For 656 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 9.5 points higher than other critics. (0-100 point scale)

Marc Mohan's Scores

  • Movies
  • TV
Average review score: 69
Highest review score: 100 The Manchurian Candidate
Lowest review score: 0 Cop Out
Score distribution:
  1. Negative: 29 out of 656
656 movie reviews
    • 70 Metascore
    • 75 Marc Mohan
    The real revelation is Lou Ferrigno, in his first non-Hulk-related big-screen role since 2002. OK, so he plays himself.
    • 70 Metascore
    • 83 Marc Mohan
    In addition to providing a fascinating, agenda-free look at an unseen way of life, the film presents a lesson that should be welcome among people of any faith or none at all.
    • 70 Metascore
    • 75 Marc Mohan
    With a predictable and borderline manipulative plot, Tsotsi depends on strong performances for its impact, and its cast delivers.
    • 70 Metascore
    • 83 Marc Mohan
    Oswalt sells Auferio's pasty indecision and makes him a more sympathetic figure than he has any right to be.
    • 70 Metascore
    • 83 Marc Mohan
    Whether Waddington's film comes across as hypnotic or boring, mythic or pretentious, may depend on the viewer's mood or tolerance for quasi-allegorical storytelling. But, as the women in House of Sand learn, patience can sometimes be its own reward.
    • 70 Metascore
    • 67 Marc Mohan
    Someone should send him (Kerry) a copy, if only to remind the senator of the days when he was willing and able to speak with the courage of his convictions, and when he had a lot less to lose.
    • 70 Metascore
    • 67 Marc Mohan
    The environment is one of unrelenting cruelty and misanthropy, which certainly brings out the novel's darker themes, but can be something of a slog to watch.
    • 70 Metascore
    • 75 Marc Mohan
    It's not without one or two missteps, but remains likely the most impressive juvenile acting you'll see this year.
    • 70 Metascore
    • 83 Marc Mohan
    An informative and frightening documentary.
    • 70 Metascore
    • 50 Marc Mohan
    A good test of a movie like this is whether it would be more or less stimulating to hang out with people you really know for 82 minutes. If Happy Christmas is the time better spent, it might be time to find a new crowd.
    • 69 Metascore
    • 67 Marc Mohan
    The world depicted in Mark Romanek's Never Let Me Go is among the more beautiful dystopias in film history.
    • 69 Metascore
    • 42 Marc Mohan
    The result is a hybrid of "Falling Down" and "Short Cuts" without the iconic central character of the former or the latter's clear-eyed humanism.
    • 69 Metascore
    • 75 Marc Mohan
    One man's befuddlement is another's awe at the ineffability of time, and from either perspective, this is a spectacle not soon forgotten, even if never understood.
    • 69 Metascore
    • 75 Marc Mohan
    A watchable, even suspenseful portrait of a woman who spends most of the film smoking cigarettes, sitting at typewriters or sparring at dinner parties.
    • 69 Metascore
    • 75 Marc Mohan
    Despite all the camaraderie, natural beauty and exotic weather, though, you couldn't pay me enough to live there, especially not when there's a movie like this to show me what I'm missing.
    • 69 Metascore
    • 50 Marc Mohan
    There's visual poetry here, in small doses, but it doesn't take long for one's patience to run out.
    • 69 Metascore
    • 67 Marc Mohan
    In trying to make Kalmen's story unique, the film inadvertently exposes him as the most typical sufferer of midlife crises you could imagine.
    • 69 Metascore
    • 83 Marc Mohan
    Once Greene achieves fame, neither he nor the screenplay quite knows what to do; the first half-hour of Talk to Me is the most fun. But a vibrant feel for its era and a genuine affection for its characters make the whole thing a solid evocation of a time and a life worth remembering.
    • 69 Metascore
    • 75 Marc Mohan
    Yes, a comedy, however dark, about a parent taking advantage of a child's death is a tough sell. But with Williams more restrained and sympathetic than he's been in years (again, faint praise), and a final act that makes up for a ponderous first third, "Dad" shows that it can be done.
    • 69 Metascore
    • 67 Marc Mohan
    Provides adventure and humor in sufficient spoonfuls to make its pro-environment medicine go down smoothly for the target audience of grade-schoolers.
    • Portland Oregonian
    • 69 Metascore
    • 75 Marc Mohan
    A distancing cynicism has been slathered over the story's maudlin core, with the hope perhaps that between these two conventional extremes resides a genuine emotional truth. That may be the case, but "Wilbur" doesn't quite get to it.
    • 69 Metascore
    • 67 Marc Mohan
    The performances are solid, and Juuso has a particular charisma. The actors do a commendable job of revealing unimagined layers to their initially one-note roles.
    • 69 Metascore
    • 83 Marc Mohan
    Warmhearted lesson in tolerance.
    • 69 Metascore
    • 58 Marc Mohan
    It's neither grounded enough to be genuinely horrifying nor over the top enough to be nastily fun.
    • 68 Metascore
    • 67 Marc Mohan
    Caro stumbles in a couple ways. By flashing forward throughout the film to scenes of the climactic courtroom showdown, she blunts the story's dramatic impact.
    • 68 Metascore
    • 75 Marc Mohan
    The fascinating tale of master forger Mark Landis is especially bizarre, mostly because it doesn't involve the commission of a crime.
    • 68 Metascore
    • 91 Marc Mohan
    Prolific documentarian Alex Gibney takes a labyrinthine, detail-laden story and crafts an attention-holding film, polemical without ranting.
    • 68 Metascore
    • 67 Marc Mohan
    The East never goes as deep undercover as it should.
    • 68 Metascore
    • 75 Marc Mohan
    Ordinary folks working together to triumph over incredible odds, depicted in a Disney film that doesn't overdose on sentiment? That's the real miracle.
    • 68 Metascore
    • 91 Marc Mohan
    Katz, who has been saddled with the deadly label "mumblecore" in the past, and Stephens ("Pilgrim Song") combine sensibilities of dry wit and warm earnestness in precise proportions. It's also further proof, if it were needed, that smart, funny, entertaining films are always around, even in the dog days of summer. You just have to know where to look.

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