargis
    Dark Shadows isn't among Mr. Burton's most richly realized works, but it's very enjoyable, visually sumptuous and, despite its lugubrious source material and a sporadic tremor of violence, surprisingly effervescent.
    • 73 Metascore
    • 90 Manohla Dargis
    The movie is a curiosity cabinet of visual pleasures but so breezy and lightly funny that you may not realize at first how good it is.
    • 78 Metascore
    • 90 Manohla Dargis
    The world of My Joy is grim, though the experience of watching it and piecing together its fragmented story strands is anything but. It's suspenseful, mysterious, at times bitterly funny, consistently moving and filled with images of a Russia haunted both by ghosts and the living dead.
    • 87 Metascore
    • 90 Manohla Dargis
    In many respects Ceausescu turns out to be as much the author of this brilliant documentary as the director, Andrei Ujica, who waded through more than 1,000 hours of filmed state propaganda, official news reports and home movies to create a cinematic tour de force that tracks the rise, reign and grim fall of its subject.
    • 56 Metascore
    • 90 Manohla Dargis
    Peter and Bobby Farrelly's thoroughly enjoyable paean to Moe, Larry and Curly and the art of the eye poke.
    • 66 Metascore
    • 90 Manohla Dargis
    The woman in Christopher Munch's lovely, delightfully idiosyncratic Letters From the Big Man, resplendent with its own dense forests and cloudy Oregon days, has already fallen to earth and is looking for a way back up or maybe just forward. She gets help from a sasquatch.
    • 78 Metascore
    • 90 Manohla Dargis
    A rush of a movie from South Korea that slips and slides from horror to humor on rivers of blood and offers the haunting image of a man, primitive incarnate, beating other men with an enormous, gnawed-over meat bone.
    • 82 Metascore
    • 90 Manohla Dargis
    A metaphysical road movie about life, death and the limits of knowledge, Once Upon a Time in Anatolia has arrived just in time to cure the adult filmgoer blues.