For 656 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 9.5 points higher than other critics. (0-100 point scale)

Marc Mohan's Scores

  • Movies
  • TV
Average review score: 69
Highest review score: 100 The Manchurian Candidate
Lowest review score: 0 Cop Out
Score distribution:
  1. Negative: 29 out of 656
656 movie reviews
    • 86 Metascore
    • 75 Marc Mohan
    Spielberg manages to give us a Lincoln for our times, inspiringly heroic but demonstrably human.
    • 76 Metascore
    • 75 Marc Mohan
    The languid, observational style of director Julia Loktev will frustrate those expecting stuff to, like, happen more, but it has its real rewards.
    • 74 Metascore
    • 75 Marc Mohan
    Convincing performances from Hemingway and the charmingly crabby Johnson and an unhurried pace ensure that Baker's film achieves its modest goals.
    • 79 Metascore
    • 75 Marc Mohan
    It proves the power of a good story, both to entertain us and to allow us to process unpleasant truths.
    • 71 Metascore
    • 75 Marc Mohan
    A decent-enough treat for fans of this particular Gallic genre.
    • 55 Metascore
    • 75 Marc Mohan
    The rhetorically stacked deck, and some unconvincing third-act plot twists, get in the way of this movie's efforts to reach the cinematic promised land of true greatness.
    • 57 Metascore
    • 75 Marc Mohan
    The last time Jane Fonda acted in a French-language film, it was Jean-Luc Godard's radical 1972 effort "Tout Va Bien." It's fitting, then, that she fluently plays Jeanne, one of five aging leftists in this slight, but never frivolous, tale.
    • 81 Metascore
    • 75 Marc Mohan
    The style and subject matter recall the films of the Dardenne brothers, ("The Kid With a Bike") and while Sister never reaches the heights of their best work, it earns the comparison.
    • 64 Metascore
    • 75 Marc Mohan
    Despite all this hokum, Quartet is amusing and heartwarming.
    • 56 Metascore
    • 75 Marc Mohan
    Not to be mistaken for a serious treatment of religious fervor or clerical corruption, The Monk is instead a knowingly over-the-top bit of gothic nuttiness.
    • 44 Metascore
    • 75 Marc Mohan
    Most of the time, though, it's a confusing mishmash featuring a fine actor too willfully operating outside his comfort zone.
    • 58 Metascore
    • 75 Marc Mohan
    Once Wentworth Miller's screenplay starts to provide answers for Charlie's mysterious menace, though, expectations are left unfulfilled.
    • 63 Metascore
    • 75 Marc Mohan
    It's a pleasure, so soon after seeing Franco's recent bewildered performance in "Oz the Great and Powerful," to watch him tackle this menacing yet beguiling character.
    • 58 Metascore
    • 75 Marc Mohan
    Wrong never feels dangerous or truly challenging, content generally to amuse rather than amaze.
    • 58 Metascore
    • 75 Marc Mohan
    Perhaps the most amazing thing about this story is that it would have been lost to history had not American spelunker Chris Nicola happened across mundane relics -- buttons, shoes and the like -- while exploring the cave complex in the 1990s.
    • 65 Metascore
    • 75 Marc Mohan
    Paradise: Love, the first in a thematic trilogy, is a sad story about the difficulty individuals face when trying to establish relationships across vast cultural and economic gulfs.
    • 76 Metascore
    • 75 Marc Mohan
    Mud
    The spirits of Huck Finn and Tom Sawyer are alive and well in the Southern-fried coming-of-age tale Mud. It's got all the ingredients.
    • 55 Metascore
    • 75 Marc Mohan
    There's a certain bravery in Brandon's full embrace of the themes of Cronenberg père, who may be returning the favor with his next film, the Hollywood satire "Maps to the Stars."
    • 62 Metascore
    • 75 Marc Mohan
    It's solidly entertaining, with Downey's roguish charm as appealing as ever.
    • 69 Metascore
    • 75 Marc Mohan
    A watchable, even suspenseful portrait of a woman who spends most of the film smoking cigarettes, sitting at typewriters or sparring at dinner parties.
    • 82 Metascore
    • 75 Marc Mohan
    It's visually appealing, but embodies the movie's (and Frances') problem: wanting to be taken seriously without putting in the real work required to prove you're actually serious.
    • 62 Metascore
    • 75 Marc Mohan
    For most of its running time, it's a riveting rendition of a stranger-than-fiction tale.
    • 56 Metascore
    • 75 Marc Mohan
    Disco scholars convincingly analyze lyrics and fashions as presenting bold expressions of sexuality and democratic hedonism, while Kastner doesn't skimp on the vintage clips, which range from unintentionally hilarious to surprisingly impressive.
    • 74 Metascore
    • 75 Marc Mohan
    The central figure in The Attack is the very picture of a tolerant, integrated future for the Mideast. When a horrific blast kills 17 people and sends dozens of wounded to his hospital, he's elbow-deep trying to save the victims, even the one who refuses help from an Arab.
    • 64 Metascore
    • 75 Marc Mohan
    Idris Elba exudes the requisite militaristic authority as Raleigh's commanding officer, and Rinko Kikuchi is his determined partner in mecha mayhem.
    • 81 Metascore
    • 75 Marc Mohan
    When the movie is funny, it’s very funny.
    • 79 Metascore
    • 75 Marc Mohan
    Bell does a fantastic job of telling a thoroughly feminist story without being strident or didactic.
    • 55 Metascore
    • 75 Marc Mohan
    Parts of “Spark” can seem like an ad for Burning Man, but the film digs deep enough into the pressures and challenges facing its organizers and attendees to be a worthy exploration of a unique phenomenon, even for those who wouldn’t be caught dead wearing just glitter and a thong in 110 degree heat.
    • 49 Metascore
    • 75 Marc Mohan
    The movie looks great, with soft-focus shots of perfectly tailored outfits masking the ugliness within.
    • 55 Metascore
    • 75 Marc Mohan
    The world may not get another Ip Man film for a while after the last few years, but this one and Wong’s masterpiece should be more than sufficient.

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