For 456 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 9.2 points higher than other critics. (0-100 point scale)

Marc Mohan's Scores

  • Movies
Average review score: 68
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 0
Score distribution:
  1. Negative: 21 out of 456
456 movie reviews
    • Metascore: 95
    • Marc Mohan 83
    Viewers looking for a propagandistic take will be disappointed, but even those who doubt the overall framework and existence of the so-called War on Terror should appreciate this thrilling tale of the hunt for the world's most wanted man.
    • Metascore: 94
    • Marc Mohan 91
    While what's on screen is unsparing and clinically presented, the underlying, almost invisible humanity and artistry of the film inspire rather than depress.
    • Metascore: 91
    • Marc Mohan 100
    For a film that consists largely of a series of talking-head interviews, The Gatekeepers is a riveting a documentary.
    • Metascore: 90
    • Marc Mohan 100
    With a level-gazed approach to its milieu, empathetic but clear-eyed, Winter's Bone practically makes up for 40 years of "Deliverance"-style hillbilly cartoons.
    • Metascore: 89
    • Marc Mohan 91
    Takes on the air of a heist film as the preparations proceed, and even knowing the outcome, tension still remains.
    • Metascore: 89
    • Marc Mohan 83
    The first to take a big-picture view of just how the plans for postwar occupation went so far off track.
    • Metascore: 89
    • Marc Mohan 100
    The acting is flawless, the world feels utterly real, and the finale accomplishes the miracle of finding in the everyday world something profound.
    • Metascore: 88
    • Marc Mohan 91
    The result is a gripping film which, despite the annoying rugrat, demonstrates how part of leaving childhood behind is learning how and when to lie, and to do it well.
    • Metascore: 87
    • Marc Mohan 83
    What makes the Dardennes' films so powerful is their refusal to judge, positively or negatively, their characters.
    • Metascore: 87
    • Marc Mohan 91
    As unpleasant as so many of its going-on are, Wake in Fright works both as an early instance of "Ozploitation" cinema and as a harsh critique of Australian colonialism and the absurdity of trying to bring so-called civilization to this vast arid wilderness.
    • Metascore: 87
    • Marc Mohan 75
    It may not be the most memorable saga put on film, but as far as Miike is concerned, it doesn't have to be.
    • Metascore: 86
    • Marc Mohan 75
    Spielberg manages to give us a Lincoln for our times, inspiringly heroic but demonstrably human.
    • Metascore: 86
    • Marc Mohan 75
    Ultimately, the story can be seen as the collision of two equally uncompromising belief systems, each its own form of fundamentalism. That neither benefits from the encounter should come as no surprise to anyone with the slightest knowledge of human history.
    • Metascore: 86
    • Marc Mohan 83
    The period details are spotless, kindling memories of those days of yellow ribbons and nightly news updates on the fate of the American hostages.
    • Metascore: 86
    • Marc Mohan 83
    Difficult to sit through, Our Daily Bread is nonetheless an important record, invaluable for those with the courage to watch it.
    • Metascore: 86
    • Marc Mohan 67
    Ultimately, though, it's hard not to feel like Hou is saying more explicitly and expansively in nearly two hours what Lamorisse managed to convey in only one-fourth as much film.
    • Metascore: 85
    • Marc Mohan 91
    Akin is German-born but of Turkish heritage, and his films have often been concerned with the particular clashes and conflicts between those cultures. This film, though, does so in a much more oblique way than 2004's "Head-On."
    • Metascore: 85
    • Marc Mohan 83
    This combination of fatalism, nostalgia and willfully naive optimism captures something essential in the Russian soul.
    • Metascore: 84
    • Marc Mohan 83
    Nguyen reportedly worked on War Witch for a decade, and it shows in both the immediacy and authenticity of his tale, and the meticulous craft with which it's told.
    • Metascore: 84
    • Marc Mohan 91
    A keenly observed, typically high-quality family drama of the sort only the French seem capable of making anymore.
    • Metascore: 84
    • Marc Mohan 83
    While the third act inevitably bogs down a bit in gunplay and chases, there are more than enough moments of visual wonder and storytelling surprise to make it worth the trip.
    • Metascore: 84
    • Marc Mohan 75
    The overall thrust of the story -- that downtrodden folks in desperate circumstances have the capacity for goodness -- is one too rarely seen.
    • Metascore: 84
    • Marc Mohan 91
    Perhaps the most beautiful film to hit Portland movie screens this year.
    • Metascore: 84
    • Marc Mohan 91
    The halting dialogue, full of awkward pauses and restarts, seems improvised in the way that only carefully scripted material can.
    • Metascore: 83
    • Marc Mohan 75
    The film works as well as it does thanks to Kimberly Roberts' magnetic screen presence.
    • Metascore: 82
    • Marc Mohan 83
    In the fine tradition of well-made thrillers, it's enough that it all feels solid at the moment, and the final revelations are unexpected and seemingly inevitable.
    • Metascore: 82
    • Marc Mohan 91
    With this amoral business environment, it's not a question of if there will be another Enron, but when.
    • Metascore: 82
    • Marc Mohan 100
    An alternately harrowing and poetic take on the fatal 1982 hunger strike of Irish Republican Army prisoner Bobby Sands, Hunger is also one of the most impressive feature directing debuts in years.
    • Metascore: 82
    • Marc Mohan 83
    A mental workout of the most invigorating sort.
    • Metascore: 82
    • Marc Mohan 91
    As numbing as the drumbeat of downbeat documentaries can be, as hard as it is to even be shocked at the depravities committed in our name, a film like this remains important, both as an indictment of the present day and as a warning to future generations that the ends don't always justify the means.